Wood Dining Room Sets

They can be sold separately 1930s amazing dining room in burl walnut flame applied with particular edge to 45 degrees, the furniture industry "Guido Pennati", design attributed to Os...

Italian mid century dining table and six chairs. Chrome srtucture and formica. Table is extendable from 4 - 6 people. The set is in good vintage condition, tarnish chrome. Table dime...

Kaare Klint Additional table in mahogany. Executed by Rud. Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DENMARK.

Minimalist Extendable Dining table and matching Dining Chairs set of 6 designed by Alfred Hendrickx for Belform. A beautiful minimal...

Nerone & Patuzzi dining table for Gruppo NP2, glass, iron and wood, Italy, 1970s. Designed by the Italian duo Nerone and Patuzzi, this dining table is a work of art. The base consis...

Italian midcentury Giorgetti dining set including dining table and four chairs. The dining table is in black painted wood with walnut top and brass details on the legs. The chairs...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

French draw-leaf dining table that was carefully stripped of its original finish and made to look like raw white oak, but with an invisible matte protective clear coat. Structurally ...

3-piece Scandinavian modern dining set, table, and (2) benches made of pine designed by Gilbert Marklund for Furusnickarn feature unique details on the sides of table and benches, Sw...

Willy Rizzo style table and chairs by Gastone Rinaldi for Rima, 1970s DESCRIPTION Table with briarwood and brass base, and smoked glass top. The chairs are made of chrome-plated iro...

Danish extendable rosewood dining table with eight “Eva” chairs (Very comfortable seat and rare to find in rosewood) Designed by Niels Koefoed and manufactured by Koefoeds Hornslet...

SALE ONE WEEK ONLY Rare Mid-Century Modern dining table and eight dining chairs with black leather seats by Erik Worts for Henrik Worts Mobelsnedkeri, Denmark. A beautiful hand-c...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Oak dining chairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern desig...

Restored.

A French Louis XV style dining set includes an oak table with parquetry draw top and raised on cabriole legs terminating in scroll form feet; four chairs are upholstered with tall ba...

Rare dining set with table, bench and 2 chairs. Dinning room set By Ilmari Tapio vaara, designed in the 1950ties. This set is in good vintage condition. Dimensions: Table : 12...

Absolutely incredible, and very stylish Brutalist dining table with an additional extendable leaf, and 6 chairs set made of solid beech wood. When the table is without the leaf it se...

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

Tessellated Marble Dining Chairs, American, circa 1970s. Outstanding color combination with the black and deep coral orange color tessellated marb...

On offer on this occasion is one of the most stunning, extension dining table and wood chairs you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivoca...

Elegantly shaped set of 4 oak dining chairs with extendable dining table by Johannes Andersen. Model 'Juliane' The chairs have a grey fabric upholstery. Produced by Uldum ...

Oak armchairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern designers...

Dining table designed by Umberto Mascagni of Bologna in the 1950s. The main body structure is in solid European wood, covered in brown veined vinyl and anodized aluminum. The legs ar...

Rosewood table and chairs model 31 by Kai Kristiansen. Furniture in very good condition, after professional renovation. The seat and back of...

Giovanni Michelucci for Poltronova, ´Torbecchia', table and bench, walnut, Italy, design 1964 This dining room set consisting of a beautiful table and bench in walnut wood is desig...

Dining room set with table and four chairs, maple, Europe 1960s Beautiful and naturalistic dining set consisting of a table and chairs made in Europe in the 1960s. The chair featur...

Dining room set consisting of Giovanni Offredi for Saporiti dining table with Alberto Salvati & Ambrogio Tresoldi for Saporiti set of ten 'Dan...

Jean-Charles Moreux, born June 13, 1889 in Mont-Saint-Vincent in Saône-et-Loire and died July 7, 1956 in Paris, is a French architect who adopted a style of rigorous and poetic class...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

Set of eight sculptural dining chairs, designed by Norman Cherner for Plycraft, American, circa 1950s. They have all been refinished and reupholstered in black vinyl. They measure: 3...

This set is absolutely divine! Designed by Edward Wormley for Dunbar in the 1950's this set was manufactured to be of the absolute highest quality, and to last forever... which it ki...

Dining set, Western Europe, circa 1930. Very good condition. Wood: oak dimensions : table height 76 cm width 148 cm / when unfolded 260 cm depth 100 cm chairs height 1...

This vintage French style zinc top farm style dining, kitchen or garden table sits on an industrial style trestle base. The aged oak trestle base and the well oxidized top gives this...

A Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s Wonderful addition to a contemporary or period garden room, with stow away seats ...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

Art Deco American of Martinsville burlwood 8 piece dining set. Stunning Art Deco American of Martinsville burlwood 8 piece dining set. This set includes: table with 1 leaf, and 6 chairs. Unique mirrored burlwood dining table with a leaf. Beautiful set of 6 art deco campaign style dining chairs...

Rare dining set in patinated masur birch. Dining table (model 91) and four chairs (model 611). Maker Huonekalutehdas Korhonen Oy. Table size 125 cm diameter.

Dining set, France, around 1920. Very good condition. Wood: oak dimensions table height 78 cm length 129 cm length after unfolding 240 cm depth 100 cm chairs height 10...

Mobichalet, set of table, chair, and stool, oak, beech, Belgium, 1950s This rustic set will come forward nicely in a relaxing atmosphere, like a patio or a studio space. The bruta...

Vintage Art Deco Wooden Theatre Folding Chairs by General Sales Co Set of 6 (B). Item features upholstered seats, metal cross stretcher, bentwood frames, original label, very nice vi...

A beautiful dining set containing one extendible dining table and four arm chairs, designed by Niels Otto Møller, manufactured by Møller in Denmark around 1960. The dining table has a round top with a diameter of 110 cm, which can be extended by placing a separate leaf in the middle. That makes the table 160 cm...

Sturdy and handcrafted dining chairs with matching table produced by Depuydt Kunstmeubelen in Belgium. The entire set is made out of solid oak. It's rare to have the chairs and...

A British Art Deco Dining Suite by Hille produced in London in the 1930’s The Table has a large one piece top with highly figured burr walnut book matched veneers, the curved ends ar...

Danish Modern, rosewood dining set by Niels Koefoed, Hornslet Møbelfabrik features a 43 inch round dining table that extends up to 83 inches with two 20 inch leaves and 4 elegant, high ladder back...

We are delighted to offer for sale this sublime designer Andrew Varah 12-14 person, Satinwood with Mother of Pearl inlay, extra large Dining table Corinthian pillar legs which is part of a suite Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price. I have in total a huge dining table...

Vintage whisky barrel table made by Brothers Furniture Corp. of Livermore, Kentucky. Who knows whiskey better than Kentucky? This 47.75? round table captures the spirit of America it...

Set of Six Mid Century Dining Chairs, designed by Paul McCobb for Calvin Furniture's Directional Line, American, circa 1950s. These chairs are currently being refinished and reuphols...

1970s, Danish design. Dinning set of unfolded table and four chairs. Oak wood, chair seats reupholstered in furniture wool. Solid oak wood original in very good condition. Folding ta...

An absolutely stunning original Art Deco period cloud back dining suite in burr walnut. This was made in England, it dates from the 1920-30s. The quality is outstanding, this is so well made and beautifully designed. The chairs have wonderful scooped backs with gorgeous burr walnut on the inside and outside. The twin pedestal table...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Mid-Century Modern Dining Set in the style of Clifford Pascoe, c. 1960s. This unique set is perfectly sized for smaller spaces and consists of 4 dining chairs and round dining table,...

Scandinavian Table and Bench set. The set is solid elm with an X stretcher base. Dining Room Set. Benches measures: 16.75H x 59W x 14.5D. Table Measures: 2...

Elegant mid century dining table, designed by T. H. Robsjohn-Gibbings for Widdicomb, American, circa 1950s. Clean lined design with elegant splayed legs. It expands from 58-78" width...

Set of Four Clean Lined Italian Dining Chairs, designed by Gianfranco Frattini for Lema S.P.A., Italian, circa 1960s. The chairs are currently being reupholstered and can be complete...

Iconic dining table and six dining chairs by Osvaldo Borsani and Eugenio Gerli for TECNO, Italy, circa 1960. Four chairs have galvanized metal details and two chairs have brass detai...