Antique Japanese Meiji Period Elaborate Flying Dragon Table

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

A remarkable one-of-a-kind Spanish Baroque Period hand carved walnut table with beautifully aged warm rustic distressed patina. Hand-crafted in Spain in the first half of the 18th century, with later architectural elements, having a rectangular single board plank top with breadboard batten ends and desirable overhang, above deep geometric pattern carvings to three sides of the apron and chip carved running ornamentation to the back, elevated on tall hand turned legs. A wonderful way to add authentic antique character, rustic warmth, and European old world charm! Dimensions (approx) 32" Tall, 56.5" Wide, 27" Deep As warm and attractive as it is useful, having the ideal large size and proportions for a variety of different uses, including as a Mediterranean Revival dining sideboard server - buffet table...

A rare and spectacular George III period (1760-1820) Beau Brummell gentleman's dressing table. There is no mistaking this remarkably distinctive table's complex design and superb quality, which is certain to attract attention, add interest, and become a conversational talking point wherever you place it. Metamorphic like, the multipurpose piece transforming from a library table or console - vanity - work table - writing desk) Refined elegant sophistication at its finest, born in late 18th / early 19th century at the height of the George III Regency period, also known as the golden age of classical English furniture design. Exquisitely hand-crafted of the finest mahogany, having a rectangular top with warm, rich, highly figured swirl - flame mahogany, contrasting satinwood string banding and intricate cross-banded inlays, covered with an optional later glass top, above a trio of drawers affixed with beautiful gilt brass lion pull hardware, the center drawer opening to reveal a divided interior fitted with numerous compartments, richly grained mahogany veneered lids, and a lovely Worcester porcelain desk set. Above the drawer a pull-out panel with inset green felt functions as both a writing - work surface extension and brushing slide. Flanking the main drawer, a pair of drawers slide-outward and open to reveal brass hinged large panel mirrors that can also be used to double the work surface, when lifted the mirrors can rotate and additional lidded storage compartments are revealed, including a pin cushion for sewing, horse hair bristle brush, and divided slots coin compartment. Having elegant clean lines, simple apron, highest-quality reinforced drawers to support the additional weight and allow them to fully extend, all rising on tapered square legs, terminating in patinated brass capped feet with casters. Dimensions: (approx) 29.5" High, 44.5" Wide, 25.75" Deep (table form) Provenance: From the Collection of Gloria Monnet Nicholson, Tulsa, Oklahoma Acquisition: Acquired from highly reputable auction house Heritage Auctions, Dallas, Texas. June 2022 Fine Furniture & Decorative Arts Signature Auction #8085 catalog. Who was Beau Brummell: George Bryan "Beau" Brummell (1778–1840) was an important figure in Regency England and, for many years, the arbiter...

A scarce nearly 200 year old English William IV Period rosewood and mahogany sewing stand work table with beautifully aged warm rustic patina. circa 1830s Combining sophisticated e...

A scarce, likely one-of-a-kind Spanish Colonial church altar, repurposed as a sideboard server or console. Hand-crafted in Mexico in the 19th century, having a shaped demilune marbleized - faux marble painted wooden top, over substantial solid pine bowfront base with hand carved detailing and decorative molded paneling. Provenance: Prior owner purchased from Horse of a Different Color Antiques, San Antonio, Texas. Acquisition: Acquired from highly reputable auction house Austin Auction Gallery, est. 1983, Austin, Texas. Three Day Estates Event February 22 catalog. Dimensions: (approx) 28" High, 84" Long, 22" Deep As warm and attractive as it is functional, having the ideal size and proportions for a variety of different uses, including as a dining room buffet, credenza - media stand, sofa table or hall console, dry bar, or placed in a palatial foyer as a stunning and historical entry statement piece! Condition: Good original antique condition. Presents well. Strong, sturdy, stable, and structurally sound. Nicely aged mellow warm patina. Wear consistent with age and indicative of use, including scattered losses to the paint, old repairs and touchups throughout, and various other antique character marks that add to the overall display, authenticity, and rustic old world charm. Please note, at the time of writing this, we have a similarly styled baptismal font likely from the same church available. We here at Lynx Hollow Antiques absolutely love religious antiques! Retaining spiritual significance, beautiful artistic depth, rich cultural and historical interest, they make for the perfect decorative object! Please be sure to check our other listings for architectural salvaged building elements to ornamental temple figures, tabernacle cabinets...

An elegant Regency period English mahogany and rosewood work table, circa 1815, in the manner of Gillows, having an attractive flame mahogany top with rope trim detail, above a singl...

Antique Japanese plant stand, carved lacquered lamp table, Meiji period, Japan 1900, H132 Japan, 1900 Hardwood construction Original finish Octag...

Dragon fly garden foyer table by Studio Lel Dimensions: W 91.5 x D 91.5 x H 76 cm Materials: Lapis lazuli, marble, wood, jade. These are handmade from semiprecious stone and mar...

A late 18th century satinwood Pembroke table of very good rich color. George III period. The top crossbanded in satinwood, bordered with fine lozenges of ebony stringing. The edges ebonized with narrow mahogany crossbandings. Raised on moulded tapering legs, indicative of a date circa 1770.   The frieze with two working mahogany-lined short drawers retaining the original gilt-brass Rococo mounts. The two leaves are supported on the original recessed hinged ‘ear’ supports. Overall in lovely original state. Some minor historic marks entirely commensurate with its age. Very good patination. These antique Pembroke tables were designed to be versatile: as small supper tables; occasional tables; tea tables; or lamp tables - sometimes also referred to as ‘drop leaf’ or ‘sofa’ tables. The majority of these Georgian tables are raised on square tapering legs or, when of a later date, on turned legs. It is more unusual for a satinwood Pembroke table to be raised on moulded tapering legs.   Interestingly, Thomas Sheraton (1751-1806) mentions the Pembroke table as follows: “a type of breakfast table from the name of the lady who first gave orders for one of them”, possibly referring to the Countess of Pembroke, of Wilton House, Salisbury, (1737-1831). A similar George III satinwood Pembroke table...

The fine oak rectangular top with rounded corners supported at each end by slender baluster shaped turnings joined by stretcher at base with brass clad feet and stretcher having orig...

A Swedish period Gustavian painted wood table from the early 19th century. This antique table from Sweden has been designed in simple, clean lines, featuring an over-hung rectangular...

A pair of antique Regency occasional tables in the manner of Trotter of Edinburgh Constructed in a well patinated Amboyna, adorned with Hollywood, goncalo alves and brass line inlays; rising from castor shod swept quadripartite legs having brass lions paw feet supporting the incurved platforms, dressed with a beaded reel...