20th Century Dining Room Tables

Oval dining/center table with a smoked glass top and tulip-shaped base of cast aluminum and black moulded plastic.

1950s original French T55 Tolix rectangular cafe, kitchen, dining table (Model 11) 1950s original French T55 Tolix rectangular cafe, kitchen, dining table. Tolix is one of our all...

Elegant table in blackened wood and ash veneer, in the style of Maison Raphael, circa 1960 Good condition, polish to redo.  

20th century Fancy round folding table in Biedermeier style Maple root on solid wood. Ebonized ribbon and thread inlays. Base plate drawn in on three sides on disc feet. Column sh...

Elegant centre or dining table with a wrought iron base, painted white and a light grey stone top.

Carlo Scarpa Dining table model “Quatour” Manufactured by Simon Gavina Italy, 1974 Walnut wood Measurements: 141 cm x 141 cm x 72 H cm 55.9 in x 55.9 in x 28 H in. Litera...

Stylish sideboard designed by the famous Italian Mid-Century Modern artist Vittorio Dassi, this 1950s with Carrara withe marble top. In very good vintage conditions of the period.

19th century Spanish door with iron nails turned into a table.

Rare dining table or desk designed by Børge Mogensen. Produced by Søborg møbler in Denmark.

Large dining table with two bases in gilded and chromed metal. The two bases are hinged and can be positioned in a square or diamond-shaped to support the tray. It's possible to sale...

Rare dining table model PK-54 designed by Poul Kjærholm. Produced by E. Kold Christensen in Denmark. Six-piece addition ring of solid maple. Measures: Width: 140 ( 210 ) cm.

Spectacular Italian design finely carved ivory lacquered giltwood dining or center table with oval shaped crystal top. Great scenic decorative table provenience from Capri   

Dining table in red travertine 'Il collonato' by Mario Bellini, Italy, 1970s.

Rare midcentury round blue top dining or center table resting on four brass sabots legs. In the style of Gio Ponti. Similar tables were designed by Ponti f...

Hiroyuki Toyoda large white table from the series "Byzantium", 1980 Large meeting table made by designer Hiroyuki Toyoda Production Simon-Ultramo...

Made in Italy, 1950s. This table is made in teak, black varnished metal and brass and its top is covered in white formica. The opening mechanism works perfectly. It may show slight ...

A small square sized table designed and made by Carl Auböck II, Vienna, Austria, circa 1950. The table's frame is made from slender steel bar which has bee...

Beautiful dining or writing table attributed to Willy Rizzo, 1970s. The structure is in polished steel, the side bands are covered in genuine leather, the top in smoked glass. Very s...

Unique vintage round dining table made of carved wood, Italy, 1970s. The tabletop is decorated with large carved leafs.

Console or dining table designed by Carl Malmsten in 1953 model "Visingsö", This early example from the Beginning of the 1950s without the added screws on the short ends and visible ...

Large midcentury modern Table ,in Solid walnut ,Charlotte Perriand style, circa 1940-1950

Rectangular Swedish dining table made of teak wood.

Majestic French salon table in Louis XV style. Polished veneer on solid pinewood. Exceptionally finest engraved, decorative broken rocailles, inlaid with acanthus, and flowered details. On two forward looking imposing bearded devils masks...

Extendable dining table by T.H. Robsjohn-Gibbings for Saridis.

Neoclassical Art Deco table in mahogany, circa 1950. Dimensions: 73 x 115 cm with 1 leaf 73 x 123 x 115 cm with 2 leaves 73 x 173 x 115 cm.

Modern chrome and black oak adjustable dining table or writing desk Size: 90 x 150 + 2 x 60 = 90 x 270 cm.

Very rare dining table designed by Grete Jalk. Produced by P. Jeppesens møbelfabrik in Denmark. Measures: Width 136-245 cm.

Tobia Scarpa for Gavina chrome and glass top dining or conference table, called the "Andre" table. The frame of the top slides in an 'x' shape into the four cylindrical legs. The bar...

Dining table designed by Vittorio Introini. Italy, Saporiti, 1972. Cast aluminum base in the shape of a petal with the rare original round glass top including mirrored rim. Model ...

Rare Art Deco table in neoclassical style circa 1940. very nice marquetry work, connection with or without extension Dimension: 74 x 130 x 80 cm 74 x 185 x 80 cm with extension.

Elegant oval dining table mid-century Italian design, note the special design of the feet with brass ferrule. The style is very similar to th...

Space Age model scimitar dining table by Boris Tabacoff for Mobilier Modular Moderne, 1970s.

Rare midcentury round blue top dining or center table resting on four brass sabots legs. In the style of Gio Ponti. Similar tables were designed by Ponti for the iconic Roman Hotel P...

Rare "Lovo¨" dining table by Axel Einar Hjorth, 1930s. Solid pine with great original patina, never restored.

This extraordinary midcentury Italian dining table is attributed to Ico Parisi and Paolo di Poli. It is made out of black lacquered metal, Formica and brass. It has got a fantastic s...

Mid-Century Modern Scandinavian dining table with drop leaves. 4 to 8 seats. Top in teak. Legs in oak. Measures: H 71 cm., W 130 / 19...

Wonderful and rare Art Deco Haagse School extendable table. Design by Toko v/d Pol Semarang. Striking Dutch design from the twenties. Solid teak and marked with manufacturers tag....

This immense table was designed by Pierluigi Colli in Turin, further on the Alps and the shady expanses of forests and rivers that make it up. The table is an absolute example of thi...

Wonderful midcentury squared bamboo table with Formica Laminated Top. The item was produced during the 1960s in Italy. The table top is made of a ...

Scandinavian round dining table in rosewood for four to six people. One extension in white melamine. State original exceptional. Some s...

London Embankment cast iron Sturgeon table with rotating glass top, circa 1980s. The table is made up from 5 parts, the base plinth, two sturgeon, table support and separate glass t...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

A Mid-Century Modern vintage beech brass sofa table or dining table, which was created and designed 1950s Vienna. The sofa table or dining table was made of beech, pressboard, formic...

Wonderful dining table in walnut, steel and black laminate designed by the roman screenwriter Giulio Coltellacci, Italy, 1970.

Elegant Dining Table with Extensions in Teak, a timeless creation by renowned designer Hans J. Wegner and masterfully crafted by Andreas Tuck in the 1960s. This exquisite dining tab...

Elisse dining table by Claudio Salocchi for Sormani, 1960s.

Osvaldo Borsani circular dining table in sculpted wood and brass details, Italy, 1960s

Piet Hein & Bruno Mathsson dining table with new professional lacquered white plate. Alu side list. Two extension leaf of 60 cms. Legs of chromed metal. Model Super Elipse, ...

A space age chromed metal vintage dining table or writing table, which was designed and manufactured, 1960s, Germany. The base is a chromed metal construction, which holds a clear gl...

Square iron table base with ornamental border, ideal for a round tabletop.

In veneer wood with a circular radiating veneer top, resting on three legs connected by a spacer.

Jun Omann for Møbelfabrik A/S teak 1960s Retro rectagualar extendable dining table This dining table in teak features two retractable extensions under the...

Dining table model AT-312 designed by Hans Wegner. Produced by Andreas Tuck in Denmark.

Elegant table circa 1960 in mahogany, brass and ash veneer. Good condition, polish to redo Dimension with extensions: ( 2 x 40cm ) 74 x 250 x 75 cm.

Gigi Sabadin dining table, Emme Italy, 1970s, beechwood The table show smart architectural lines and well-considered use of materials, which are clearly visible in the little det...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach, find more details on his family name plus eu, is for sale soon too. :-) Pirkka table...

Rare dining table designed by Belgo Chrom in the 1980s. Sanded tabletop and brushed steel frame.

Martin Visser for 't spectrum, dining table, in wengé and teak, the Netherlands, 1960s. Beautiful wengé dining table with rectangular top. The base consist of four legs of solid weng...