"The Harlequin with Dove", Robert Debiève's Oil on Canvas, France, 1957

Composition abstracted from Charlotte Henschel (1905-1985), France, 1950, signed low right. Frame of origin, under glass. 99.5cm/72.5cm (off frame) Raise of the school of Paris, ...

Composition abstracted from Charlotte Henschel (1905-1985), France, 1950, signed low right. Frame of origin, under glass. Measures: 99.5cm/72.5cm (off frame) Raise of the school...

Important wall fresco "Jazz Box", oil on canvas, France 1960. This 438 cm long composition represents a jazz orchestra in concert, dancers and in the backg...

Claudio Olivieri, (1934) Significant oil on canvas, titled Diacromia and dated 1971 on the back. Dimensions: 190 cm / 200 cm. Biography: His very first painting dates from 1959....

Georgios Mavridis, Greek-Belgian artist born in 1969, lives and works in London. Studies in painting at the Royal Academy of Fine Arts in Brussels (1991-1996). Brussels: 1990-1999 Ba...

Henryk Musialowicz (1914-2015), oil on hardboard from the series Réminiscences, Poland 1984-85. Signed top left and countersigned and dated on the back. The frame is painted and is ...

An exceptional French oil on canvas, "Feeding the Doves", Signed and Dated by E. Munier, 1890. Émile Munier is one of the most sought after and most talented French artists of the 18...

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...

We present you this beautiful painting by the title of 'The Beauty with a Cold.' It is an oil painting on canvas and signed by the artist, Robert Delval (1934-). It dates to 2012, making it a very contemporary piece. In this artwork, the artist's skilful and playful manipulation of colour, perspective, depth, and form reflects the influence of Henri Matisse and Pierre Bonnard; artists whom Robert Delval greatly admired. Furthermore, the impact of Marc Chagall's use of the blue colour scheme and its representation is equally palpable in this piece. Robert Delval, born in 1934 in Montmartre, Paris, cultivated his artistic skills amidst the street painters of his childhood neighbourhood, drawing inspiration from books and museums. At twenty-five, he embarked on a European and American journey armed solely with brushes and notebooks. Upon returning to France, he divided his time, spending spring and summer on the Mediterranean coast and autumn and winter in Megève, selling his watercolours to passers-by, including the likes of Françoise Sagan. One of his small gouache pieces, depicting a view of the Luxembourg Garden, caught the eye of André Roussard, a Montmartre framer...

Beautiful oil on canvas by Marius Hubert-Robert entitled "In the sun the small farmhouse" representing a Provencal landscape with two characters on a path at the foot of a farmhouse (typical house of Provence), Marius Hubert-Robert (Paris 1885 - Nice 1966) is an orientalist painter and illustrator. He exhibited notably at the Salon des indépendants in 1929, at the Artistes Français, at the Société Nouvelle des Beaux Arts, at the Salon d'Hiver. Painter in the 10th Army during the 1914-18 war, Marius Hubert Robert gave 2 of his wartime works to the Musée du Luxembourg. Among his other major exhibitions, we can cite: Paris, Galerie Charpentier "From Alaska to Tierra del Fuego"(1926); "Under the Sign of the Sun, North Africa" (1928); "The Mediterranean Basin" (1931); Galerie Petit, Hôtel de la Duchesse de Rohan, Galerie Mona Lisa in Paris; LONDON: The Mansion House, Alpin Club; USA: New York, Washington, Boston, Philadelphia, New Orleans, Chicago, Detroit, San Francisco, Los Angeles, Portland, Seattle, Cleveland, Buffalo; CANADA: Quebec City, Montreal, Ottawa, Toronto, Winnipeg, Calgary, Edmonton, Vancouver, Victoria; BRAZIL: Rio de Janeiro...

1960s oil on canvas of a harlequin by Pierre Mas.

Bruce Elliot ROBERTS, (1910) Oil on canvas Signed Bruce (lower right) accompanied with letter of authenticity Size with frame: Height 27.75 in. (70.48 cm.) Width 23.75 in. (60....