Cowboy Bronc Riding Horse Fauvism / Expressionist Style Large Scale Paintings

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Original painting by California Artist Robert L. Foster. Painted on reverse Masonite with original vintage frame. Depicting a cattle drive with a cowboy on horse with lasso. Robert L. Foster: Welcome to Robert Foster...

A figurative oil painting of four female figures at a table. Artist signed but undecipherable. Measures 44 inches wide, 32.5 inches high.

Original California Post-Impressionist oil painting titled by Fred Korburg. Titled "Boat Yard" China Beach, Monterey, California. Nautical theme with docs, boat, beach, figures and building. Signed lower left corner and titled on verso. Painted on reverse masonite. Original frame. Painting without frame measures 20" H x 24" W. Born in Grenaa, Denmark on Nov. 22, 1896. Frederic Korburg studied at the Graphic Art Center in Copenhagen and at the Academy of Fine Arts in Hamburg, Germany under Max Lieberman. After coming to California in 1920, he further studied with Armin Hansen...

Abstract pastel painting on canvas, late 20th century. Pencil signed on verso, signature undecipherable. Mounted in oak frame. Measures: 38.88" H, 4...

I enjoy looking at this unfinished painting by California artist William Norris Dakin. Interesting contrast between finished colorful portions and pencil sketched figures. Unique. Ve...

Large scale abstract expressionist painting, American, circa 1980s. Artist unknown, in the manner of Franz Kline, et al. I...

Large-scale abstract painting, American, circa 1960s. It measures an impressive 50.25" height x 42" width. This piece is currently unframed. If you prefer a black gallery frame (as s...

Selection of large-scale abstract paintings, artist unknown, probably American, circa 1960s. They have been framed in clean lined white lacquered gallery frames under UV resistant gl...

Immerse yourself in the extraordinary allure of our unique Expressionist painting on canvas, capturing a one-of-a-kind scene. This abstract artwork presents a captivating horse-like ...

Large scale orange geometric painting, artist unknown, circa 1960s. It has quite a commanding presence at 6 feet x 6 feet. Please note that this painting is not currently framed or m...

Nice large scale mid-century landscape painting. Nice colors, chunky solid walnut frame. There is some water staining to the matte but it doesn't affect the painting, the balance...