Marquetry Bureau Plat Attributed to Robert Blake & Sons

A FINE REGENCY MAHOGANY LIBRARY TABLE ATTRIBUTED TO GILLOWS, CIRCA 1820. With original blind-tooled coral-red Morocco leather top, the frieze with three mahogany-lined drawers to ei...

A MAGNIFICENT PARCEL-GILT OAK AND POLLARD OAK HANGING CABINET ATTRIBUTED TO ROBERT HUME, AFTER DESIGNS BY WILLIAM BECKFORD AND H. E. GOODRIDGE, Circa 1835.

ATTRIBUTED TO TOMASSO RUES, VENICE, LATE 17TH CENTURY. A PAIR OF STATUARY MARBLE BUSTS OF ANTIQUE HEROINES. On late Rosso di Verona socles. PROVENANCE: Frédéric Spitzer Collection...

ATTRIBUTED TO JAMES NORTHCOTE (1746-1831) Portrait of an Artist Oil on canvas

A fine and Important Louis XV style Bureau plat attributed to François Linke (1855-1946) after a model by Jean François Oeben. Typical of the work by François Linke, this desk featur...

An mid-20th century ebonised bureau plat of small proportions with Morocco leather writing surface, gilt tooled. Below two drawers, all supported fluted, tapering feet, terminating i...

This elegant Louis XV bureau plat, dating from circa 1750, showcases the exquisite craftsmanship of its time. Constructed from tulipwood and kingwood, the desk features a luxurious l...

A Victorian walnut marquetry writing table attributed to Edward Holmes Baldock, the shaped rectangular top with an oval panel inset with tooled green leather, the frieze with two small side drawers, all raised on solid baluster end supports joined by a spiral-turned stretcher, decorated with bone, stained and exotic woods with naturalistic flowers and boxwood stringing. English, circa 1850. Footnote: Edward Holmes Baldock, (1777-1845) was one of the first London antique dealers, in the modern sense of the word. He principally dealt in 18th century French furniture and Chinese Export porcelain, and commissioned furniture to compliment his inventory. This furniture has strong French design influences, but retains subtle English details (the floral marquetry often depicts English wildflowers...