French Arbour Landscape in Soft Colors With Gilt Frame

A gilt framed oil on canvas painting of a Russian hilltop view in autumn. Attributed to Russian painter, Alexey Sukhovetsky, depicting gilt topped castles above the village, with w...

A set of four hand colored etchings of African animals matted in gilt frames with bead detail. One features a rhinoceros, one features a tiger, one a lion and one an ostrich.

Gilmour signed impressionist landscape in greens, orange and yellows. Unframed dimensions: 31.5" W x 25.5" H.

Beach landscape painted mid century in oil on board.

In a period frame and newly matted. The frame in the Empire style.

Tuscan landscape with bridge over a stream and peasant women Signed "E. Donnini", bottom right Gilded frame Oil on canvas, cm H83,5 x W60 Emilio Donnini (Florence, 1809 - Florence, 1886) was an Italian painter. There is no information regarding Donnini's pictorial training, whose documented activity, exercised in his Florentine studio in via del Maglio, began in 1843, the year in which he participated in the exhibition of the Florentine Promoter Society with View of a river with a bridge. Regular frequenter of the Caffè Michelangiolo, the meeting place of Macchiaioli painters, he regularly participates in the exhibitions organized by the Florentine Promoter Society of Fine Arts, starting from 1845 with Country of invention and View of a mill near Pisa and in 1847 with a series of views of Versilia. In the same year, his friend Antonio Puccinelli portrayed him in the Portrait of the painter Emilio Donnini: with the Pisan, Donnini shares patriotic and irredentist ideals and in all likelihood participates in the uprisings of 1848. In this period he approaches the Markò family, with whom he frequently moves between the Island of Elba, the Lazio and Tuscan countryside to paint landscapes en plein air, in the Macchiaioli way. In 1848 he painted Glimpses of Vicopisano, in 1849 he participated in the Promoter with a View of the Valdarno near Docciola, in 1850 with Marciana, View in the outlines of Seravezza and Marciana Marina. In 1852 he painted a marina for the walls of the Caffè Michelangiolo, in 1853 he participated in the Promoter with the Porto Lungone beach, Civitavecchia beach and Tramonto di sole sul mare. Starting from 1854 he is part of the artists of the Scuola di Staggia with the Markò, Serafino De Tivoli, Carlo Ademollo, Alessandro La Volpe, Lorenzo Gelati and Saverio Altamura and, in the same year, he was awarded by the Promoter for the Marina di Livorno paintings at the Ponte alla Sassara, Marina near Marciana with sun effect and View of a lake with sunset. In 1855 he participated in the Promotrice with Marina with boats, A road of Mugello near Vicchio, The furnaces of Prince Corsini in the Valdarno and Lo stradone del Gombo, in 1856 with Campagne Senesi, in 1857 with Paese del Mugello with bather, in 1858 he was awarded the Silver medal with A morning on the sea, where he also exhibits Country near Pisa, The mountains of Marciana, Rio beach...

A beautifully solemn winter woodland scene is depicted in this vintage oil painting from 20th century France. A stand of leafless trees borders a rudimentary road, beyond which a fen...

Oil on artist board of a vibrant, idyllic landscape scene from France. Worn painted frame is fixed with a hanging wire. Signed by the artist Constantin Font (1890-1954) in the bottom...