Lady Macnaghten off the Eddystone Lighthouse

This dramatic watercolour shows only the bow and the stern of Amelia as she is perilously close to being dashed against the sea wall with a wave completely swamping her amidships. Some of her crew have been washed out of the boat and would-be rescuers are wading along the promenade towards her bow. To her right, the schooner Coupland is rolling dangerously in huge waves. Scarborough Spa and crowds of onlookers are clearly visible through the storm. Signed J.N.Carter, 1865, Torquay. English, painted in 1865. The attempted rescue of the schooner Coupland by the lifeboat Amelia on November 2nd 1861 is one of the most memorable and tragic in Scarborough lifeboat history. The 32 ft. long, ten-oared, self-righting Amelia, on her maiden voyage, went to the rescue of the Coupland crew, with disastrous results. She was dashed to pieces against the harbour wall and two of the crew were lost, while others had to swim or be pulled ashore by rescuers wielding ropes. Three of the shore based rescuers, Lord Charles Beauclerk, William Tindall and John Hiles, also lost their lives. Eight Board of Trade Medals for Gallantry in Saving Life at Sea were awarded along with six RNLI medals and monetary grants. Joseph Newington Carter (1835-1871) was influenced by W. M. Turner and is known predominantly for his dramatic and compelling seascapes in oil and watercolour. His father, Henry Barlow Carter...

George Edward Horton: The Launch of H.M.S. ‘Victoria’ from the Elswick shipyard of Sir W. G. Armstrong Whitworth and Co. Ltd, Newcastle-upon-Tyne in 1887, watercolour and pencil heig...

This watercolour on paper is framed under glass and signed in the left corner. It shows the East Indiaman sailing downwind under full canvas. The rever...

Clarkson Stanfield: The Gulf of Salerno This oil painting on canvas shows commercial shipping and fishermen in the Gulf of Salerno. The tower at Vietri is visible in the background...

Mid-Century modern oil painting of a light house in a driftwood frame.

Contemporary Painting of a Lighthouse. Nice composition with pink and gray hues. Housed in a thick mid century driftwood frame. Unsigned.

English Victorian gilt framed oil seascape painting with lighthouse on pier.(Willet)

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...