18th Century Copy of "Port Scene with the Villa Medici" after Claude Lorrain

A fine half length portrait of a powder wigged 18th century French aristocratic gentleman simply dressed in a brown waistcoat over an embroidered buttoned vest in which he has placed...

An exquisite and rare late 18th century oil on copper plate of a reclining nude by Austrian artist Adam J. Braun, (1748-1827) in the manner ...

An unsigned canvas depicting two bearded ‘Renaissance’ gentlemen painted from the waist up in a loving posterior embrace. The painting is very likely English late 17th or 18th century. Relined well over a hundred years ago which suggests that the work may be 17th or 18 century. Presently in a contemporary, compatible frame. The canvas relining was done by John Peel who was active in London in the early 19thC. John Peel worked from Golden Square, London 1819, 7 Naylors Yard 1820-1834, 17 Golden Square 1832-1843, 17-18 Golden Square 1844-1858, 12 Marlborough Row as carver and gilder...

A museum worthy large painting depicting travellers before the falls of Tivoli outside of Rome, with the Temple of Vesta in the background, after the 18thC French artist Claude Joseph Vernet...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

A romantic 18th century oil painting on canvas depicting two young couples in an idyllic landscape, the figures sitting by a stream beside a garden folly, their pets with them. The two men serenade the women with their stringed instruments. The subject matter and style of painting...

After Claude Lorrain - Embarkation of the Queen of Sheba. The original painting which was painted in 1648 is housed in the National Gallery, Londo...

ENGLISH SCHOOL "Sea Port" 18th Century Oil on canvas, Dim: 37 x 62 cm ( without frame ) good conditions

CIRCLE OF SALVATORE ROSA "Port View" 18th Century Oil on canvas. Recovered. Grid label from screen supplier James Bourlet & Sons (1850-1895). The London firm of Bourlet has made the...

A copy of the 1636 painting “River Ford” by the French proto-plein-air painter Claude Lorrain (1600-1682). This suivier, or follower, has faithfully reproduced the original but revis...

French 18th century painted engraving depicting a pastoral scene with a couple, after François Boucher (1703-1770). Painted engraving set in it...

C18th gilt framed oil painting of the Battle of Boyne after Dutch artist Jan Wyck. It shows a panoramic landscape view from the northern vantage point ...