Louis Emile Adan, Vue Depuis la Terrasse, Automne

Ernest Ochme (19th century) "Musician on a Terrace". Signed Ernest Ochme and dated 1858 l/r. Oil on Canvas. Measuring 33.75 by 26.25 inches. Provenance: Dixon & Dixon, New O...

Jacques J. Leopold Loustau (1815-1894) "Startled on the Shore" (1865) Painting Oil/canvas Measures: Canvas: 32 by 25 in.; 81.2 by 63.5 cm Framed: 42 by 35 in.; 106.6 by 88.9 cm....

After Émile Munier (1810-circa 1895) 'Fischend Amor' A Berlin (K.P.M.) Porcelain plaque, circa 1880 painted with cupid and another putto using his bow to fish his quiver of arrows...

Adolph Gustave Jundt, (French, 1830-1884), Napoleonic Painting, Napoleon on a Clandestine Boat Ride, oil on canvas, an interoperation of the hist...

Oil painting on canvas depicting a natural autumn landscape, created by Henry Markò in the early 20th century. Ø cm 49 h cm 105 Henry Markò, descendant of the Austrian painting dyn...

French Victorian oak framed engraving of landscape titled: "Le Matin" or "The Morning".  

This French winter landscape painting from the 1800’s sits securely in the original giltwood frame. The hand-carved frame has several long ribbons, with sinuous fabric curls encompassing a repeating border of two distinct flowers. A slender cavetto molding can be seen inside of the carvings, with a repeating scalloped leaf motif that immediately borders the canvas. The French School painting depicts an overcast winter day with a small patch of blue sky in the middle of gray clouds above snowcapped mountains. Most likely the French Alps, there are a few evergreen trees...

ntique landscape oil painting in it's original frame by French artist Gustave Césaire Garaud (1844-1914) An attractive Barbizon School oil painting on stretched canvas. A river scene with a wooded foreground with plenty of animated detail of the river and the small wooden bridge that crosses it. The artist has animated the painting with raised brush strokes and lush hues of greens and lilacs. The canvas is slightly textured. It is signed in the lower right with an annotation, A. F Aberle, my friend since childhood. MORE ABOUT THIS PAINTING: Medium: Oil on stretched canvas Overall size: 13.5ins x 18ins or 34cms x 46cms (approx) including the frame Date: 1880's Condition: The painting is in good antique condition but you should expect imperfections associated with age, in particular, there are two very small areas of missing paint in the tree. The frame has had renovations throughout but it is in a sturdy condition. Signed: Gustave Césaire Garaud (1844-1914) He was a student of François-Louis Français. His first exhibit at the Salon came in 1878, and he would continue to have showings there until his death. In 1881, two of his works, "Bord du Gapeau près de Montrieux" and "Les Pins de Notre-Dame sous Fenouillet", received honorable mention and were purchased by the Musée d'Art de Toulon. In 1889, he was awarded two third-class medals and, in 1893, two second-class medals. He opened a workshop in Paris, dividing his time between painting there, in Provence and in Brittany. He also created some landscapes in Corsica. Although he never became famous, he enjoyed a good reputation among collectors and was able to organize two exhibits of his own, at the Cercle Volney, in 1891 and 1900. In addition to his canvases, he decorated some private buildings. During this time, he travelled widely; especially to what was then French Indochina. Inspired by these travels, he illustrated several books dealing with the Far East, notably L'Indochine française...