English Mid-19th Century Octagonal Ashford Black Marble and Inlaid Table Top

A set of four French mid-19th century patinated bronze and Yellow Sienna marble candlesticks by Deniere, Paris Each tri-form column surmounted by a candleholder and foliate drip-pan,...

The rectangular hinged top retains it’s covered in charming 19th century needlework while the sides have been reupholstered, the top is hinged ...

A mid 19th century cranberry or ruby glass, gilt bronze and marble mounted cornucopia. This stylish chimney ornament has a cranberry cornucopia of trumpet shape which has a flared ri...

A mid 19th century Japanese export elm and calamander parquetry workbox with a divided interior and lift out tray. This charming box would work e...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

An unusual and fabulous 19th century English George the II/III style Octagonal hand-carved Mahogany tilt-top table with a silvered Chinoiseries Reverse on glass...

This exceptional mahogany drum table is a quintessential example of Regency design, a style that emerged in the late 18th century and flourished during the early 19th century. Named ...

This a traditional English Coaching table in mahogany. The table folds flat for moving or storage and is in overall very good condition. The sur...