EXQUISITE ORiGINAL W.G FOSTER LARGE OIL PAINTING "WAITING FOR THE FLEETS RETURN"

We are delighted to offer for sale this this stunning suite of three Gustave De Breanski oil paintings each one signed and titled These are a very charming set, each in the origin...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original pair of John W Morris signed Victorian oil painting of Sheep...

We are delighted to offer for sale this stunning original Dutch oil painting of an elderly man in a winter scene by R Tuiy A very good looking and decorative oil painting, this is ...

We are delighted to offer for sale this stunning original circa 1880-1890 Robert Gemmell Hutchinson R.S.A oil on canvas titled “A New Toy” I fell in love with this Gemmell the secon...

We are delighted to offer for sale this lovely pair of late Victorian watercolors signed H Brock and dated Apr 1894 The first is titled “An Uninvited Guest” and the second “A Lion...

We are delighted to offer for sale this stunning pair of original Barry Leighton-Jones (1932-2011) salon oil paintings with the original certificates. ...

Richard Wane (1852-1904) Seascape Oil Painting, “Waiting for the Tide”. Intriguing seascape painting of a coastal scene by the English artist. Richard Wane. He was a master of moody...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

Original oil painting of a horse race.

Robert Gallon British, 1845-1925 “Waiting for the Catch” Oil on canvas 30 by 50 in. W/frame 36 by 56 in. This artist, well known, and justly appreciated by the British Pu...

Full of atmosphere, rich color and drama, this fully realized oil on canvas study by Dunbar Beck was executed in preparation for his lobby painting at the US Post Office...

Oil on canvas; Framed. Ron painted about 200 oils of Western scenes a year. "I picked Western subjects because they let the artist use landscape, people, storytelling…I think the peak in art was the French Impressionist," he observes. "It is a looseness in style and the paintings that border abstract. I hope my style goes that way. My feeling is that if an artist lives to be 200, he becomes an abstract painter, boiling down all he wants to interpret into his abstract essence. Basically, all painting is abstract. A good painting is a good abstraction." Period: Last half of the 20th century. Origin: Otis, Oregon Size: 30" x 40"; Frame 36" x 46" Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. All paintings original western...