Metal End Tables

A very good quality late 19th century French Louis XVI style marble topped gueridon, in the manner of Henry Dasson. Having an inset green veined marble top, gilded ormolu moldings an...

19th Century. French. Bronze-mounted. Signed Linke. Original marble top.

19th Century Chinese bronze end tables.

Hepplewhite mahogany side table, the top having beautiful color and patina, the single drawer with oval brass pull and oak secondary wood, nicely ...

Unique and impressive, finest quality and gilt bronze table. Because of the quality and great style we feel this stunning antique table can only have been made by one of the top cla...

Great looking versatile oval shaped end table having handsome walnut base with decorative brass beading and mounts, topped by a chunky piece of black and white marble.

Gorgeous and very refined and elegant Charles X sewing box and leaf shaped table , around 1830 France. This small side table is made of mahogany wood and gold brass threaded inlays...

Elegant 19th century style wrought and gilt iron end tables / plant stands with intricate detail emphasizing a combination of geometric forms and stylized scrollwork.

19th Century French Louis XVI Mahogany Marble Top Bouillotte Table represents an understated elegance that is perfect for the tailored yet refined decor. Hand-crafted from exotic imp...

A blue-grey, antique Swedish Gustavian single center, kitchen table made of hand crafted painted Pinewood, in good condition. The Scandinavian side table is composed with one drawer,...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Octagonal with elaborate brass inlay. Nice old patina with conforming frieze and moorish arches. All around stretchers.

Presenting a striking pair of rosewood nightstands, hailing from the chic era of the 1960s. These elegant pieces are adorned with brass handles, showcasing a timeless fusion of form ...

Marble top. Brass accents and claw feet. Wood frame. 29 1/2" h x 15 5/8" diameter. Condition Loose trim. Splits in seams. Previous repair. Veneer bubbling.

An antique 19th Century rustic side table, unbranded. Handcrafted of walnut, naturally distressed from age, squared edge to top, brass h...

Circular top with brass banding over a drawer within the frieze. Brass bosses at top of square tapered legs with stretchers. Previously with H.M Luther Antiques NY...

Stately mahogany nightstand with a tambour door, and brass and marble detailing.

Pair of Campaign Chests or End Tables, believed to be English, circa 19th Century. They are a versatile size and can be used as side or end tab...

French walnut marble top table with rojo marble top (fixed in place) above single drawer and door with original turned wood knobs, the fronts of both...

An antique 19th century Tuscan Renaissance style table or console topped with a warm and rich colored rectangular Walnut table top, in good condition. The table base has twisted hand...

Antique Victorian Aesthetic movement two-tier scorched bamboo and cane tigerwood side table or occasional table with box storage on top. Bamboo occasional tables like this, are a cult favorite among those in the design circle as well as discerning collectors across the globe. Evoking a tropical or British Colonial vibe, these tables are rare to find, and always a classic timeless piece for just about any room in the home. You'll find this classic bamboo side table while flipping through the pages of nearly every design magazine. Understated, perhaps because of it’s size, it packs a big punch. It serves as both form and function with two areas for storage. Both a hidden box, as well as a bottom open shelf. Born in the 19th century, this piece is created out of bamboo. Other terms used to describe this type of material and finish, are scorched bamboo or tortoiseshell bamboo or tiger bamboo. This particular piece is square in form and has four legs. The top of the table is square and features a box with a liftable lid for storage. Fastened with a hinge, it is a great way to hide little things that make a space feel cluttered. (TV remotes, reading glasses, etc.) When closed, the top functions as a normal tabletop. We envision a beautiful vase sitting atop a stack of well-loved books. Under the top of the table, sits a second open tier shelf for additional storage. Again, we think this would be a great way to showcase a stack of your favorite books or a small bowl of fresh flowers. Both the top of the table, and the sides are covered in what is sometimes called rice matt. It's more of a woven fiber much like cane or wicker, and can often be mistaken for grasscloth. This piece would be fabulous if used in a number of ways: 1.) Our dear friend suggested using this as her "smoking box". With the inside holding the items she wouldn't necessarily want in view, but in a convenient enough place to quickly grab things should she need/want to. 2.) Entry table: To eliminate the mess of setting keys and sunglasses on a table, we think this small table box would be a great place to set keys and sunglasses inside, and then closed, to set a purse on top of. 3.) Patio: A lovely plant stand between two patio chairs...

19th Century French Louis XVI Walnut End Table with Bronze Mounts is obviously a product of superior craftsmanship melded with the finest materials to create a timeless example of the furniture maker's art. The sumptuous grain and rich coloration of the top, framed all around with beveled walnut, creates an attractive surface supported by a rectilinear casework below accentuated with cast bronze egg...

A rare and stunning Federal period (1789-1823) early American flame mahogany wash stand. circa 1810 Exquisitely hand-crafted in the Northeastern United States in the early 19th cent...

We are delighted to offer for sale this absolutely stunning Hardwood topped brass and cast iron height adjustable side table with oversized lion hairy paw base A very good looking d...

A late Qing Dynasty period red lacquered opera drum with brass studs, hide drumhead and four iron handles. This late Qing Dynasty period opera drum is a magnificent piece, steeped in...

Heavy Gilded-Age drinks table or trivet made of polished steel in the gothic manner with flamboyant cabriole legs and brushed steel top featuring fleur-de-lys cut apron and elaborate...

The stand is fashioned with 3 inlaid shelves, an upper brass gallery, together with brass banding and finials. [ height measurement does not include finials] It is exquisitely inlaid...

Beautiful teak Danish Modern Brdr Furbo teak end table with fabric sling magazine rack 1970s (Signed). This vintage table is the perfect way to store your magazine collection while ...

19th Century French Renaissance Revival Library Table ~ End Table will introduce a splendid masculine air to your room. Fitted with ...

This no- nonsense mahogany table is a fantastic addition to any space. Topped with an inset piece of antique white marble that’s surrounded by a 3/4th pierced brass gallery. The apro...

Antique George III style mahogany pembroke table, 19th century. With well figured mahogany top and D shaped drop leaves, a frieze drawer with brass pull and square tapered legs with...

19th century French Directoire neoclassical marble top nightstand ~ end table is stately elegance on a diminutive scale defined! Topped with luxurious carrara marble, it features a p...

Directoire walnut 3 drawer chest of drawers / end table, early 19th century. With a two board rectangular top with thumb molded borders, 3 drawers ea...

A Matched Pair of Tables Ambulantes in the Transitional Style By Henry Dasson Constructed from mahogany and ormolu-mounted throughout, the tables supported on cabriole legs with bro...

Hepplewhite one drawer table, the top has a beautiful color and patina with the perimeter inlaid with boxwood. The single drawer is also inlaid around the e...

A fine 19th century French Louis XV writing desk by Alfred Beurdelay. Original leather top with fine gilt bronze mounts. Single drawer

A polished steel stand originally used to hold hot kettles and pots next to a fireplace and known as a trivet. Rectangular polished top with ogee cutout handle on polished steel cab...

19th Century French Directoire Mahogany Marble Top End Table combines the tailored elegance of the Directoire style with the finest mate...

19th Century French Louis XVI Mahogany Marble Top Bouillotte Table represents an understated elegance that is perfect for the tailored yet refined decor....

A delightful solid walnut accent table from 19th Century France. Incredible expression can be found in the grain throughout the carefully selected walnut. The rectangular table top h...

A Rare Pair of Louis XVI Style Gilt-Bronze Mounted Vitrine Tables In The Manner of Weisweiler, by Georges-François Alix. This rare pair of mahogany vitrine tables each have a hinged...

Biedermeier walnut veneer round side table with bronze banding on each leg. Originally purchased from Alois Hummel Biedermeier in Freiburg, Ge...

A 19th century oak bin for the storage of hardtack, a type of dense and long-lasting biscuit, on long clipper ship voyages. The bin is of staved construction,...

19th century French Louis XVI Mahogany Marble Top Bouillotte Table represents an understated elegance that is perfect for the tailored yet refined decor....

Decorate a living room or den with this elegant pair of antique round gueridons. Crafted in France circa 1870, each fruit wood table stands on three cabriole legs decorated with bron...

19th century Painted Cast Iron Marble Top Lamp Table ~ Pedestal is an intriguing combination of styles rolled into a diminutive example of fine craftsmanship! The beautiful veining o...

Faux bamboo pine one drawer table, the top with gallery surround, front legs with faux bamboo turnings, back legs are square; single drawer with brass knob. Since there is sufficient...

Heptagon shape hinged lid opening to a lined interior. Conforming case to brass strapping. Square molded legs with spandrels. Casters and key.

English cherry one drawer, the three board top with beautiful color and patina, single drawer with antique ring pulls (not original) and incised bea...

English one drawer table, the top features a beautiful swirl grain and color with a band of satinwood and boxwood cross banding around the perimeter. The fr...

19th century Italian Neoclassical Painted Marble Top End Table is an impressive work of the cabinetmaker's art on a diminutive scale. Four legs consisting of tapered and reeded upper...

Biedermeier Mahogany Oval Side Table From the Late 19th century We present you this mahogany side table from the late 19th century. The top, made of a solid mahogany board, is sup...

Very fine George IV period kingwood and giltwood table, the bookmatched hkingwood veenered top with gilt bronze banding over giltwood shaft with carved lotus leaf design and standing on tricorn base with giltwood scrolled feet, attributed to Morel and Seddon. Morel & Seddon were the principal suppliers of furniture and furnishings to George IV (1762–1830) during his refurbishment of Windsor Castle. The French cabinet-maker Nicholas Morel (along with his previous partner Robert Hughes) had first worked for George IV when he was Prince of Wales, supplying furniture to both Carlton House and the Royal Pavilion...

George III mahogany tray top commode, the gallery has openings on the sides for carrying; the sliding tambour front reveals open interior. The front l...

A Very fine Franco-Italian 19th century neoclassical Revival style gilt-bronze and Pietra Dura (or Pietra-Dure) occasional side-table Gueridon. The circular gilt-bronze frame raised ...

Antique French Empire or Egyptian Revival small solid mahogany side table, wine table or end table with lion paw feet, that was recently restored with an old school ebonized finish. ...

French cherry one drawer table with beautiful faded patina on top and nicely tapered legs, single drawer with original brass knob.

Painted one drawer side table, with beveled edge top, the front turned legs with vertical stripe, single drawer with green band around th...