Pair Of 19th Century, American, Fraternal Regalia Halberds

An exceptional, painted American trade sign made from carved wood in the full-bodied form of a race horse’s head. Wonderful movement, tremendous f...

Rare pair of fireman’s axe parade torches, 1860-1880: Pair of fireman’s axe parade torches with traditional wooden axe handles and the heads made o...

Exceptional and intricate blown glass ship, in red, white, and blue, tall and shapely with a billowing commission pennant and flag, probably Czechoslovakia, last quarter of the 19th century This mindboggling, intricate little ship is one of the more remarkable pieces of blown glass that I have ever encountered. Probably Czech-made and similar in nature to some of their most rare and extraordinary, figural, blown glass Christmas...

HAND-PAINTED 19TH CENTURY BANNER WITH AN 1867 VERSION OF THE SEAL OF THE STATE OF ILLINOIS, PROPOSED IN THAT YEAR BY THE SECRETARY OF STATE, BUT IN A VARIATION NEVER FORMALLY ADOPTED Banner with the Illinois State Seal, in a rare variation of the design, never adopted. In 1867 Illinois Secretary of State Sharon Tyndale proposed that the phrases in the state motto be reversed. In the wake of the Civil War, (which ended in 1865,) Tyndale suggested that the verbiage be changed from "State Sovereignty--National Union" to "National Union--State Sovereignty,” which made sense given the recent secession of the Southern States, which placed their own interests first. Illinois' own Abraham Lincoln had worked hard to preserve national interests, echoed here in the altering of the language. Though Tyndale’s suggestion was rejected, he was nonetheless charged with creating a new design, which he did and was soon adopted. This displayed the dates of "1818," when Illinois became a state, and "1868," when the seal was officially changed. Interestingly enough, Tyndale did manage to send a message in the new version by turning the word “sovereignty” upside-down , with the surmised explanation that this fit accordingly with the orientation / position of the streamer. The banner is beautifully hand-painted on muslin and retains its original staff. The shape is beautifully scalloped at the bottom edge, which is painted to look as if there is an applied fringe. Most of the elements are congruent with the 1868 version, but there are various differences. Set within a shield-shaped medallion—usually circular—is the expected eagle in a side view, spread wing pose with beak uplifted. The eagle is supposed to be perched upon a rock with one talon, while gripping a Federal shield in the other. Here there is no rock and both talons grip the shield, which displays 13 stars. Note the date of "1867" and Tyndale's preferred order of the wording on the billowing ribbon in the eagle's beak. The foreground of the official design is all grass. Here there are olive branches—a peacetime reference appropriate for a country recovering from war—on a grassy area, set upon a sandy shore before Lake Michigan, with a rising sun on the horizon. Mounting: The banner was mounted and framed within our own conservation department, which is led by masters degree trained staff. We take great care in the mounting and presentation of flags and have preserved thousands of examples; more than anyone worldwide. The background is 100% cotton twill, black in color. The mount was placed in a black-painted, hand-gilded and distressed Italian molding. A shadowbox was created to accommodate the staff. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Banner - 49" x 56.5" Frame - 67.75" x 59.25" About Jeff R. Bridgman Antiques, Inc.: As an advisor to top museums and collectors alike, Jeff Bridgman is the world's leading expert and source for antique American flags and political textiles...

OUTSTANDING CIGAR SILK PIECEWORKTABLE COVER WITH UNUSUALLY LONG RIBBON FRINGE AND GREAT GRAPHICS, 1880-1910: Silk bands like these were used to wrap bunc...

Franco-American textile with the image of an eagle supporting knotted and draped american and French flags beneath four war planes; embroidered silk floss and metallic bullion thread...

An antique pair of late 19th Century Parisian Karyatides sculpted in French Plaster on a black wooden base. The female figures serve as an architectural support, taking the place of ...

Pair of painted dogs made in reconstituted stone 19th century.  

A pair of Italian 19th century painted wood angel plaques. This pair of antique Italian plaques, perhaps originally used to decorate a chapel, feature a ...

Pair of French 19th century gilt bronze (electrotype technique) relief plaques. Children in backyard farm, garden scene.

Portuguese palissy plate or charger with green grasses, coiled snake, grubs, lizard and butterfly. Signed: Jose A. Cunha, Caldas, Rainha, Portugal.

A large and Rare French 18th-19th century Copper Overlaid Portrayal Relief Medallion of The Renown French Chemist ANTOINE LAVOISIER (1743-1794). The ...