
Charming 19th Century Mexican Folk Retablo Painting
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Charming 19th Century Mexican Folk Retablo Painting
About the Item
Dimensions: retablo measures 7 inches x 5 inches. Nicho measures 14.75 inches x 11.25 inches.
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About Us:
Specializing in Spanish colonial and Mexican folk art, Colonial Arts offers a unique collection that has been carefully hand selected for quality, craftsmanship, artistic merit and design. Our philosophy is based on basic principles of authenticity, condition, great service and a pride in the pieces we sell. Colonial Arts is a member of the Antique Dealers Association of California and the Antique Tribal Art Dealers Association. Each item in our catalogue is guaranteed to be authentic.
Colonial Arts started as a cyber enterprise 1998 and subsequently opened its first brick and mortar location on Union Street in San Francisco’s North Beach Neighborhood. Today Colonial Arts is situated in the San Francisco design center in a historic brick and timber building. The focus of the gallery continues to be high quality Spanish colonial and vintage folk art from Spain, Mexico and the Americas.
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Please visit our website, www.colonialarts.com for more of our latest offerings.
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Other available offerings and keyword:
Mexican lacquerware, Guatemalan textiles, Spanish table, coffer, Mexican trunk, Shipibo, reliquary, tribal rug, retablos, Cuzco school painting, bulto, sombrero, betel nut, serape, saltillo, Crucifix, Cristo, Chalice, Commode, Armoire, Chairs, Candlesticks, Candelabra, Spratling, coconut bank, crown, corona, bargueno, vargueno, nicho, madonna, virgin, columns, lusterware, hispano moresque, baroque, Cusco, Peruvian, mask, Mexico, santo, tribal rug, anatolian, bench, bed, bowl, plate, charger, tonala, tlaquepaque, religious, majolica, faience, pottery, tile, icon, Syrian, Persian, Mexico, Peru, Bolivia, ivory, french, italian, santo, santos, saint, retablo
- Dimensions:Height: 14.75 in (37.47 cm)Width: 11.25 in (28.58 cm)
- Place of Origin:
- Period:
- Date of Manufacture:19th Century
- Condition:Minor loss to glass around nicho.
- Seller Location:San Francisco, CA
- Reference Number:1stDibs: U080505847659
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Located in San Francisco, CA
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An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin.
The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil.
In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land.
CREATOR Unknown.
DATE OF MANUFACTURE c.1880.
MATERIALS AND TECHNIQUES Oil Paint on Tin.
CONDITION Good. Wear consistent with age and use.
DIMENSIONS H 14 in. W 10 in.
HISTORY
Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo.
The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career.
These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
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Located in San Francisco, CA
ABOUT
An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin.
The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil.
In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land.
CREATOR Unknown.
DATE OF MANUFACTURE c.1880.
MATERIALS AND TECHNIQUES Oil Paint on Tin.
CONDITION Good. Wear consistent with age and use.
DIMENSIONS H 14 in. W 10 in.
HISTORY
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The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career.
These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
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