Guillermo, Cityscape with Twin Towers, 1998

Leroy Nieman, (American, 1921-2012) Harlem Streets, serigraph in colors, signed in pencil, l.r. margin, numbered, 137/500. Sight 26.5 by 43.5 in. (67.31 by 110.49 cm.), Overall, 55 ...

Angelo John Grado, (American, 1922-2012) New York City after a Snow Storm signed lower left, oil on canvas 19.5 by 15.5 in., overall, 23.5 by 19.5 in. Condition Report Good Condition.

Howard A. Silverman, (American, born 1919) Paris Hack, Multiple, from the original watercolor 18 by 24 in., overall, 24 by 30 1/2 in. Condition Report No Condition Given

PIERRE-HENRY (1924-2015) Painting, Oil on canvas 9.5 x 7.5 in. (24.13 x 19.05 cm.) with frame 13.5 x 11.5 in. (34.29 x 29.21 cm.)

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Signed artwork of the Twin Towers rising over the city skyline, with the Manhattan bridge over the water. Beautifully subdued coloring throughout. (Ple...

Early oil on linen landscape painting depicting a city by Steven Sles circa 1957. This example has a thick textured background and foreground with architectural and natural forms in ...

Daniel Morper American, b. 1944 Lower Manhattan, St. Pauls, Woolworth Building & City Hall, NY Oil on canvas, signed on recto at lower right 36 in. by 50 in. W/frame 38 in. by 52 in. Landscape painter Daniel Morper is known for his naturalistic, light-saturated images of such diverse scenes as views upward into the skies above Manhattan, scenic panoramas of the badlands and canyons of the American West, and nostalgic paintings of rural landscapes and townscapes. In 2008 LewAllen Contemporary presented the first retrospective exhibition covering the full scope of Morper's career, from his Manhattan cityscapes of the 1970s, up to and including his portraits of the old Santa Fe Railyard. "Morper rewards looking." So says well-known art critic and historian Peter Frank in the catalogue for LewAllen Contemporary's retrospective exhibition. Frank adds: "Morper has a knack for finding the spectacular in the mundane…emphasizing - but not exaggerating - the skew of a vantage, the force and weight of a horizon, the surprise and poignancy of an object silhouetted against a sky." By combining a pre-modernist regard for the meaning of nature with a modernist's search for elemental vision and post-modern exactitude, Morper has, in Peter Frank's view, "helped to bring about a veritable renaissance in American landscape painting." Another critic has noted, "Morper's style borders the edge of photo-realism but is filled with metaphor: stunning Southwest light...