Emil van Marcke French Antique Painting of Cows, "In Green Pasture"

JULIEN LE BLANT French, 1851-1936 "Le Départ des Conscrits" (1888) Oil on canvas Signed lower left "J. Le Blant" Item # 301OIV16Z A moving study of a very young man hugging and kissing his father goodbye as the French Navy has arrived at his home to collect him for conscription to military service. His mother grips a hankerchief in one hand as she watches her teenage son with a complex expression that bridges grief and perhaps anger. His younger brother likely does not grasp the totality of the situation, dragging behind his feet a toy boat. The bright colors and vibrant life of the rural farm is juxtaposed against a deep sorrow. The present example dates from 1888 and was mentioned in the Gazette anecdotique et Littéraire of the same year. It is included in the ongoing catalogue research project on the works of Julien Le Blant by Dominique Formaz and is documented at Leblant. com JULIEN LE BLANT Julien Le Blant studied under E. Girard and made his debut at Salon in 1874. His work was regularly recognized, ultimately receiving the gold medal at the 1889 Exposition Universelle. He was made Chevalier of the Légion d'Honneur in 1885. The body of his work largely focuses on military scenes, particularly of the French Revolution, but also scenes of the First World War later in life. He completed hundreds of illustrations for a great number of books, including Les Chouans (Honoré de Balzac), Chevalier des Touches (Barbey d'Aurevilly), and Premier Grenadier de France (Paul Dérouléde) to name a few. His work is held in major museum collections and institutions around the world. For serious collectors of militarism and of the Romantic painters of the period, this is a simply outstanding investment grade selection. Works by Julien Le Blant very rarely make their way to the the open market. Museums: Musée de Mulhouse, France - The Regiment's Return Musée de Nantes, France - Death of General d'Elbee Musée de Troyes, France - The Battle of Fére Champenoise Further Reading and Notes: E. Benezit Dictionary of Artists, vol. VIII, Gründ, p. 588-9 Popular Nineteenth Century Painting...

CHARLES EMILE JACQUE French, 1813-1894) Sheep and Chickens in a Stable Oil on panel signed lower left "Ch. Jacque" 9 3/8" H x 12 15/16" W [panel] 16 3/8" H x 19 7/8" W x 2 3/8" D [frame] Essay: A finely composed cheerful pastoral scene by Charles-Émile Jacque, this oil on panel features two sheep standing in a modest barn interior accompanied by several chickens pecking at the straw-covered ground. One sheep gazes calmly at the viewer while the other lowers its head to get a drink of water from the stone trough. Set against a darkened background with hints of a feeding bin...

PIETER GERARDUS VAN OS Dutch, 1776-1839 Shepherd with Flock in a Pastoral Landscape (1821) Oil on canvas Signed lower left "PG Van Os f 1821" Item # 204GPP23A An extensive and brilliantly detailed scene, this fine woodland pastoral landscape highlights the ability of Pieter Gerardus van Os to manipulate light for dramatic and somewhat ecclesiastical effect. There is a certain other-worldly insinuation in the golden light as it pierces the dense cover of the leaves to highlight the shepherd and his flock as the focal point for the painting. Here we find the young boy entirely at peace on the bank surrounded by long golden grasses with his hat and staff tossed aside while watching the action of the small waterfall on the otherwise tranquil stream. His small dog stands beside him while the sheep graze carelessly, each showing total disregard for the two men and their dog hunting in shadows of the woods behind them. Across the bank a pair of unattended billy goats graze on the trees of the deeply shaded forest floor. There is a harmony and perfect sense of balance in this intricately detailed scene, an effective infusion of the transcendental into a quiet landscape scene. The work is signed lower left in his typical scrawling script "PG [intertwined] Van Os f 1821" and the back of the frame retains an early Christie's label. It is presented in a very fine carved giltwood frame. PIETER GERARDUS VAN OS Born in The Hague on October 8th of 1776 into the renowned Van Os family of painters, Pieter would spend his early years studying under his father Jan together with his brother Georgius Johannes Jacobus (Dutch, 1782-1861) in their father's studio. The three men had remarkable careers and would become some of the most influential painters in the Netherlands throughout the first half of the 19th century. Unlike his brother and father, Pieter moved away from still-life paintings and focused his work on rural landscapes of the Dutch countryside. He was self-taught in this pursuit, first as a copyist of the renowned Dutch "Golden Age" painters Karel Dujardin (Dutch, 1626-1678) and Paulus Potter (Dutch, 1625-1654) while also being heavily influenced by the landscape work of Jacob van Ruisdael and the allegorical landscapes of Nicolaes Pieterszoon Berchem. From his studio in Amsterdam, Pieter taught such notable pupils as Wouterus Verschuur...

FLEMISH SCHOOL 18th century "Resting on the Bluff" - a Pair Circle of Pieter van Bloemen (Flemish, 1657-1720) unsigned later engraved attribution plaque on each frame executed in oil on canvas Item # 911TRM16W A vibrant and complex pair of Italianate landscape scenes of travelers resting on a bluff overlooking the valley and cities beyond, they are a powerful presentation with exquisitely painted animals. Notable influences of anthropomorphic Romanticism in the features of the horses lend a certain humor and lightheartedness to the scenes; in one a cheery rider arrives on a donkey and engages a resting woman and her child...

An Italian oil on canvas painting from the mid-19th century depicting cows, sheep and goats in pastures, in antique giltwood frame. Created in Italy during the third quarter of the 1...

19th century framed oil on canvas "Cows in a Pasture" by Ludvig Kabell (Danish, 1853-1902), signed L. Kabell lower right.  

Pretty oil on canvas restored (reentele) by: Emile van Marcke de Lummen. In the cleaning of the restoration, the letter: e is removed. Measures: 50 ...

Antique oil painting in the manner of French artisan Julien Dupré of a woman with cows. Signed on the bottom although the artist is unknown, this was most likely done as a study piec...