If Ingomar, The Overturned Vase, Hst Signed, Late 19th Century

Very large portrait of Princess Elisabeth of Prussia with her two sons Louis (future Grand Duke of Hesse) and Henry (Prince of Hesse and the Rhine, general of the cavalry): she is de...

Pair of portraits representing a young Neapolitan couple in traditional dress, signed by the Italian artist Vincenzo Caprile Framed Oils on canvas, not relined, some returns and s...

My Lady, portrait of an elegant young woman sitting on a bench at the edge of a pond. High quality painting: the greatest care has been taken to paint the silky clothes and lace, an...

Oil on canvas, portrait of a young woman with a romantic air, in a light dress and wearing a hat held back by a veil, seated next to a jug Gilt wood frame (some lacks in the beading...

This 19th-century oil on mahogany board titled 'The Cut Finger' by William Hemsley, R.B.A., depicts a familial pairing in a cottage home. The girl tends to the eponymous cut with a white cloth pressed on the boy's finger. A dim light is cast from the window to the left, illuminating a cut loaf of bread, a knife, and simple stoneware to set the scene. The girl sits in a wooden chair wearing a salmon-colored blouse, while the young boy is dressed in a golden overshirt. William Hemsley, R.B.A., (1819-1906) was a prolific draughtsman and painter of genre scenes depicting English provincial life. Hemsley’s scenes of everyday reality, which were usually painted on a small scale, follow the gentle tradition of Webster and F. D. Hardy. He was, like them, fond of painting children at play. Many of his works depicted rustic domestic scenes, leading to him being described as "pre-eminently the painter of cottage life". He was also a member of the Society of British Artists. He exhibited frequently in London, particularly at the Royal Academy and the Suffolk Street Gallery. This gentle painting faithfully represents a moment between two people caring for one another. Hemsley painted in a style reminiscent of earlier golden-age Dutch genre painting, using light and color in a vibrant but elegant manner—signature on the lower left-hand corner. In the 19th century, it was common to paint on wood due to its durability, smooth surface, and long-standing tradition. Wood panels were preferred for their sturdiness and versatility, suitable for detailed artworks and various shapes and sizes. While wood was popular, especially for smaller works, canvas started gaining popularity later in the century for its lighter weight and ease of use. This rustic genre scene resides in an ornate Louis XIV Régence style convex frame with foliate shell cartouche corners, strap work, and c-scrolls on a cross-hatched ground with white pigment dispersed throughout. In the early 18th century the Louis XIV styles blended into the Régence frame style (c.1715-1723) which placed greater emphasis on the corners and centers. The full Regency style was both opulent and delicate, with the order and linearity of this period giving way to the swirling delicacy of the Rococo. This painting would be a wonderful addition to a home office, entryway, or library...

Jules-Arsène Garnier (1847–1889) was a French painter known for his historical and genre works. Born in Paris, he began his education at the Académie de Toulouse, one of the most pre...

Lovely copy of the original painting, The Spring, by the German master, Ludwig Knaus (German, 1829-1910), mounted in its original and truly magnificent ornate giltwood frame measurin...

Decorate a lady's office or study with this elegant antique oil on canvas painting. Created in Hungary circa 1920 and set in a carved giltwood frame, the artwork, titled "Portrait of a girl in a hat...