17th Century Italian Old Master Madonna and Child Oil Painting

A mid-late 19th century Continental oil painting of an interior scene with mother and child. The beautiful painting win an elaborate early gilt wood frame. The canvas measures 6 high...

Tiffany Dae "Madonna" modern surrealist chimerical oil aluminum dibond art panel painting signed lower right. From the Collection of Keryn Redstone. 48" by...

Oil on canvas portrait of a Spanish aristocratic lady. The painting of a young woman in profile with a dark background dressed in a formal gown with pink roses, signed by the artist ...

An Old Master style original oil painting on canvas in later giltwood frame. The painting with beautifully painted background of a mountain and clouds with trees in the foreground. T...

Stable scene oil painting on board, late 19th century. Interesting background with money and donkey. Measures: 21 1/2" wide by 14 1/2" tall by 1" deep. Sight 18 1/2" by 11 1/2" tall....

A charming impressionistic oil painting on canvas artist signed in lower corner. The painting with two roosters with a hen in background, The gilt wood frame with linen liner. 10.75 inches tall by 11.25 inches wide, unframes Unframed, 8.5 inches by 8 inches. Sold from a Montclair New Jersey Art...

17th century Italian old master painting Madonna and Child with St. Anne and St. John the Baptist. Important Tuscan School Old Master painting in oil on a hand shaved wood panel. ...

Italian old master painting, 17th century, oil on canvas. Good condition Measures: H. 54 W. 43 cm H. 21.2 W. 16.9 in.

Great Italian painting from the second half of the 17th century. Work oil on canvas depicting a religious subject Madonna with child of good pictorial quality. Painting with a partic...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

Fantastic old master painting of a women, 16/17th century With frame: H. 107 W. 90 D. 10 cm H. 42.1 W. 35.4 D. 3.9 in Without frame: H. 80 W....

An intriguing Italian 17th century oil on canvas painting. A skeleton with a cornucopia of gold pieces. Divittarum Jactantia Quid - "What is the boasting of the rich?".