Vienna Secession Tables

Fledermaus coffee table no.406 by Josef Hoffmann for J&J Kohn professionally stained and repolished.

This smal table made by J. & J. Kohn is designed by Josef Hoffmann. You can use this as a small desk or as a vanity table. The table is completely made out of wood and has a glass to...

Objekt: Satztisch-Set (4 Stück) Entwurf: Prof. Josef Hoffmann, Wien um 1905 Modell-Nummer: 986 Ausführung: Jacob & Josef Kohn, Wien um 1906 Maße in cm (H x B x T): 75 x 65 x 44,5 (gr...

Round cocktail Table designed by Josef Hoffmann, circa 1910 for Cabaret Fledermaus in Vienna. Manufactured by Wittmann (Austria), circa 1960. Lacquered Beech wood ,Glass top and o...

Jugendstil coffee table by Josef Hoffmann for Cabaret Fledermaus exe. by J&J Kohn professionally stained and repolished.

Secession coffee table by Josef Hoffmann, variant of Fledermaus table professionally stained and repolished.

In this listing you will find a very rare Viennese Secession Oval side table Model 960/2 designed by Josef Hoffmann and manufactured by J&J Kohn. Made in Austria in 1910s. The scanne...

Objekt: Kleintisch (Teil eines Satztisches) Entwurf: Josef Hoffmann, Wien um 1905 Modell-Nummer: 986 Ausführung: Jacob & Josef Kohn, Wien um 1906 Maße in cm (H x B x T): 75 x 57 x 43...

Thonet table by Josef Hoffmann in very good original condition with signs of use.

Round table with a glass top, designed about 1910 by Josef Hoffmann for J&J Kohn, Vienna, beechwood, stained to dark mahogany. It was restored but visible signs of use, otherwise it...

Oval table nr.960/2 by Josef Hoffmann for J.J.Kohn. Professionally stained and repolished.

Josef Hoffmann Gueridon. Made with bentwood. Vienna Secession Circa 1910, Austria. Vintage condition. The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line. As a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life. Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question, and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light. As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s, but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms. Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality. Hoffmann’s signature furniture design is an adjustable lounge chair, the Sitzmaschine (1905), that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on these pages, which range from enameled silver jewelry, to a silver flower vase basket, to lighting pendants and sconces...

The four stacking tables with the vertical slats only (better, I think without the additional decorative squared grill ornament).