Art Deco Amsterdamse School Extendable Dining Room Table by Piet Kramer, 1920s

Magnificent and rare Art Deco Amsterdamse School bookcase. Design by Piet Kramer. Striking Dutch design from around 1916. Solid oak base with on top two secret storage spaces. Lock a...

Magnificent and ultra rare Art Deco Amsterdamse School cabinet. Design by Piet Kramer for Striking Dutch design from the 1930s. Solid oak and oak plywood base on original black lacqu...

Magnificent and rare Art Deco Amsterdamse School side table. Design by Piet Kramer for N.V. v/h A.M. Randoe en Zonen Haarlem. Solid oak frame with at the end of the four legs black l...

Wonderful Art Deco Amsterdam School coffee table. In the style of Piet Kramer. Striking Dutch design from the twenties. Solid oak with original black la...

Dissociative:191 cm / 75.2″ This elegant extendable dining table, designed in the Art Deco style, comes from Czechoslovakia from the early 20th century. Made of walnut veneer, it im...

Rare and stunning Art Deco dining-room set by Mercier Freres, dating from the 1920s, comprising a large, square, extendable table, eight chairs, a sideboard with top display cabinet,...

French extendable dining table on rounded legs and H-shaped strutting. The table edge with grooved carving decor and the tabletop with parquet flooring.

1930s Art Deco extendable table by Atelier di Varedo, Gaetano e Osvaldo Borsani, in burl walnut polished to wax Measures in cm: W 140+80 D 92 H 80. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal...