Peter Buchman "How to Disappear" Neon, 2024

Contemporary New York artist Peter Buchman's American Graffiti Neon is in white for a reason. It's clean, clear, not cluttered, not everywhere and no...

Contemporary New York artist Peter Buchman's "Exit Strategy" is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice-Over series, in which the artist culls linguistic phrases in a journey to immortalize how wonderfully other cultures have contributed to the American Diaspora. To explain that Buchman's word paintings are 'A Figure of Speech' is underestimating the level of soulfulness at which these works reside. They are markings directly from the artist’s hand yet are indications of many people before him. These are words from familiar phrases, music albums, his funny brand of irony and the human form itself. As far as "Exit Strategy" goes, Peter Buchman tends to dream a lot when he sleeps. When it's a really deep sleep, he is usually in an espionage kind of caper. Maybe James Bond meets film noir. He doesn't know why, but he's woken himself up running in place, sweating, and truly believing that he's killed someone. It is such a relief to sit up in bed and find that nothing's really happened, and all is well in his little corner of the world. With that said, there's a twisted, funny side to all of this, which leads him to something that everyone is familiar with: getting out of a sticky situation and how to address it. Facing it head-on and with a sense of humor is his default. Signed and dated en verso. This is a commissioned piece and will ship directly from the artist's studio. American artist Peter Buchman has BFA in Illustration from The Rhode Island School of Design and did a Sculpture Residency at The School of Visual Arts in New York. Peter's artwork has been exhibited throughout the US since 1981 including the Parrish Art Museum (Southampton, NY), Cooperstown Museum (NY), Delaware Museum of Art, Kidder Smith Gallery (MA) and Vered Gallery (East Hampton, NY). His work is included in the portfolios of collectors including Beth Rudin DeWoody, Nicole Miller, David Yurman and Howard Schultz...

'Calibrated to Balance' is a unique red, green, yellow, teal and amber hand-blown and cut glass hanging artwork with steel frame by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Exquisitely handblown and cut to the highest quality and refinement, the elements have been composed and suspended on a steel frame ready for wall hanging. Increasingly the artists have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, primarily through blown glass, but also using steel, and constructions in other materials. Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

Walljewel white onyx by Lisette Rützou Dimensions: 15 x H 42 cm Materials: Rose, Green and White Onyx Lisette Rützou’s design is motivated by an urge to articulate a story. Ins...