Fabric Drawings

Antique Italian painting from the late 18th century. Virgin with child in Byzantine style of great character and good pictorial hand. Oil painting on canvas with wooden frame not coe...

Italian painting from the mid-20th century. Work oil on canvas (applied on board, see photo) depicting bucolic landscape with characters and city in the background of good pictorial ...

Antique Italian painting from the 18th century. Framework oil on canvas depicting a landscape with figures of good pictorial quality. Nice sized and pleasantly decorated paintinf wit...

Antique Spanish painting from 18th century. Framework oil on canvas depicting a religious subject Piety, Virgin with deposed Christ, of good ...

Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2009 Signed and Dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Authenticity a...

Antique Italian painting from 18th century. Framework oil on canvas, on the first canvas, depicting a view with characters, animals and ruins of good pictorial quality. Large size fr...

Italian painting from the second half of the 20th century. Framework oil on canvas depicting a countryside landscape in impressionist style of good pictorial quality. Modern frame co...

Antique English painting from the second half of the 18th century. Framework oil on canvas depicting genre scene with characters of good picto...

Ugo La Pietra, "Genius Loci'" Acrylic on canvas, 2009 Signed and dated by Artist on front and rear. Coded and archived by Ugo La Pietra Archives. Certificate of authenticity ava...

French painting from the mid 20th century. Framework oil on canvas (glued on a board), depicting a pleasant view of the lake with sailboats of good pictorial quality. Painting of exc...

Nude Woman, oil on canvas, 20th century. Evelyne Luez, Ecole de Paris Measures: H: 81, W: 65 cm, D: 2 cm.

Antique Italian painting from the 17th century. Oil on canvas framework depicting a religious subject Virgin with child of good pictorial quality. Painting of great measure and impac...

Ugo La Pietra, "Dal Giardino delle Delizie" acrylic on canvas, 2016 Signed and Dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Au...

Italian painting from the second half of the 20th century. Mixed media framework on canvas (glued on panel) depicting a surrealist subject Crucifixion of good pictorial quality. Pain...

Antique French painting from the second half of the 18th century. Framework oil on canvas depicting genre scene with popular characters of good pictorial quality. Nice size painting ...

Ancient Italian painting from the 18th century. Framework oil on canvas depicting a religious subject Adoration of the Magi of good pictorial quality. Painting of great sige and impa...

Ancient Italian painting from the first half of the 18th century. Oil on canvas framework, first canvas, depicting historical/biblical subject, King David brings the ark of the coven...

Jordi Mollá, actor, artist, writer and filmmaker, 2021 "Flower Power" Marbella series oil painting. .  

Italian painting from the second half of the 20th century. Framework oil on canvas depicting a river view with eighteenth-century characters. Painting signed lower right (see photo) ...

Tuscan landscape with bridge over a stream and peasant women Signed "E. Donnini", bottom right Gilded frame Oil on canvas, cm H83,5 x W60 Emilio Donnini (Florence, 1809 - Florence, 1886) was an Italian painter. There is no information regarding Donnini's pictorial training, whose documented activity, exercised in his Florentine studio in via del Maglio, began in 1843, the year in which he participated in the exhibition of the Florentine Promoter Society with View of a river with a bridge. Regular frequenter of the Caffè Michelangiolo, the meeting place of Macchiaioli painters, he regularly participates in the exhibitions organized by the Florentine Promoter Society of Fine Arts, starting from 1845 with Country of invention and View of a mill near Pisa and in 1847 with a series of views of Versilia. In the same year, his friend Antonio Puccinelli portrayed him in the Portrait of the painter Emilio Donnini: with the Pisan, Donnini shares patriotic and irredentist ideals and in all likelihood participates in the uprisings of 1848. In this period he approaches the Markò family, with whom he frequently moves between the Island of Elba, the Lazio and Tuscan countryside to paint landscapes en plein air, in the Macchiaioli way. In 1848 he painted Glimpses of Vicopisano, in 1849 he participated in the Promoter with a View of the Valdarno near Docciola, in 1850 with Marciana, View in the outlines of Seravezza and Marciana Marina. In 1852 he painted a marina for the walls of the Caffè Michelangiolo, in 1853 he participated in the Promoter with the Porto Lungone beach, Civitavecchia beach and Tramonto di sole sul mare. Starting from 1854 he is part of the artists of the Scuola di Staggia with the Markò, Serafino De Tivoli, Carlo Ademollo, Alessandro La Volpe, Lorenzo Gelati and Saverio Altamura and, in the same year, he was awarded by the Promoter for the Marina di Livorno paintings at the Ponte alla Sassara, Marina near Marciana with sun effect and View of a lake with sunset. In 1855 he participated in the Promotrice with Marina with boats, A road of Mugello near Vicchio, The furnaces of Prince Corsini in the Valdarno and Lo stradone del Gombo, in 1856 with Campagne Senesi, in 1857 with Paese del Mugello with bather, in 1858 he was awarded the Silver medal with A morning on the sea, where he also exhibits Country near Pisa, The mountains of Marciana, Rio beach...

Antique French painting from the 18th century. Framework oil on canvas depicting a religious subject Saint Francis of good pictorial quality. Non-contemporary frame in wood and plast...

Italian painting from the late 20th century. Framework mixed media on canvas depicting still life, table adorned with a musical instrument, globe, candle, book and notes of good pict...

Antique French painting from the late 18th century. Framework oil on canvas depicting a subject of romantic taste The game of chess, of excellent pictorial quality. Painting of nice ...

Ancient Italian painting from the 18th century. Framework oil on canvas depicting a religious subject Saint Anthony the Abbot of good pictorial quality. Antique wooden frame, not coe...

Italian painting from the mid-20th century. Framework oil on canvas depicting a river landscape with eighteenth-century architecture, characters and animals. Lacquered and gilded woo...

Ancient Flemish painting from the late 17th century. Framework oil on canvas depicting an interior scene of a tavern with characters of good pictorial quality. Painting of good size ...

Italian painting from the second half of the 20th century. Framework oil on canvas depicting a view of the lake with characters of eighteenth-century style. Painting signed lower rig...

Italian painting from the middle of the 20th century. Framework oil on canvas depicting a seascape with fishermen and boats of good pictorial quality. Painting of pleasant decor with ebonized guilloche...

Antique Flemish painting from the 18th century. Framework oil on canvas depicting an interior scene of a tavern with characters of good pictorial quality. Nice size and pleasant impact painting, for antique dealers, interior decorators and collectors of old Dutch painting...

Italian painting dated 1921. Framework oil on canvas, on the first canvas, depicting a portrait of a child on an armchair of good pictorial quality. Chiseled and gilded wooden frame ...

Italian painting from the late 19th century. Framework oil on canvas, on the first canvas, depicting a wooded view with river in impressionist style. Painting of pleasant decor signe...

One and only original French painting signed by Elisabeth Brainos, 2005, in a black wood frame. With her unique and colorful style, Elisab...

Leonard Howard Reedy (1899-1956) Attack on the pony express Drawing-watercolor Watercolor or paper Signed lower right Leonard H. Reedy. Measures...

1980s Spanish oil on canvas birds paintings with bamboo frame. Frame measurements: 96 x 66 x 2.5cm.

Italian painting of the late 19th century. Work oil on canvas, on the first canvas, depicting a wooded view with river in impressionist style. Pleasantly furnished and bright framewo...

Veneto, Italy, early 18th century Oil on canvas 20th century frame carved and gilded in pure gold Dimensions: cm W 93 x H 78,5 x D 5.

Ancient Italian painting from the late 19th century. Framework oil on canvas depicting a portrait of a pretty old woman in period clothing of good pictorial quality. Wooden frame not...

Ancient Italian painting from the 18th century. Framework oil on canvas depicting biblical subject Joseph at the well sold by the brothers of good pictorial quality. Oval painting wi...

Ancient Italian painting from the 18th century. Framework oil on canvas depicting biblical subject Rachel and Jacob at the well of good pictorial quality. Painting of pleasant decor ...

Italian painting from the second half of the 20th century. Framework mixed media on canvas depicting an abstract subject entitled «Genesi da salvare» signed lower left (see picture),...

Antique French painting from 18th century. Oil on canvas framework depicting landscape with hunting dogs with partridges of good pictorial quality. Painting of great measure and impa...

Ancient Italian painting from the 18th century. Framework oil on canvas depicting landscape with characters and animals at the well of excellent pictorial quality. Painting of great ...

An exceptional French oil on canvas, "Feeding the Doves", Signed and Dated by E. Munier, 1890. Émile Munier is one of the most sought after and most talented French artists of the 18...

French painting from the first half of the 20th century. Oil on canvas framework depicting still life with game of good pictorial quality. Modern ...

La Jeunesse (Youth) Tapestry Polychrome wool and silk France, Aubusson, circa 1750 It measures 107.08 in height x 104.33 in (272 cm height x 265 cm). State of conservation: good The tapestry is accompanied by the engraving from which the subject was taken. The engraving measures 23.50 in x 25.86 in (59.7 cm x 65.7 cm) with the frame. The Aubusson tapestry has controversial origins: some believe that it was the Saracens who imported this type of work into Europe while other authors believe that the production began at the same time as the marriage between Louis I of Bourbon and Maria de Hainaut in 1310. It was at this time that a considerable importation of tapestries from Flanders into France began, followed shortly thereafter by the importation of their production techniques. At the beginning of the seventeenth century a royal edict from Henry IV halted the importation of Flemish tapestries, contributing to the subsequent Expansion of Aubusson production. The status of royal manufacture was to be granted only in 1665, even though the Nantes edict caused a drop in production because of the forced migration of weavers to Germany. The full recovery and the success of the manufacturing took place during the eighteenth century when the great painters and the tapestry manufacturers began to collaborate. Great French artists of the time and specialist painters, the “cartonniers”, painted “cartons de tapisserie” in oil or tempera, all of which were to be a source for the tapestries. As an alternative to the “cartons”, scenes taken from prints and engravings were freely used. The tapestry in question, made of wool and silk, is in good condition; the colors are still fresh and the silks, which give brightness to the scene, are well preserved. There are a small number of integrative restorations present, while the lining and the suspension system have been recently refurbished. The work is made with a flat-weave, according to the custom of the Aubusson manufactures, which is clearly demonstrated by this work since it shows all the technical and material characteristics typical of the first half of the eighteenth-century production: the “Jeunesse” was probably woven in the middle of the XVIII century. The scene itself is compelling: a rural clearing is depicted, centered around a tall tree with dense fronds with lance-shaped leaves. In the shade of this tree some scenes of courtship can be seen. A couple hugs each other, one is caught stealing a kiss and another, lying softly on the grass, is still at the early stages of courtship: together with the suitor the girl looks with smiling malice at the kissing couple. On the right, two young men practice archery while aiming at a target placed on top of a pole. The scene, with male and female characters intent on games and gallantry in a festive atmosphere, is taken - faithfully, but in mirror-image - from an engraving, which in turn was itself taken from the painting (now kept at the National Gallery in London, inv. NG103 and part of a series with the four ages of man) by Nicolas Lancret, produced around 1735. The tapestry is accompanied by a copy of the engraving, which bears, at the bottom, the name of the author (“N. Lancret pinxit”), the name of the engraver (“N. De Larmessin sculpsit”) and four short verses on the subject of love disputes: Pourquoi tous ces combats si chers a la jeunesse, Quels frivoles talents veut-elle mettre au jour? Non: chacun voudroit vaincre aux yeux de sa Maitresse, La Lice est une Scène ou triomphe l’Amour. Why all these fights so dear to youth, What frivolous talents does it want to bring to light? No: everyone would want to win in the eyes of his Mistress, The Lice is a Scene where Love triumphs. At the bottom we read: “A’ Paris chez N. De Larmessin graveur du Roy Rue de Noyer à la 4 (?) porte cochère a droite entrant par la Rue St. Jacques A.P.D.R. [Avec Privilège Du Roy]”. Nicolas Lancret (1690-1743), along with Antoine Watteau, was a pupil of Pierre Durin and Claude Gillot...

Ancient Italian painting from the first half of the 18th century. Oil on canvas framework depicting a religious subject Saint Francis of good pictorial quality. Wooden frame not Coev...

French painting dated 1980. Oil on canvas framework depicting a view of a cornfield adorned with decorative elements and female nude, in bright colors of great pleasure. Painting sig...

Ancient Italian painting from the 18th century. Oil on canvas famework depicting a seascape with characters and architectures of good pictorial quality. Nice size painting and pleasa...

Water Lilies on the water, oil on canvas, 20th century. Evelyne Luez, School of Paris Measures: H: 80, W: 40 cm, D: 2 cm.   

One and only piece, by French Artist Elisabeth Brainos signed Painting, 2005, France, in a white wood frame. With her unique and colorful style, Elisabeth Brainos, French artist, ...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). An allegory of the love Omnia vincit amor...

Italian painting from the mid-20th century. Oil on canvas framework of fabulous decor depicting landscape with figures and architecture in 18th century style. Nice size and pleasant ...

Wool wall carpet "autoportrait aux poissons" mechanical carpet by Pierre-Yves Trémois. Signed: Trémois This is one edition of 49.

Ancient Italian painting from the 18th century. Oil on canvas framework depicting landscape and folk scene with children of good pictorial quality. Painting of beautiful size and ple...

German painting from late 19th century. Framework oil on canvas depicting a copy of a famous painting by Veronese, portrait of a young noblewoman of good pictorial quality. Modern fr...

Regal set of twenty-four steel engravings of English Hunt Scenes by Richard Blome (1635-1705) framed in a pair of three panel mahogany Regency Screens, 17th century. The etchings are from "BLOME, Richard (1635-1705): The Gentlemans Recreation. ... An Encyclopedia of the Arts and Sciences ... [and] Horsemanship, Hawking, Hunting, Fowling, Fishing and Agriculture. With a Short Treatise of Cock-Fighting. London: S. Roycroft for R. Blome, 1686". Twenty-three of the twenty-four hunt engravings...

Artist: Ethan Murrow, (American, 1975-) Title: Reversing Extinction III Medium: Graphite on paper Date: 2005 Size: 40" x 40" Frame: 48" x 48" black s...

Nagasaki School (EARLY 19TH CENTURY) Opperhoofd Hendrik Doeff with Javanese servant Kakemono, watercolor on paper, mounted on silk and textile covered paper scroll, not signed....