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21st Century Italy Flower Lilac Panel, Ceramica Gatti, Designer A. Anastasio
About the Item
The public buildings, the noble ones but also the more modest residences, have been decorated for centuries with decorative panels cemented on the facades. Bottega Gatti archive on its documents many different kinds of ornamental panels: there are grape harvests, grain harvesting, hunting trips, flower bouquets, religious icons, seasons, elements of nature. The subjects thus dissected and assembled generate a new dimension that is ideally repeatable indefinitely and the panels can be reshaped following dimensional criteria at will. Sectioning, deconstruction and arbitrary sequence become design tools capable of generating new narrative architectures, transporting the ornament into the seismic dimension that our civilization has been going through since the twentieth century.
Thumb-molded cast, enamelled and painted in polychrome, third fire firing with reflections. sectioned and assembled.
Retro black metal panel.
- Creator:Andrea Anastasio (Designer)
- Attributed to:Ceramica Gatti 1928 (Manufacturer)
- Dimensions:Height: 20.08 in (51 cm)Width: 14.18 in (36 cm)Depth: 0.79 in (2 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:Ceramic,Enameled
- Place of Origin:
- Period:
- Date of Manufacture:2020
- Production Type:New & Custom(Limited Edition)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Faenza, IT
- Reference Number:1stDibs: LU5762225887092
Ceramica Gatti
Founded in 1928 by Riccardo Gatti in Faenza, since its beginnings this ceramic art workshop has been characterized by assiduous research into stylistic approaches. The workshop’s hallmark characteristics have historically been hand-crafting its entire majolica production cycle, and working with artists and designers in collaborations that over time have become increasingly fruitful.
As an authentic artisan workshop, Ceramica Gatti 1928 is a versatile place where values and culture are transmitted, where disciplines combines themselves and the passion for the job joins the professionalism of every artist. This is an ideal place for designers and architects to create their projects. Over the years, the list has grown long and glorious, from the earliest collaborations with Balla, Marinetti fino a quelle con Bruno Munari e poi Gió Ponti, Ettore Sottsass, Carla Accardi, Luigi Ontani, Ugo La Pietra, Mimmo Paladino, Alessandro Mendini, Liliana Moro, Stefano Arienti, Alberto Burri, Sebastian Matta, Arman , Cesar, Enzo Cucchi, Marc Camille Chaimowicz, etc. The list is long and precious as well as precious are the traces that all these artists have left and keep leaving at Ceramica Gatti 1928.
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