Italian Dolomites – Oil on Canvas by Arno Lemke - 1950

Winter on the Sciliar – Georg Grauvogl (1896 – 1986) 60 x 80 cm without frame 64 x 84 cm with antique fir frame oil painting on canvas 1930s In this painting Grauvogl, with his ef...

The Church of San Nicola and the "Sciliar" - Northern Italy Dolomites Work dimensions: 33 x 35 cm Measurements with frame: 38 x 40 cm Technique: oil on panel Period: 1939 Schlogl - ...

Lake Limides and Tofane – Georg Grauvogl (1896 – 1986) 100 x 80 cm without frame 104 x 84 cm with antique fir frame oil painting on canvas 1930s The suggestive Lake Limides on a su...

Snowy Landscape – Alex Weise Work dimensions: 60 x 80 cm Measurements with frame: 64 x 84cm Technique: oil on canvas Period: 1930s One of this artist's favorite subjects: snow in t...

Snowy landscape in the morning – Paul Schuler Work dimensions: 60 x 80 cm Technique: oil on canvas Period: 1930s A night full of snow has just passed but the morning promises to be...

Snowy Landscape – Alex Weise Work dimensions: 70 x 85 cm Measurements with frame: 74 x 89cm Technique: oil on canvas Period: 1930s One of this artist's favorite subjects: snow in t...

Wonderful painting of farmers bringing in the harvest of wheat Oil on canvas. Unsigned. Artist unknown Framed in a slightly distressed antiqu...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

The oil on canvas depicting an ocean bay with castle ruin and man on horseback with red jacket. Farm animals and waterfall. Estate of William Hodgins. Boston Mass. Silver leaf carved...

1950s oil on canvas painting of floral arrangement in a wood frame. Signed.

Lennart Lilja Oil on canvas Dimensions 32/41 Unframed work Lennart Lilja (1924-2008). He was a Swedish artist. Student of Isaac Gründewald and Otte Sköld. In the 1950s he wrote play...

Lennart Lilja Oil on canvas Dimensions 62/72 Unframed work Lennart Lilja (1924-2008). He was a Swedish artist. Student of Isaac Gründewald and Otte Sköld. In the 1950s he wrote play...