Last Supper, William Duncan, 2005

Wonderful image after Leonardo Da Vinci. Fine Steel engraving. Published by London Printing And Publishing Co. circa 1850 Unframed.

Wonderful abstract landscape. Fabulous muted colors, almost pastel like. Acrylic on canvas laid on board. Antique ebonized oak frame. Unsigned.  

Wonderful abstract landscape. Fabulous colors, almost pastel like. Acrylic on canvas laid on board. Antique ebonized oak frame. Unsigned.  

Delightful naive painting of possibly fisherfolk. Most likely French. Possibly Breton? Amazing colours. Coarse canvas. Artsist unknown. Initial A.D to bottom left. Presented i...

Wonderful painting of a house and garden. Probably Collioure in the South of France Attributed to Rudolph Ihlee NEAC*. He lived in Collioure, South of France during this period. The painting is insrcibed on the back of the card. See the image. It has since been covered in the re-framing process. Great palette and technique. In the style of Paul Nash Oil on card attached to board. Unframed. It has beed re-framed using a vintage frame. The measurement below is the frame size *Born London 1883-1968 Slade School 1906-1910. Regarded as a brilliant student Became a member of NEAC - New English Art Club. 1919 Exhibited at Leicester Galleries and Chenil Gallery etc Many galleries hold his work namely Manchester City, Sheffield, Belgrave, Victoria And Albert Museum, Cecil Higgins etc. Life long friendship with Charle Rennie...

A beautiful watercolor of golden eagles On paper laid on to card Late 19th century. Signed indistinctly bottom right Unframed Unrestored co...

Decorative silver painting by William Kozar, 2008, Canada.

William McCloy, borned in China and moved to US in 1926 and started his studies in Iowa in 1930.This is a nice modern style landscape also he is known by abstractions and commissione...

Attributed to William Huggins (1820-1884) Head of a Tiger. Bears signature 'W. Huggins' and dated 1875, on the (lower right). Watercolour on paper laid down on board irregula...

William Henry Chandler (1854-1928) Pastel, a cottage in an autumn landscape, signed "Chandler" on lower right. Pastel on paper in period mahogan...

Signed lower left. A fine winter landscape with green fir trees on snowy hills leading to snow covered fields with bands of rust tone trees. Low blue hills complete the distant scene by William Alexander Drake...

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...