Antonio De La Gandara "Family Portrait" Canvas Oil Painting

Emanuel Oberhauser (Austrian, 1854-1919) an exceptional quality full length oil on canvas painting of a Young Orientalist Queen or Odalisque, 19th c...

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog Are Drafting a Manifesto. Late 19th Century. Monumental oil on canvas, set within an original carved giltwood frame. Unsigned. Measures: Canvas: 62 X 105in (157 X 266cm). Frame: 80 X 123in (204 X 312cm). This painting is after Russian artist Ilya Repin...

A Palatial and Opulent Belle epoque giltwood & oil on canvas three-panel screen, circa 1890. "Allegory of Youth" Comprising of three exquisite hand-painted triptych oil on canvas panels of cherubs and putti amongst a peacock, all by Ferdinand Wagner II (German, 1847-1927). Each panel depicting different playful and joyous scenes of putti and cherubs. All three-in-one panels within individually carved giltwood and upholstered frames. One panel signed at the lower left: Ferd.Wagner. A truly magnificent and one of a kind piece, perfect for any room in the home. Overall: 101" high 85" wide x 5" deep Very good condition. Ready to place. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld. Wagner II was influenced by the Munich School of master painters and by his art teacher, Karl von Piloty, who had been teaching at the Munich Art Academy since 1856. Piloty’s approach to historical paintings was influenced by the French art academic Paul Delaroche and by the fine artworks by Rubens and the Venetians. After his return to Germany he was commissioned to decorate the former the Tenormayer Wine Tavern in Munich, subsequently he received numerous other commissions as a decorator. Ferdinand Wagner II wall paintings and ceiling frescos...

Jean-Baptiste Carpeaux (French, 1827–1875) white marble bust of "Genie De La Danse" (Spirit of the Dance), 19th century. Carpeaux was a French sculptor and painter during the Second Empire under Napoleon III. This bust from La Danse was the first detail of the group to be individually edited. Carpeaux frequently offered terracotta editions of the bust in his public sales from 1871 to 1874. Extremely fine quality, very well carved, Signed 'Carpeaux 'on the right lower side. Measures: 25" high x 16" wide x 11" deep. Good condition. No damages noted. Ready to place. Bibliography: Michel Poletti and Alain Richarme, 'Jean-Baptiste Carpeaux sculpteur, catalog raisonné of the edited...

A monumental Royal Vienna Iridescent porcelain portrait vase and cover, Wagner, circa 1880. This Royal Vienna Urn features an exceptional iridescent ...

Cristalleries De Baccarat, A Large French Cut-Crystal Twenty-Four Light Tsarine Torcheres, Standing Floor Chandelier. "A Magnificent Chandelier" Each central stem issuing twenty-four out-scrolled candle branches suspending prisms and bell-flowers, on four splayed supports, in the Indian Maharaja style, stamped BACCARAT throughout. 86" high x 33" wide Wired for electricity. In overall excellent condition. The torchère is fully complete and there are no damages associated.Ready to place. Comparative Literature: Lerch, Moscou, Splendeurs des Romanov, Exhibition catalogue, 11 July – 13 September 2009, Monaco, pp. 214-217. M. Lerch, Baccarat: la légende du cristal, Exhibition catalogue, 15 October 2014 – 4 January 2015, Paris, pp.68-69. D. Sautot, The Story of Baccarat, Paris, 1993. Cristalleries de Baccarat: The origins of the manufacture, also known as the Compagnie des Cristalleries de Baccarat, can be traced to 1764. On this year, King Louis XV accorded to the Bishop of Metz permission to establish a glass factory on his land, in the small village of Baccarat in Lorraine, in order to compete with the celebrated Bohemian production. Lorraine is traditionally a glass-making region, due to the abundance of silica in the soil and due to its large forests, which supplied the wood to fuel the ovens. Francois-Eugène de Fontenay, who joined the company in 1841, discovered that the addition of nickel oxide in the manufacturing process resulted in a perfectly clear product, 'crystal glass', that was free of discoloration and that imitated precious rock crystal. For this discovery, the Baccarat company was awarded a gold medal at the French Expositions des Produits de l'Industrie in 1844. Continually experimenting with their manufacturing process, the quality of Baccarat's 'crystal glass' improved, reaching the highest level by the end of the century. The Baccarat manufacture rapidly became a leading producer with highly skilled maître-verriers. In 1823, Baccarat participated for the first time at the National Exhibition. Louis XVIII was seduced by the quality of the pieces presented, which received the praise of the jury and the first gold medal. As a result of their success and innovations, the manufacture gradually consolidated its reputation, which allowed it to dominate the French market. The Russian fascination for Baccarat: In 1867, Tsar Alexander II visited the Exposition Universelle in Paris and fell in awe in the sight of Baccarat’s stand...

Large vintage W Oudry oil painting on canvas featuring an anthropomorphic Bulldog couple with their young puppies. This piece was privately commissioned circa...

This is a wonderful small painting by Belgian artist Emile Gastemans, 1883-1956, of a gypsy family in Toledo, Spain, still in its original frame.

With nice gilt wood frame with beaded and egg and dart frame. Charming family portrait with husband and wife and children. By William Allison.

Antonio De Ignacio (1944 - ) Spanish artist. His works are widely represented in the multiple private and commercial galleries. “Los Esponsales Opus Pictórico N* 5, Otelo” Oil ...

The term “Biedermeier” was first wielded as mildly disparaging designation for the bourgeois domesticity, so idealized by German society in the post-Napoleonic era prior to the 1848 ...

Antonio Barone (New York/California, 1889-1971) “Joe”, circa 1917 oil on canvas sight: 16 by 20 inches frame: 22 by 26 inches Antonio Barone was born...