Volubilis Side Table in Casted Bronze and Marmo Artificiale di Rima

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Roberto Sironi has sought out the remains of trees that have been burned by fire, trunks hit by lightning, charred branches salvaged from the mountains. With the ancient technique of...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Ovoo table tells stories of faraway lands, belonging to the shamanic cult typical of Mongolia. The inspiration of this collection is the concept of “ovoo”: the piles of stones used a...

The Kira table stands out for its striking geometric language—an interplay of solid and void—the cubic base supporting a square top softened by rounded corners. Crafted in die-cast a...

arch 01.1 c is a stool or side table. Its strong design language sets arch 01.1 c apart. The marble object is beautifully finished with a metal surface. Brass giving it a pop of gol...

The Palm side table is an exquisite delicate design that combines a meaningful message with luxurious materials. Palm is the symbol of relaxed sophistication. It’s the warm breeze i...