Gaston Chaissac, Lithographic Print, Composition with Face, 1960s

Dagmar Glemme, Composition with fish and faces Color lithography Work signed by the artist Work dimensions 50/38 Framed work Dagmar Glemme was born in 1942 in Poland. After the war,...

Curt Hillfon, Amaryllis, 1960s Serigraphy Work signed by the artist (pencil) Work dimensions 52/42 Framed work Curt Hillfon (1943 - 2018) was a painter, graphic artist and dra...

Bengt Lindström, Composition with Figures, 1980s Carborundum etching EA number This work is signed by the artist and has an individual number (pencil) Sheet dimensions 29/24 Unframed work Bengt Karl Erik Lindström...

Lennart Aschenbrenner, Composition with stick, 1986 Color lithography Number 296/330 This work is signed by the artist, has date and an individual number (pencil) Sheet dimensions 49...

Jörgen Fogelqvist, Composition with figures, 1977 Color lithography The work is dated and signed by the artist (pencil) Work dimensions 90/62 Unframed work Jörgen Birger Roland Foge...

Maurizio Bini, 1960s Etching on paper Number II/X The work is signed by the artist and individually numbered (pencil) Work dimensions 72/52 The work is framed Maurizio Bini was born...

Hardy Strid (1921-2012), Swedish artist. Enamel on sheet metal. Abstract composition. 1960s / 70s. The sheet metal measures: 33 x 25 cm. In excellent con...

Colored lithographic plan printed on one side of a large fan, with legends and inset map "Karta öfver Almm. Konst- och Industriutställingen i Stockholm 1897", in semi-circular shape....

Gaston Sebire French, 1920-2002 Landscape with figures Oil on canvas 31 by 41 ½ in. With frame 38 by 48 ½ in. Signed lower right Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris. The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.” The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris. Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage.  As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and Frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.” Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...

Very rare and large ceramic bowl or wall decor from the famous Danish ceramic workshop Michael Andersen & Søn (MA&S) on the island of Bornholm. Made circa 1950s or 1960s. The Hand Painted decor resembles the style of Marianne Starck but is most likely not by her as the piece doesn't show her signature. We suppose it's by Gerd Hiort Petersen...

1960s hand painted enameled copper wall composition by Danish artist Bodil Eje The composition is made of a richly colorfull and patterned hand paintet enameled copper plate with Bo...

Large Macrame handcrafted with many different knot styles and a scene of hills, sun and clouds.