Large Black and White Oil on Canvas Abstract Paintings by Guillermo Calles

Enamel color may be specified with no additional lead time in most cases. Our standard enamel colors are shown in the final images-there is no additional lead time or cost for these ...

Enamel color may be specified. Our extensive list of 50+ standard enamel colors are shown in the final images there is no additional lead time or cost for these colors. Metal finish and/or patina may be specified, but may impact lead time and cost slightly. "Monarch" pendant light with shown in our hand-finished oil-rubbed bronze and our satin "Perfect White" creamy enamel fabricated in NYC by Blueprint Lighting, 2018. The wide brass band and dramatically scaled flared cone makes the Monarch a strong design statement. This design is strongly influenced by both French and Italian Mid-Century Modernism. We are also able to make wall sconces, articulated wall-mount reading lamps, small chandeliers as well as larger and multi-tier chandeliers with the "Monarch" cone! Available to view at our NYC showroom in Chelsea! Dimensions as shown: The cones are 9" height , 5" diameter of the upper cone, 9" diameter of the lower cone. Total overall height as shown is 30", but may be easily edited to fit your space at no additional cost. This piece may use any E12 candelabra base bulb up to 60 watts (or use LED). Bulbs not included. Fabricated entirely of UL-listed components. Handsome design scaled to work well in a breakfast nook, in a foyer, a forlorn corner, as a reading lamp, a bedside lamp or flanking a bathroom or powder room vanity. The perfect luxe addition to a master suite, nursery or glam room. Strong enough to stand alone, but especially impactful in groupings over a bar, in a library, over a pool table...

An Enigmatic Abstract Oil Painting. This captivating abstract oil on canvas painting, attributed to the Barcelona artist C. Azuelos, invites the viewer on a journey of interpretati...

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...