c.1920 Pyrography Flemish Folk Art Pedestal or Plant Stand

Pair of Six-Foot High Topiary Spiral Shaped Cedar Plants with painted wood planters. We have used these and similar Topiaries in our showrooms for decades and there are currently 2-p...

Collection of (3) Native American Folk Art Children's Toy Canoes most likely made between the 1940's and 1950's. Two of the Folk Art Children's Canoes were made from Birchbark, while...

Vintage twisted steel plant stand probably made in the states in the 1960's. The painted finish has a nice patina and looks all original. Structurall...

Well made Plant Stand that we believe came from France. The faux finish is well executed and structurally the Plant Stand is very sound. Please make note that the plant pot is only r...

Stunning classical style display column with a wonderful and warm patina. This marvelous piece of early 20th century workmanship is another fine example of the quality that was made in those days. All handcrafted out of oak and beautifully patinated from top to bottom this antique stand is a real eyecatcher and over the many decades the patina has only made this antique more attractive. This highly stylish, strong and very stable stand will easily take one of your heavier sculptures as well. The combination of the circular, heavy stem with its classical carvings and cannelures and the square base and table top make this stylish antique an absolute joy to own and look at. Apart from a few minor imperfections, this antique display stand...

The Lotus pedestal is a great accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and color. About the artist: Sin...

The Lotus Pedestal is a great accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and color. About the artist: Since graduating with an Industrial Design degree from the China Academy of Art in Hangzhou, Zhipeng Tan has focused on the ancient technique of lost-wax casting. Through this foundry process, rich in heritage and tradition, Tan explores his interest in organic forms. Often inspired by his environmental surroundings, such as water and plants, he explores anthropomorphic themes, as well. Though trained as an Industrial designer, he has become an accomplished self-taught sculptor, eagerly exploring the elastic and permeable boundaries between art and design and finding a harmonious fusion of sculpture and furniture, provocative objects of both beauty and utility. In spite of his rigorous training in computer modeling, Tan develops all of his concepts exclusively with hand drawing, preferring the direct connection to his work that sketching provides. As he likes to say, “Every line in the artwork is touched by me.” Most of his work is hand-sculpted in clay, and the final work is achieved through casting, hammering, welding and polishing. He has chosen brass as his preferred medium in part because of its connection to historical tradition, but most especially because of its warm color, rich luster and versatility. Though from his early work, one may sense the influence of Joan Miró, Henry Moore and Constantin Brancusi, and in his more recent pieces there is a nod to the Post-Pop sensibilities of Jeff Koons and Takashi Murakami, the work of Zhipeng Tan is thoroughly original, an expression of his exuberance and imagination. In all of his work, one may see an exploration of our fundamental humanity and a desire to discover worlds within worlds. From the 33 Step Chair...

Very nice example varnished driftwood root natural organic wood pedestal side end table stand mint!