Johanna Meier-Michel Art Nouveau Enamel Panel with Nude Winged Angel

An exceptional and stunning Art Nouveau silver buckle inset with guilloche enamels made by W E Patterson, Birmingham and dated 1908. The rect...

A fine quality Art Nouveau enamel decorated rectangular box dating from around 1900. Possibly Austrian, the box is made in brass with a hinged overlapping cover the top applied with ...

The editor of the publishing journal L'Art Photographique George Carre had stressed his intentions, but inability to have photographic covers for the journal. The talented Artist Alphonso Mucha...

A large and impressive Art Nouveau/Jugendstil Austrian Imperial Amphora art pottery twin handled vase with tube lined bird designs dating from the early 20th century. In addition...

Native American Hunter with his Mustang oil painting on cannvas. Original Contemporary oil painting canvas stretched on wood.. Signed on the right corner. ( illisible).

Artist VINC 4 CV Bibendum Acrylic on hood of 4CV from 1960 ( French car) Circa 2021 H 83 x W 100 X D 22 cms Signed by the artist Unique and original a...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

19th C signed Framed Horse Litho By Olso.