An unusual William IV amboyna and oak four drawer library table by Simpson

A Regency amboyna and gilt library table attributed to Seddon and Morel, with a rectangular top set upon solid end supports with a turned, reeded an...

A Regency amboyna and gilt library table attributed to Seddon and Morel, the rectangular top set upon solid end supports with a turned, reeded and gilded stretcher and gilded foliate...

A Regency Amboyna and gilt library table attributed to Seddon and Morel, the rectangular top set upon solid end supports with a turned, reeded and gilded stretcher and gilded foliate...

The overhanging rectangular top with rounded corners veneered almost entirely in amboyna with a wide crossbanding of rosewood. Under the top is a narrow frieze, and the table is supp...

A superb flame Mahogany and Marquetry early 19th C library table This beautiful library table dates to the William IIII Period, Circa 1835. It has a superb top which is veneered in book-matched flame mahogany with a broad band of exquisite foliate and scroll marquetry in ebony and satinwood. Further enhanced with a narrow cross banded boarder. The edge is also crossbanded to match. Below, there are two drawers to the front which are also veneered in flame mahogany with original gilt brass knobs. On the reverse there are two matching panels...

A regency brass inlaid and gilt bronze mounted exotic wood sofa table Gillows, designed by George Smith, circa 1810 Measures: Height 28 3/4in (73cm); width closed 39in (99.1cm); width open 61 1/2in (156.2cm); depth 31 3/4in (80.6cm) Footnotes: Literature Smith, George. A Collection of Designs for Household Furniture...

A Very Fine George IV Parcel-Gilt Amboyna Centre Table Attributed to Thomas & George Seddon. English, Circa 1830. The table is of finely figured Amboyna with a circular tilt-top above a triform column with parcel-gilt scrolled supports. It is raised on a conforming plinth base with foliate carved feet and concealed castors. George Seddon was the eighth child of John Seddon of Blakelea, Lancashire. His father apprenticed him to George Clemaphon of Cripplegate to learn cabinet making. He became a master cabinet maker. (He was Master of the Joiner’s Company in 1795). In the early 1750s he was sufficiently successful to acquire London House, Aldersgate Street. It consisted of extensive workshops, where furniture was made, and showrooms to display the finished products. London House had formerly been a palace of the Bishops of London. The panelled state-rooms were ideal for the display of fashionable furniture; and the chapel and library made convenient workshops. When Seddon married, he converted the garden house and infirmary into the family home. Seddon was the biggest furniture maker of his time. His furniture store covered a two acre site in Aldersgate Street. His workshop there was described by London visitor Sophie v. La Roche in 1786: "We drove first to Mr. Seddon's, a cabinet-maker,...He employs four hundred apprentices on any work connected with the making of household furniture—joiners, carvers, gilders...

A fine Marquetry centre table by James Plucknett of Warwick Of rectangular bow ended form, constructed in satinwood, and inlaid with specimen wood marquetry work on the platform; rising from toupie feet, the four finely carved caryatid female supports have a conjoined stylised 'X' form stretcher with a dished bowl at the centre; the apron housing a series of foliate carved entablatures, and the platform extensively inlaid with neoclassical designs of trophies, and floral arabesques. Bearing a label underneath the platform with the makers' name, circa 1890. James Plucknett, having had various partners in his company, operated as a sole trader from 1886-1905, the year of his death. He advertised his work as 'manufacturers of rich carved furniture', trading as 'James Plucknett & Co Art Furniture Manufacturers'. His commissions included The Royal Pavilion for the Royal Warwick...