"Left Jab", Compelling Drawing of Boxer by Luis Mora, Pencil on Paper

William Littlefield was fascinated by boxers, capturing them again and again in the 1920s and 1930s, issuing a set of prints and producing a series of vivid, arresting drawings. Each...

This nude figure, decked out in an Errol Flynn moustache and slicked-back hair, was executed in dark red pencil by Joe Waano-Gano, an important Native American artist with a prestigious career in California in the 1930s and 1940s. Born a Cherokee Indian...

Although William Baziotes is justifiably famous for his Surrealist and Biomorphic paintings later in his career, his extraordinary talent is evident in his early works as well. This ...

Emlen Etting returned again and again to the theme of Icarus Falling, in part because it gave him an opportunity to depict the nude male in motion. This large drawing served as a stu...

Three drawings of boxers by Tony Sisti. Sisti was a master draftsman. With just a few lines he captures the moment. Sisti was a professional boxer and an accomplished artist. He was able to see the subject from the view point of the boxer and the artist. The seated boxers...

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...

"Wrestler" 1930s is an original pencil drawing on ivory-colorated paper, glued on cardboard, by Anonymous Artist of XX Century. In excellent conditions: As good as new. Sheet dimens...

Nude Study in Pencil, Europe, 1940s. Beautiful and well drawn study with a male nude kneeling. Wonderful atmosphere and very elegant. At the underside of the paper there are also a few other drawings of...