Chinese Pedestals

A vintage rustic Chinese wooden tree stump pedestal from the mid 20th century with distressed patina. Created in China during the Midcentury period...

'I' is a collection of tables: coffee / side tables, dining tables, bar tables. The base and the structures are in steel, and the table top is in terrazzo. by Bentu design Ma...

'I' is a collection of tables: coffee / side tables, dining tables, bar tables. The base and the structures are in steel, and the table top is in terrazzo. by Bentu design Ma...

'I' is a collection of tables: coffee / side tables, dining tables, bar tables. The base and the structures are in steel, and the tabletop is in terrazzo. by Bentu design Man...

Chinese Carved Hardwood and Marble Two Tier Pedestal Table, late 19th century, mask head cat, legs with claw feet. 32.5" H x 17" W x 17" D.

Chinese Carved Hardwood and Marble Two Tier Pedestal Table, late 19th century, the octagonal top above tall legs with ball and claw feet. 33.5" H x 16.5" W x 16.5" D. 

A pair of late Qing Dynasty stands with painted floral and bird decor and carved aprons. This pair of antique late Qing Dynasty stands, from the early 20th century, captivates with i...

A vintage low table from the 20th century, crafted with a warm-toned hardwood and shaped with soft curves and an understated carved apron. The rectangular top is framed by rounded co...

Chinese (20th Century) carved wooden pedestal / table stand featuring a waisted circular top followed by a molded openwork apron in a geometric scroll pattern, standing on five curle...

A vintage Chinese Ming style elmwood prayer table from the mid 20th century, with fretwork top and horse hoof feet. Created in China during the midcentury period, this low elmwood prayer table captures our attention with its square fretwork top sitting above a waisted apron. Raised on four straight legs with horse hoof extremities, the table is adorned with a discreetly carved apron on all sides. With its clean lines and warm patina, this Ming style Chinese prayer table...

Chinese Carved Hardwood and Pink Marble Pedestal Table, late 19th century, a square top inset with marble. 20.5" H x 16" W x 16" D.

In an exclusive collaboration with pagoda red, each hand-studded piece by artist the bms. Was transformed from a Provincial 19th century artifact into a one-of-a-kind work of art. Embellishing with silver and gold thumbtacks, the bms. adds a contemporary twist to our storied objects, animating each surface with bold and provocative designs. This kintsugi rest was originally a Qing-dynasty low stool, used by a Shoemaker while he assembled pairs of shoes. Marked by the artist's golden touch, the simple stool has been gilded with a pattern inspired by the Japanese art of kintsugi, wherein damaged ceramics...

A black lacquered pedestal/stand in elm wood, with red root stone top, cabriole legs and base stretcher, Beijing, 19th century.

Rare chinese carved rosewood table or candle stand with an ebonized finish. The top features an inserted porcelain plaque in the Chinese Export m...

Passing through these impressive posts, a visitor to a Qing-dynasty estate would know he was entering someplace special. Used in a traditional courtyard entry to secure the doors as they swung open, these hand-carved posts are nonetheless ripe with symbolism. Double dragon medallions...

Dated to the early 20th century, this petite display stand is crafted of northern elmwood (yumu) with clean lines and perfect proportions. Once used as a tabletop altar for ancestor worship, we love this low stand...

Asian Chinese (Qing Dynasty-probably 18th Cent) hardwood pedestal stand with an open design under top and a box stretcher with an open design.

A Chinese cloisonné enamel inset circular carved hardwood pedestal Chinese, early 20th century Measures: Height 34cm, diameter 45cm Made in China in the early twentieth century,...

This display table is a refined work crafted in the 19th century of the Chinese Qing dynasty. It would serve as a beautiful ornament upon which to display plants, urns or other decor...

The perfect way to call attention to a plant, special vase or piece of art, these tall display tables date from 1850 during the Qing dynasty. Made of oak, the tables are expertly detailed with elaborate hoof feet and recessed base and tabletop. A stunning combination of red and black lacquer draws attention to the tables’ architectural richness. Made from tree sap...

High quality vintage Chinese Asian carved rosewood marble top lamp table round stand pedestal.

Discover the exquisite blend of tradition and modernity with this Chinese Hand Carved and Painted Black Pedestal, featuring an illuminated acrylic base. Meticulously crafted, it show...

In an exclusive collaboration with PAGODA RED, each hand-studded piece by artist the bms. was transformed from a provincial 19th century artifact into a one...

The stands in this matching pair are made from 'Hongmu' wood (Chinese hardwood). Each stand rests upon four stylised and flared dragon feet, which extend into four ornately carved ca...

This pair of Chinese provincial elm stands, circa 1890-1900. Probably at one time completely covered in lacquer the wood has been exposed in areas creating an interesting contrast of...

A pair of 19th century Chinese carved torchas, each with elephants, serpent like dragons around bamboo and raised on mythical dogs of faux.

Handmade High Table by Henry D'ath Dimensions: D 25 x H 135 cm Materials: Wood, calligraphy ink. Piece is handmade by artist. Carved by hand from a single wooden log over many mont...

Qing Dynasty Chinese export red lacquered hand painted tray depicting two sages in a discussion. Bearing glued paper mark under the base.

The Lotus Pedestal is a great accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and color. About the artist: Since graduating with an Industrial Design degree from the China Academy of Art in Hangzhou, Zhipeng Tan has focused on the ancient technique of lost-wax casting. Through this foundry process, rich in heritage and tradition, Tan explores his interest in organic forms. Often inspired by his environmental surroundings, such as water and plants, he explores anthropomorphic themes, as well. Though trained as an Industrial designer, he has become an accomplished self-taught sculptor, eagerly exploring the elastic and permeable boundaries between art and design and finding a harmonious fusion of sculpture and furniture, provocative objects of both beauty and utility. In spite of his rigorous training in computer modeling, Tan develops all of his concepts exclusively with hand drawing, preferring the direct connection to his work that sketching provides. As he likes to say, “Every line in the artwork is touched by me.” Most of his work is hand-sculpted in clay, and the final work is achieved through casting, hammering, welding and polishing. He has chosen brass as his preferred medium in part because of its connection to historical tradition, but most especially because of its warm color, rich luster and versatility. Though from his early work, one may sense the influence of Joan Miró, Henry Moore and Constantin Brancusi, and in his more recent pieces there is a nod to the Post-Pop sensibilities of Jeff Koons and Takashi Murakami, the work of Zhipeng Tan is thoroughly original, an expression of his exuberance and imagination. In all of his work, one may see an exploration of our fundamental humanity and a desire to discover worlds within worlds. From the 33 Step Chair...

The Lotus pedestal is a great accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and color. About the artist: Sin...