'A Coach in the Snow Outside an Inn' by John Charles Maggs, English, 1889

An enamel plaque depicting Napoleon crossing the Alps, by Camille Fauré, Limoges. French, circa 1930. Signed 'FAURÉ, Limoges France. N...

‘The Bridegrooms Health, The Betrothal’. A rare and large KPM plaque after the painting by Otto Erdmann in a finely carved giltwood Frame. German, circa 1890. Signed to the lower right hand corner with the initials ‘TK’ for Thomas Koenig. The reverse with impressed ‘KPM’ mark beneath a sceptre to the lower right and the centre inscribed with the registered mark of the Munich porcelain painter Th. Koenig, in the form of an armorial crest with a putti supporting a banner inscribed ‘Munchen’, an artists palette and a shield bearing the initials ‘TK’. It is further inscribed with the size code ‘30. E’ . Thomas Koenig, was a renowned porcelain artist with a studio in Munich, active in the late nineteenth and early twentieth centuries. The original oil painting this plaque is based on is entitled ‘The Betrothal’ or ‘Bound for Life’ and was painted in 1883, by the German painter Otto Erdmann (1834-1905). Otto Wilhelm Eduard Erdmann (born Leipzig 1834 – died Duusseldorf 1905) was a German Realist painter, heavily influenced by Impressionism and famous for his fine interior scenes with figures from the eighteenth century. Works by Erdmann are displayed in the museum of Cologne, Düsseldorf, and Leipzig. Founded in Berlin in 1750 ‘KPM’ or 'Koenigliche Porzellan-Manufaktur' acquired its name and Royal patronage when the Prussian king, Frederick the Great, purchased the manufactory in 1760. Its distinguished trademark from then on became the royal blue sceptre, which is stamped (painted prior to 1837) on every piece. All painted pieces produced by KPM are signed by the painter. The complicated and exacting process of painting on porcelain became very popular in the mid to late nineteenth century...

‘Vanity’- A fine painting of a young woman in repose admiring her reflection in a mirror, by Gustave Wertheimer (Austrian, 1847-1904). Oil on canvas in a giltwood and composition...

A pair of paintings by Francesco Peluso (1836-1916): 'Neapolitan Promenade’ and ‘Pastoral Promenade’. Oil on canvas. Signed 'F Peluso' to the ...

Pierre-Victor GALLAND (1822-1892) ‘Les Quatre Eléments’ Four, oil on canvas. France, Circa 1873. Each painting depicting one of the cardinal elements personified as a female figure in the presence of its most evident attribute. Painted with strong light and colour. Earth panel depicts one of the four elements in a compelling fashion with an ascendent female figure robed in flowing drapery with foot and arm extended reaching skyward: each with attendant putti below. Earth is shown swathed in robes of greens and white, with a fanciful foliate headdress of lush leaves and bullrushes. Air leaps effortlessly into the sky draped in blush pink and holding a slender fruiting bough. Fire ascends dramatically into the sky holding forth a flaming torch and draped in bright burnished orange and grey, her image seemingly lit from a fire kindled below by an ignipotent putto. Water suitably draped in billowing azure blue with a translucent undergarment, holds aloft a bubble representing water is portrayed with shimmering translucent wings, an attendant winged putto pulling at her hem. Under the Second Empire, Haussmann’s transformation of Paris went hand in hand with the construction of luxurious mansions for the new haute bourgeois. Gallards extensive work for wealthy patrons such as Lionel de Rothschild and Edouard André, led him to become one of Paris’s most admired and sought-after decorative artists. His fame quickly spread and led him to carry out projects outside the capital for, among others, Baron von Derwies in Nice, Prince Narischkine in Saint Petersburg and William Vanderbilt in the United States. Literature Pierre-Victor Galland, Un Tiepolo français au XIXe siècle. Published in 2006, Somogy, Piscine-musée d'art et d'industrie André Diligent, Musée départemental de l'Oise (Paris, Roubaix, Beauvais). ISBN 978-2-7572-0027-8. (in French) Materials Oil on Canvas Provenance Acquired in France with four other panels (The Four Seasons), at the end of the 19th century by Herman Ossian Armour (1837-1901), businessman, and founder of the Armour Meat Company and American humanist. He brought them back to his USA residence at Fifth Avenue, New York Bequeathed to Mary Armour...

'Esther' A Fine Berlin (KPM) Porcelain Plaque, After Hering Levanon. In a carved giltwood and composition frame. Signed 'Wagner', impressed sceptre mark, KPM, letter C, numeral 3...

English Victorian gilt framed oil painting of stage coach with 4 horses (illegible signature of artist).

A stunning original antique watercolour painting of the historic 600 year old Meramid Inn in Rye. This is by the artist Annie L. Lee, it dates from around the ...

Oil on panel, measures 17" x 21" painting and with frame 24" x 27.5". Signed and dated 1885 lower left. Charles Green studied at Leigh’s School of Fine Art and under the engraver, J W Whymper, before quickly establishing himself as a painter and illustrator. Specialising in genre pieces, he joined the Langham Sketching Club and was elected to the Royal Institute of Painters in Water Colours (ARI 1864; RI 1867). His elder brother, Henry Towneley Green, was also a member. His contribution of contemporary subjects to the early numbers of The Graphic were admired by Van Gogh, but he was best known for his depiction of period settings and for his illustrations to The Old Curiosity Shop...

Oil on canvas, signed lower right. Erwin Kettemann (1897–1971) was a landscape painter from Munich. He was a representative of late Impressionism as well as the 19th century “Karlsr...

Oil on canvas representing the inner courtyard of the Doges Palace in Venice, in 1889. Swedish School, bears the signature of Frans Wilhelm ODELMARK and the date 1889. He studied at ...

Carl Euler - Bear Hunt in the Zillerthaler Alps, Oil Painting on Wooden Board 1889 An impressive oil painting depicting a high mountain landscape with mount...