French 19th Century Transitional St. Mahogany And Ormolu Cabinet/Secretary Desk

A superb and unique French 19th century Louis XVI st. mahogany and ormolu desk. The desk is raised on tapered fluted legs with ormolu chandelles and topie feet with ormolu sabots. At the impressive apron is a single drawer which has a secret mechanism...

An elegant French 19th century Louis XV st. mahogany one drawer desk. The desk is raised by four slender, elegant cabriole legs with highly chased ormolu foliate mounts at the top, c...

An elegant French 19th century Louis XV st. Rosewood, Kingwood, Tulipwood, ormolu, and Incarnat Turquin marble desk. The three drawer desk is raised by slender cabriole legs with fin...

A most elegant French 19th century Louis XV st. kingwood and ormolu desk. The desk is raised by beautiful cabriole legs with fine wrap around ormolu sabots and a striking ormolu fill...

Antique French Louis XV Style Gilt Bronze Mounted Bureau De Pente Writing Desk This antique French Louis XV style gilt bronze mounted bureau de Pente writing desk features a mahogan...

French Louis XV style Marquetry desk with embossed leather top.

19th century French Louis XV style ormolu mounted writing desk French, Late 19th Century Height 100cm, width 121cm, depth 66cm Crafted in the late 19th century, this writing desk i...

Gorgeous antique secretaire a abattant, desk, French Empire style, mahogany, gilt, 1800s, 19th century! This stunning French Empire style marble-top mahogany fall-front desk, 19th century, projecting frieze drawer, with gilt metal crossed sword pulls, turned column supports flanking the fall-front panel, opening to gilt embossed leather writing surface, mirrored interior gallery, over dual cabinet doors, opening to reveal three drawers, above lower apron drawer, approximately 56.5" height 37.25" width, 17" depth. Dominated by Greco-Roman models, the Empire style - spare, noble, massive - had a studied dignity consistent with Napoleonic majesty. The characteristic furniture types were a bit stiff but imposing: their flat surfaces and sharp corners, together with their lack of moldings, produced an effect of grandeur that was not without beauty as per Timothy Corrigan The Empire style was deliberately propagandistic, and embraced what was most monumental in ancient art as suitable analogies to the new French Empire. Napoleon imposed a tyrannical centralization on artistic production, decreeing that it would be subject to control from Paris and overseen by the architects Percier and Fontaine...