18th Century Oil on Canvas Italian Landscape with Saint John Baptist Painting

Antique French painting from 18th century. Oil painting on canvas, depicting landscape with ruins and characters of good pictorial quality. Wood and plaster frame of the 20th century...

Antique Italian painting from 18th century. Framework oil on canvas depicting a portrait of a girl with a goldfinch of good pictorial quality. Framework of good size and pleasant fur...

Italian painting dated 1977. Oil painting on canvas depicting a country view in the Impressionist style. Beautiful and pleasant framework signed and dated in the lower right corner (...

Italian painting from the mid-20th century. Work oil on canvas (applied on board, see photo) depicting bucolic landscape with characters and city in the background of good pictorial ...

Decorate an office or study with this antique black and white engraving. Hand colored in Italy circa 1775, the large monochromatic etching is...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). An allegory of the love Omnia vincit amor...

18th century continental eglomise painting of St John the Baptist preaching. Eglomise is a method of reverse painting on glass. In a go...

Tuscan landscape with bridge over a stream and peasant women Signed "E. Donnini", bottom right Gilded frame Oil on canvas, cm H83,5 x W60 Emilio Donnini (Florence, 1809 - Florence, 1886) was an Italian painter. There is no information regarding Donnini's pictorial training, whose documented activity, exercised in his Florentine studio in via del Maglio, began in 1843, the year in which he participated in the exhibition of the Florentine Promoter Society with View of a river with a bridge. Regular frequenter of the Caffè Michelangiolo, the meeting place of Macchiaioli painters, he regularly participates in the exhibitions organized by the Florentine Promoter Society of Fine Arts, starting from 1845 with Country of invention and View of a mill near Pisa and in 1847 with a series of views of Versilia. In the same year, his friend Antonio Puccinelli portrayed him in the Portrait of the painter Emilio Donnini: with the Pisan, Donnini shares patriotic and irredentist ideals and in all likelihood participates in the uprisings of 1848. In this period he approaches the Markò family, with whom he frequently moves between the Island of Elba, the Lazio and Tuscan countryside to paint landscapes en plein air, in the Macchiaioli way. In 1848 he painted Glimpses of Vicopisano, in 1849 he participated in the Promoter with a View of the Valdarno near Docciola, in 1850 with Marciana, View in the outlines of Seravezza and Marciana Marina. In 1852 he painted a marina for the walls of the Caffè Michelangiolo, in 1853 he participated in the Promoter with the Porto Lungone beach, Civitavecchia beach and Tramonto di sole sul mare. Starting from 1854 he is part of the artists of the Scuola di Staggia with the Markò, Serafino De Tivoli, Carlo Ademollo, Alessandro La Volpe, Lorenzo Gelati and Saverio Altamura and, in the same year, he was awarded by the Promoter for the Marina di Livorno paintings at the Ponte alla Sassara, Marina near Marciana with sun effect and View of a lake with sunset. In 1855 he participated in the Promotrice with Marina with boats, A road of Mugello near Vicchio, The furnaces of Prince Corsini in the Valdarno and Lo stradone del Gombo, in 1856 with Campagne Senesi, in 1857 with Paese del Mugello with bather, in 1858 he was awarded the Silver medal with A morning on the sea, where he also exhibits Country near Pisa, The mountains of Marciana, Rio beach...