Andreas Wachter (*1951), Restposten (Remainders), 2023

Oil on hardboard Monogrammed and dated AW 22 lower right. Andreas Wachter was born in Chemnitz in 1951. He studied under Volker Stelzmann and Arno Rink at the Hochschule für Graphik...

Oil on canvas. Framed. Image size: 160 x 120 cm. Monogrammed and dated ‘AW’24’ at bottom left. Andreas Wachter was born in Chemnitz in 1951. He studied under Volker Stelzmann an...

Oil on hardboard Monogrammed and dated AW 21/22/23 lower right. Andreas Wachter was born in Chemnitz in 1951. He studied under Volker Stelzmann and Arno Rink at the Hochschule für...

Mixed media on canvas. Image size: 120 x 100 cm. Monogrammed lower right “LW ‘24”. Signed, dated and titled on verso.

This is a rare opportunity to purchase an original Andrea Kowch Painting. She painted the canvas on 5 sides. This gives an expansive view of the image. A dramatic depiction of classic Andrea Kowch style. The deep thought in her characters and a symbolic tie to animal imagery. Titled "Fetch", you can bring your own imagination into meaning and I am sure the artist has hers. The painting is brilliant in every way, sparks the imagination and like all great art inspires endless thought and contemplation. The overall size with the frame is 15.5" x 15.5" and shows much larger with its imagery and colorful impact. This painting is currently available to view in person at are gallery in Sag Harbor on main. Black Swan...

While visually maintaining a balance of chaos and control, Aurel K. Basedow’s paintings become a conversation between the rigid technical handling of resin, his chosen media, and the gestural possibilities of chromatic layering. Basedow most closely shares a kinship with 20th century painters like Mark Rothko, Sigmar Polke, Gerhard Richter, and Hermann Nitsch, whose paintings convey emotion and energy through physical and conceptual expression rather than realistic depiction or predetermined outcomes. Employing various mediums, the artist creates a vigorous composition of geometric lines and expressive brush strokes, with each gesture building on the previous one, separated by layers of clear resin. The use of multiple pigments and pouring techniques can create a fluid, dynamic appearance, with the colors mixing and blending together in unpredictable ways. Basedow leaves the edges of his paintings unrefined, revealing a visual history of each layered application. The use of resin also allows Basedow to incorporate unusual objects...

While visually maintaining a balance of chaos and control, Aurel K. Basedow’s paintings become a conversation between the rigid technical handling of resin, his chosen media, and the gestural possibilities of chromatic layering. Basedow most closely shares a kinship with 20th century painters like Mark Rothko, Sigmar Polke, Gerhard Richter, and Hermann Nitsch, whose paintings convey emotion and energy through physical and conceptual expression rather than realistic depiction or predetermined outcomes. Employing various mediums, the artist creates a vigorous composition of geometric lines and expressive brush strokes, with each gesture building on the previous one, separated by layers of clear resin. The use of multiple pigments and pouring techniques can create a fluid, dynamic appearance, with the colors mixing and blending together in unpredictable ways. Basedow leaves the edges of his paintings unrefined, revealing a visual history of each layered application. The use of resin also allows Basedow to incorporate unusual objects...

From the series e·the·re·al, this monochromatic composition offers a haunting serenity, unfolding in smoky layers of grey and soft black. Created with ink and resin on canvas, its or...