Pair of Regency Mahogany or Bronze Console Tables in the Manner of George Smith

A beautiful pair of 1940s antique Venetian etched mirror console tables or side tables, from an old New York City collection on the Upper East side.

A fabulous and impressive pair of 18th century north Italian giltwood side tables with veneered pietra Dura marble tops. These fabulous giltwood tables are hand carved with impressiv...

A magnificent pair of antique French Louis XVI style rectangular shaped side tables/centre tables with bronze lyre shaped legs. Beautifully hand-chased doré bronze can be found throu...

An unusual and quite decorative pair of midcentury French terracotta mirrored and figural side tables. Each cupid-like figure is made of hand carve...

A marvelous French empire period dore bronze-mounted center table with X-form stretcher on either side, most probably from a Thomas Hope design. This beautifully hand carved center t...

A magnificent 19th century French hand-carved chinoiserie style mahogany center-table with mother-of-pearl inlaid marquetry top attributed to Gabriel Viardot. This magnificent mahogany table has been hand-carved with Chinese chinoiserie decor depicting chinoiserie figures holding umbrellas and other Chinese motif inlaid. Around the edges of the rectangular table is magnificently detailed and adorned open wood work, which gives the piece a different dimension of class and elegance. The top of the table is beautifully designed with a mother-of-pearl inlaid marquetry. Tinted wood table with rectangular tray with Asian decor inlaid with mother-of-pearl depicting peaches and beauties holding umbrellas. The carved openwork crosses of Chinese motifs rests on four magnificently carved curved legs with lions feet holding up the table. Found at the top of each leg are beautifully chased doré bronze mounts depicting foo dog masks. France, circa 1890. Gabriel Viardot is a famous Parisian cabinetmaker who inherited the family factory in around 1860. He manufactured carved wood furniture...

An exceptional and unusual early Regency mahogany and ebony banded serving / console table, with brass gallery back above a rectangular top with breakfront reeded edge and bowed ends...

A pair of grand scale Regency design carved mahogany console tables with four Grand Tour inspired legs to the front, the backs inset with mirror panels, all sitting on singular plint...

A shallow Regency grand tour Thomas Hope design console with mirror back and three supporting monopodia supports gilded in white gold. Thi...

English Regency (Likely Irish, Early 19th Century) banded inlaid mahogany console table with concave front above lion headed reeded turned legs with paw feet.

A highly Important, Early Regency period mahogany, ebonised and parcel-gilt partners writing table on monopodia legs of exceptional quality and design, in the manner of George Smith, stamped Chas Norman, whom was associated with the work of Gillows. Labelled ‘Morning Room’. English, Regency period, circa 1810. Rarely seen, the crescent shaped ended rectangular top, beautifully lined with the original gilt tooled leather writing surface, enclosed by a mahogany cross-banded border and reeded edge. The frieze, containing four finely chosen fiddle-back mahogany drawers, two pairs to opposing sides, each retaining the original gadrooned carved ebonised knob handles. The perimeters having a finely ebonised cockbead, whilst the drawer liners being executed in mahogany retain the original recessed brass locks, which look to have never been removed. Flanking the drawers are bead-moulded ebonised panels which conform to either end above a reeded mould. Raised on four boldly designed and imposing, crisply carved, ebonised and parcel-gilt leopard monopodia supports, of wonderful original waxed condition. The Egyptian leopards mask above a bold breast decorated with carved gilt anthemion and guilloche motifs, finishing on a finely detailed carved leg and paw foot. The condition is excellent, retaining the original hand-dyed and gilt tooled waxed leather writing surface along with original locks, handles and ebonising with gilt-work to the legs. Commissioned for what presumes to be a private collection and due to its condition, being obvious to see, this writing table has been home to an important household. Labelled ‘Morning Library’ to the underside, whilst in this exemplary condition strongly suggests this striking piece of Regency furniture has furnished the library of the said house for the majority of its life. As can be noted, this is an extremely rare, elegant, early Regency writing table of exceptional colour, which corresponds with designs of the celebrated furniture maker and designer George Smith, workmanship of Gillows, being stamped to the underside Chas Norman four times. George Smith (1756 - 1826) was one of the most influential furniture designers of the English Regency Period (1811-1830). Smith, who began his pattern-book in 1804, wrote of ‘the great taste and elegance’ of this design. In 1808 he published his influential and definitive text on Regency interior Design titled ‘ A Collection of Designs for Household Furniture and Interior Decoration’ and classed himself as ‘Upholder Extraordinary to His Royal Excellency the Prince of Wales’…The Prince Regent. Smith was inspired in his designs from his earlier career as an Egyptologist, producing drawings incorporating motifs of Leopards heads and paws, Lions, sphinx’s, anthemia, and griffons amongst others. Charles Heathcote Tatham (1772-1842) published ‘Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and Other Parts of Italy During the Years 1794, 1795, and 1796’, in which he illustrated an antique tripod table...

A very finely carved Robert Adam inspired shallow serpentine side table with carved anthemion, husk and paterae decoration and French scroll toe feet. Water gilded and with an aged m...