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Ilya Bolotowsky Signed Modernist Silkscreen Vertical Blue Ellipse Series
$4,628
$5,78520% Off
£3,470.06
£4,337.5820% Off
€4,023.02
€5,028.7820% Off
CA$6,458.62
CA$8,073.2720% Off
A$7,213.69
A$9,017.1120% Off
CHF 3,748.45
CHF 4,685.5620% Off
MX$87,848.18
MX$109,810.2320% Off
NOK 47,613.70
NOK 59,517.1220% Off
SEK 44,865.83
SEK 56,082.2820% Off
DKK 30,016.62
DKK 37,520.7820% Off
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About the Item
Incredibly graphic piece, signed by Ilya Bolotowsky (American, 1907-1981) from the early 1970s. Signed Silkscreen part of the vertical blue ellipse blue series. Silkscreen on Rives paper. Edition 70/135. Signed in pencil. Framed: 45.5” H x 30.5” W. Modernist, graphic and linear piece that will add a statement to your mid century or Eclectic décor.
- Creator:Ilya Bolotowsky (Artist)
- Dimensions:Height: 45.5 in (115.57 cm)Width: 30.5 in (77.47 cm)Depth: 1.75 in (4.45 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:Paper,Pressed
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:Wear consistent with age and use. Wear consistent with age and use. As a vintage item, light cosmetic wear might be present but with no structural damage. Unmatted and unframed piece shows slight blemishes not significant to detract from the piece as a whole.
- Seller Location:San Diego, CA
- Reference Number:Seller: Ilya Bolotowsky signed silkscreen 1stDibs: LU936623339722
Ilya Bolotowsky
Ilya Bolotowsky grew up in Russia and enjoyed drawing, but his family wanted him to do something “socially useful,” so he planned to be a lawyer. He changed his mind after he moved to New York, however, and enrolled at the National Academy of Design. During the 1930s, the Works Progress Administration hired him as a mural painter, and he was one of the first artists to create completely abstract designs for the project. He composed geometric images from colored rectangles and squares, inspired by his belief in “ideal harmony and order.” From the late 1940s, Bolotowsky used canvases shaped as diamonds, circles, and ovals to show how the edge of the painting could change the visual effect of the lines and angles within. (Bolotowsky, interviewed by Svendsen and Poser, Ilya Bolotowsky, 1974)
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