Dining Table by Leon Jallot, circa 1920s

This striking lucite dining table, crafted in the USA during the early 2000s, epitomizes modern sophistication and contemporary design. The table showcases the sleek and transparent ...

Has original white porcelain casters. Very comfortably seats six.

Lennon dining table With chromed metal legs.

Mid-Century Modern dining table. Legs of the mahogany table are capped and accented with brushed brass feet. The tables full width with extensions is 90.5 inches.

Phoenix sunset landscape table lamp, circa 1920s reverse painted glass shade with a patinated metal base shade depicting a rural cottage s...

This English Regency banquet/dining table features a mahogany composition and satinwood inlaid top. The table has an extendable feature, allowing it to effortlessly adapt to various ...

Classic early French Art Deco side table with lift top, circa 1920, by Leon Jallot in rosewood with shagreen inlaid top. Restored and refinished.  

Art Deco dining table 1920s, Belgium. wood and brass. H. 75, W. 150, d. 95 cm Good, age-related condition. Partly smaller scratches on the plate,...

Center or side table. Pictured in original period documentation.

Léon Jallot '1874-1967' set of 6 chairs in oak, circa 1910 Patina of the tray to be redone.

Imposing oval Art deco table in solid rosewood. The base is shaped and covered in flamed portions in solid rosewood, the oval columns are grooved, where three arms support the top, a...

Early French Art Deco (transitional) tiered table by Leon Jallot in pearwood and camphor wood burl, circa 1910-12. 28” diameter x 29” high. Leon Jallot (1874-1967) Born in Nantes, July 24, 1874, Leon Jallot studied in Paris but did not go to any school of art. Without any formal training, other than a general refined sense of culture, he opened his own workshop at age 16 and began wood sculpting and making his own furniture.Strictly self-disciplined, he began as a wood carver. By 1899, at the age of just 24, he had worked his way to become Director of the Art Nouveau workshop of the collector, Siegfried Bing, for his shop called l’Art Nouveau in Paris. He remained there until 1901, overseeing production for the shop as well as Bing’s installation at the 1900 Paris Universal Exposition. Jallot therefore participated in the creation of some of the Art Nouveau movement’s most prized works – those designed by the firm’s renowned threesome: Georges de Feure, Eduoard Colonna, and Eugene Gaillard. In 1901 Jallot became one of the founding members of the first Salon of Societe des Artistes Decorateurs – an organization which produced highly anticipated annual exhibitions through the first half of the 20th Century. In 1903 he established his own decorating workshop where he designed and fabricated furniture, fabrics, carpets, tapestries, glassware, lacqueer and screens. Jallot was the first of the Art Nouveau designers to turn away from floral ornamentation and to pursue linearism – as early as 1904 his decoration was limited to the natural grain of the wood – and he was an advocate of rich materials rather than over-wrought forms to suggest luxury. Jallot’s work was shown at the Salons of Societe Nationale des Beaux-Arts from 1908, Salon d’Automne from 1919, and at the SAD throughout. A review of his exhibit at the 1921 Salon des Artistes Decorateurs, in Art et Decoration, said: “His furniture has the easy elegance of ideas created in a flash and then mulled over – ingenuity, savoir-faire, and patience are all combined in his work.” He created furniture for the Grand Salon of Une Ambassade Francaise and Hotel du Collectionneur at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes (which would, years later, launch the term “Art Deco”). From 1921, Leon Jallot partnered with his son, Maurice (see Maurice Jallot’s biography elsewhere on the Calderwood Gallery...