Acrylic Paintings

Andrew Mandolene ”Green Garden” Acrylic on canvas Unframed Dimensions: 24" w 36" h Signed at lower right AM 20. ANDREW MANDOLENE (b. 1960) Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion.Classic car collecting...

Offering One Of Our Recent Palm Beach Estate Fine Art Acquisitions Of An ORIGINAL SIGNED ROY SCHALLENBERG (1945-2010) ACRYLIC PAINTING MURAL ABSTRACT...

This is an Original Mark Dickson painting and can be described as nothing short of a revelation in the realm of contemporary art. As one navigates through his vibrant interplay of colors—pinks, purples, blues, and greens—it becomes evident that his works are a bridge between abstract expression and a deep-seated Coloradan sensibility. From afar, the paintings resonate with the raw energy and abstract impulsiveness reminiscent of Adolph Gottlieb or Mark Rothko. However, upon closer introspection, Dickson's canvas unfolds a symphony, harmoniously blending his intuitive understanding of the Colorado landscapes with an almost Rothkoesque play of color and form. His artistry is a culmination of his academic sojourns, from the bustling art scene of Brooklyn's Pratt Institute to the scholarly corridors of the University of Denver. Yet, what stands out is his capability to transcend these teachings and manifest a unique narrative—one that reflects both the external world and the myriad landscapes of the human psyche. The choice of medium, notably pastel mixed with watercolors, oil washes, and graphite pencil, demonstrates a tactile indulgence in his craft. It's as if he's chiseling his memories, experiences, and observations of the Coloradan terrains and skies into each canvas. For the discerning eye, his works might also evoke the expansive color fields of Milton Avery. Yet, Dickson’s approach, particularly his relationship with color, is refreshingly instinctual, almost challenging the viewer to feel rather than dissect. In Mark Dickson's work, we're treated to an exhilarating dance of abstract brilliance juxtaposed with the tangible and intangible memories of Colorado's landscapes. In a sense, each painting becomes an invitation—to wander, to wonder, and to immerse in the art of profound introspection. The majority medium is pastel and a mixed media of watercolors, oil washes, and graphite pencil. Color is of primary importance to his work. His work shows the influence of artists Milton Avery(who used large areas of color) and Mark Rothko and Adolph Gottlieb (known for their work in the variations of color). Mark is fascinated with color and explores every aspect of its relationships. He feels his use of color is more intuitive versus analytical. Mark Dickson’s paintings, prints and monotypes are represented in private, corporate and public art collections nationally. Pratt Institute, Graduate School of Fine Arts, Brooklyn, New York, 1970 University of Denver, Graduate School of Art, MFA, Denver, Brooklyn, New York, 1973 Denver Art Museum, Colorado Annual, 1967 National Academy of Design, National Audubon Exhibition, New York Joslin Art Museum Exhibition of Colorado artists, Omaha, Nebraska Included in Outstanding and Noteworthy Americans, Bicentennial Edition, New York Chicago Botanical Garden, solo exhibition, North Brook Illinois Colorado Symphony Orchestra Association, limited-edition lithograph commission Broadway South West department store Commission; shopping bag and print. Award of Merit from American Institute of graphic arts, and Award of Distinction: "Creativity 86" Art Direction Magazine, New York Stables Art Center, Taos New Mexico, Artist of Taos Who's Who in American Art, 1990, New York Arts Student's League of Denver, Board of Directors O'Sullivan Art Center, Regis University solo exhibition, Denver Britto Central Gallery, solo exhibition, São Paulo Brazil, 2003 Amarillo Art Museum, permanent collection Amoco Oil Company, Chicago Federal Reserve Bank, Denver University of Colorado, permanent collection, Boulder, Colorado Garnett Corporation headquarters, Arlington Virginia IBM Corporation Miami Florida Las Vegas Federal Medical Center Kirkland Art Museum, permanent collection, Denver Northern Trust Bank, Naples, Florida Planes Art...

"Mojos Wind Blow" by Will Northerner (Born, 1954) Acrylic, mixed media Born: June 24, 1954 Education: Herron School of Art; Indiana Unive...

Pascal Manitoba Dévoil Ames 2022 Acrylique and inches 73x92 cm.

Contemporary painting, Circus, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 28×44 (H) cm Frame: 44 x 3.5 x 60 (...

Cuban American Artist Juan Navarrete abstract painting woman with red hair, 2022 Offered for sale is an abstract painting by seasoned Cuban-...

Andrew Mandolene ”Grey Gig” Acrylic on canvas Framed Dimension: Unframed - 36" W 48" H As framed - 37.25" W 49.25" H Signed at lower right AM, 20. ANDREW MANDOLENE (b. 1960). Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion...classic car collecting...

"Framed mixed media artwork by Lee White showing an Expressionist portrait of a female face floating in an abstract musical background of color and flowers. Signed in lower left. “Lee White's (1948-2004) journey through life as an artist began when he was twelve. Born in Miami, Florida in 1948, he received the mayor's trophy for artists sponsored by the Miami Herald. His journey then carried him to California, where he studied at the California College of Commercial Design, the City College of Los Angeles, The Santa Monica Art League, and the University of Southern California, culminating in a fine arts degree at the Calfornia Institute of Arts. In the seventies and early eighties, White concentrated on serigraphy under the tutelage of Warren Woodward...

A white flower arrangement with green hues. Signed by Clément Serveau. Dated 1937. Made in France This timeless oil on canvas, created by Clement Servenau in 1937, is a captivating work of art. The painting features a delicate bouquet of white flowers arranged in a vase, set against a pastel colors background. The precision and skill of the artist is evident in every brush stroke, creating a realistic and almost three-dimensional depiction. The curved edges of the vase, which glistens in the light. Its graceful shape adds a sense of balance to the composition, both in terms of texture and color. The flowers themselves seem almost alive, with the way that the petals and stamens catch the light and create a vibrant, lively atmosphere. The vibrant yellow and pink soft whites hues of the blooms stand out against the grays and pinks of the background. The overall effect of this painting is one of serenity and beauty, a quality that Clement Servenau undoubtedly aimed to achieve. His mastery of brushstroke and color is evident in this piece, making it a stunning example of his expertise. With its vibrant colors, beautiful details, and captivating composition, this oil on canvas from 1937 is certainly a timeless piece. Born in Paris in 1886, Clément-Serveau studied at the Ecole des Arts Décoratifs in Paris and also at the Ecole des Beaux-Arts under Luc-Olivier Merson. Whilst at the latter he received the Chevanard award. In 1905, he started exhibiting at the Salon des Artistes Indépendants. After leaving the Ecole he developed his repertoire to include mural decorations...

Andrew Mandolene ”Pink Purge” Acrylic on canvas Unframed Signed at lower right AM, 20. Due to the Size of this painting it is recommended to hang on D-rings. D-rings are mounted on the stretcher on back of painting for hanging purposes, ANDREW MANDOLENE (b. 1960) Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion.Classic car collecting...

Impressionist New York City bustling train station city-scene depicting the "EL" train with pedestrians in a starry, yet energetic way. Busy New Yorker’s daily travels with the sun setting on the elevated train. From early childhood to the present, Willett, a natural talent carried on the tradition in the arts. Currently as a painter in the New Hope, Bucks County Impressionist...

Garment district NYC scene by Matthew Popielarz on canvas.

Andrew Mandolene ”Pink Prowess” Acrylic on canvas Framed Dimensions: unframed - 24" w 36" h as framed - 25.5" w 37.5" h Signed at lower right AM 20. ANDREW MANDOLENE (b. 1960) Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion...classic car collecting...

Original vintage advertising poster for the “New York World’s Fair” which took place in New York from 1964 to 1965. Printed in the USA in 1962. Framed with a passepartout in a natura...

"Pinch" by Ángela de la Cruz in 2015. Edition of 50 + 18 A.P. + 2 P.P. Acrylic on canvas. The document shown on the photo is the “Certificat...

Stefan Johansson, acrylic on canvas, signed and dated -08 verso. "Session 1". Measures: 136 x 102 cm. A artist living in Stockholm working in the tr...

A monumental acrylic painting on canvas by American artist Marc Ross, 2018. This minimal abstract painting features an impressive gradation of blue hues, giv...

Oversized Lee Reynolds acrylic on canvas painting signed in lower left corner. Painting has great texture with a white wood frame that has a silver accent. Hanging hardware is attached.

Contemporary painting, Bestiary I, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21×27 (H) cm Frame: 36 x 3.5 x ...

Contemporary painting, Dione, by Spanish artists Rubenimichi, acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 42.5 × 55 (H) cm cm Frame: 56.5 x 3.5...

Contemporary painting, First Motherland, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21 x 27 cm Frame: 36 x 3.5 x 4...

USA, 1980 Vintage hard edge abstract acrylic painting signed J.V. '80. Fun geometric style in red, caramel, and dark brown on a cream background, framed in silver. The mount is curr...

Original vintage sports poster for the 1955 basketball european championship in Hungary. Wonderful artwork by an unknown artist. Framed...

Beautiful midcentury painting. A very decorative color collage of flowers. The painting is signed PL and named Monachez. The painting has a red original frame. The painting has a wa...

Having grown up in a military family, Marc’s youth was spent on the move. He was born in Oxnard, California and spent some of his early school years there. But his geographical resum...

Contemporary Abstract Painting on Canvas by Alanna Murphy Offered for sale is a colorful contemporary abstract painting on canvas by Alana Murphy. The painting is signed in the l...

Mid-century impressionist abstract painting signed Bunnell '59. Framed acrylic on canvas. Painting is in excellent condition. Some light foxing on the linen mat. Charles Raglan...

The ‘Multicolored Man’ depicts a head with an enlarged nose and ear and worried looking eyes and mouth. The characteristics are yellow, orange, blue, wh...

We love this colorful vintage acrylic painting on paper. This illustrated composition is of a 'musician playing his guitar under the moon with birds'. It creates pure magic with all ...

Charles Dix 1970's Modernist Post Modern Original Acrylic Impasto Painting Art Signed A rare signed painting by artist Charles Dix. This beautiful artwork features the artists’ sign...

Immerse yourself in the extraordinary allure of our unique Expressionist painting on canvas, capturing a one-of-a-kind scene. This abstract artwork presents a captivating horse-like ...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighborhood of Berlin-Wedding and where he discovered his interest in painting – particularly in expressionistic artists and in Pablo Picasso's work. From 1954 on, the East Berlin...

A striking acrylic and wax pastel abstract figurative painting on paper by Anne Abueva, and framed in a found vintage frame. A decade ago interior designer Anne Abueva put down her paint deck and picked up a paintbrush. Her signature expressive bold lines combined with her unique color palettes allow her to create memorable connections with her viewers while weaving together her love of intuitive art...

Abstract Painting The Seductions by Pedro Damian, Cuban American Artist, 1997 Offered for sale is an original acrylic abstract painting on canvas by the Cuban-American artist Pedro Damian. The work is from the series titled "Las Seducciones" which translates in English to "The Seductions". The canvas is signed in the lower right and on the verso. This canvas is stretched on a wood stretcher, wired and ready to hang. The artist uses bold jewel...

Outsider abstract oil painting on board signed Peter L. Sword (1939-2018). Peter was a longtime resident of San Francisco where we purchased this painting. We see online that he live...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

H Heyligers (Dutch, 1877-1967) Impressionist Scene Women In The Street Elegant impresionist scene by the duch painter H Heyligers.With original frame in good condition.Size:97x81 cm...

UNTITLED, Wall painting by Spanish artist Federico Miró, from the series THE TRUTH IS ANOTHER, Acrylic on canvas. Federico is a young artist who, in his meticulous work, reflect...

Vintage Optical Op Art Abstract Geometric acrylic painting on canvas Offered for sale is an optical art abstract acrylic painting in a geometric pat...

Large Vibrant Green, Pink, & White Abstract Acrylic and Alkyd Resin Painting on Canvas by John Link titled "Precession" 2007. Painting on canvas by the La...

An Op-Art acrylic on a wooden panel painting, pop, abstract, op-art, a composition of geometrical forms in blue, violet and black on a wooden pan...

Charming pair of framed paintings of chickens or roosters mounted in acrylic and lacquered wood frames by Ira Yeager (American 1938-2022). Painted on beige ...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighborhood of Berlin-Wedding and where he discovered his interest in painting – particularly in expressionistic artists and in Pablo Picasso's work. From 1954 on, the East Berlin...

An interesting colorful painting (acrylic on canvas) by Eric Dennard, 1942-1993. Signed, dated 1971, unframed. A note about the artist: "Born and reared ...

Irene Cafieri Contemporary Oil on Canvas 1970s Measures: 36″ X 24″ Lovely landscape by contemporary artist.

Contemporary oil and paper on canvas 'Hot Wheels - Mongoose vs. Snake' painting based on vintage packaging and advertisement materials. By Danny O'Conner an...

Large MCM abstract acrylic on panel original painting by listed artist Richard Mann, circa 1960s. The piece is in very good vintage condition and is presente...

Beautiful oversized Lee Reynolds acrylic floral painting with texture on canvas. Painting has a gold metal frame and is signed in bottom left c...

Thickly layered blue, pink & green abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled ...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Pictured is a large framed piece which portrays a collage of nude women at different angles with different expressions blended into one another. Measures: 31x41

Signed and Framed Cityscape Acrylic Painting on Board made in America circa 1970s. Depicting a Man walking empty Streets in the City. Framed Black and White in 3D Effect. The Artist signed the painting at the right bottom side, P. COWDY. In all original pristine condition with some wear as documented...

A large bold pointillism painting of a landscape and pond in the manner of Georges Seurat. by Marc R. Rubin, signed l/r American, 20th century...

Oil on canvas by Hans Osswald (1919–1983). Hans August Osswald (originally Andersson) was born on 29th August 1919 in Örebro. He was a Swedish painter...

This framed colorful piece has many different aspects and stages of life in it. If you look closely and pat attention to this artists' myriad of details, you can see people painted t...

Our gallery is pleased to represent a wonderful new California artist Scott Anderberg. This evocative abstract work is titled “Hunger and Bread Seed Poppies” 2022 and measures 36” by 24...