The model, 1883 - Albert F.A. LAURENS (1864-1934)

Oil on oak panel representing a seated model, posing for a sculptor making a statue of the Virgin, in the style of the late 15th century. Around them a heterogeneous set of accessories, and a chest filled with tools. Signed lower left Leo van AKEN, dated 1883. He worked with Polydore Beaufaux...

A bunch of dahlias in a Japanese vase, signed upper left A.MELOT, dated 1883. Louis Auguste MELOT, flower painter died 1899. French school. A member of the French Artists Association...

The story of the Magi comes from the Gospel of Matthew, which indicates that the Magi from the East, having followed a star, came to Bethlehem to adore the newborn King of the Jews, ...

The young shepherd" and "The cook scaling a fish", Antoine Richard, 1822-1891". A pair of paintings on mahogany, depicting a young shepherd daydreaming, leaning on his stick, and a y...

The story of the Magi comes from the Gospel of Matthew, which indicates that the Magi from the East, having followed a star, came to Bethlehem to adore the newborn King of the Jews, and offered him gold, myrrh and incense. In the West, the number of wise men, after many variations, was established at three. Symbols were quickly associated with them, and they ended up, in the 15th century, personifying the three continents known in the Middle Ages (Asia, Africa, Europe) after having represented, from the 12th century, the three ages...

Oil on canvas depicting the sacrifice of Iphigenia, daughter of Agamemnon and Clytemnestra, sister of Orestes, Electra and Chrysothemis, and therefore subject to the curse of the Atreides. When Agamemnon attempts to launch the Greek fleet at Aulis towards the Trojan coast, the winds remain unfavorable. Calchas asserts that only the sacrifice of Iphigenia will appease the wrath of Artemis, and according to legend, raise the winds for the Greek fleet. Anton Kern or Körne (12 December 1709 - 8 June 1747) was a Bohemian-born painter; primarily of religious and historical scenes.Kern was born in Děčín, where his father Johannes was the town clerk. He was brought by his father to Dresden, where his artistic talents first came to the attention of Laurentio di Rossi, an artist of Venetian origin who was serving as a court painter in Saxony, while Kern was attending the Jesuit school in Bohosudov.[1] Rossi was sufficiently impressed to take him to his studio in Dresden and give him lessons. In 1723, Rossi took him to Italy and secured him an apprenticeship with Giambattista Pittoni. He remained with Pittoni for seven years, although he also took lessons at various public and private schools.[1] He returned to Bohemia in 1731, accompanied by Laurentio's brother, Ventura. Four years later, he was officially registered as a "Pictor" at the Faculty of Arts, Charles University in Prague. Between 1734-1738 he worked in Prague and in the north Bohemia. His most important works of this period are: two altarpieces with Saint Apollonia and Saint Agata for Loretto church in Prague, Saint Norbert for Strahov monastery, Saint John at Pathmos for Cistercian abbey church in Osek (Teplice Disctrict) and an enthroned Virgin...

The Harvesters Paul Albert Baudouin (French, 1844-1931) signed and dated P. Baudouin 1878 Literature: Benezit volume 1 p. 873 Provenance: Sothebys, New York, 2001 Born ...

Pierre Bordeaux, Paris View of the Seine, 1934. Vintage April in Paris ambience to this hand-painted watercolour rendered in soft blue, grey, celadon a...

Framed watercolor by Albert Andre signed lower right. Measures 17" x 15" including frame and 12" x 9" sight. Provenance: Sothebys Andre came to Paris in 1889 as an industrial designer. At the age of 23 he enrolled at the studio of William Bouguereau at the Académie Julian, where he met Ranson, Louis Valtat and the young poet and dramatist Henry Bataille, who at the time was training as a painter. He illustrated L'étang de Berre by Charles Maurras and Les Petites Alliées by Claude Farrère. He produced cartoons for tapestries for the Beauvais factory. In his youth he worked in Paris and Loudun, but later settled in the Midi, where he became curator of the museum in Bagnols-sur-Cèze, building up a major collection of contemporary art, including works by Monet, Renoir, Bonnard, Vuillard, Matisse and Despiau. In 1923, as a friend of Renoir, he compiled his recollections of the painter in a preface to an album of collotypes of his works. He was initially influenced in his painting by Delacroix, and it was Cézanne's paintings that helped him discover how to give the impression of volume using colour: warm tones for illuminated surfaces and cool colours for shadow. But it was undoubtedly Renoir who had the most profound influence on him, especially as it was Renoir who noticed his paintings in 1894 and introduced him to Paul Durand...

Gouache on paper "The Mustachioed King" - Albert Chubac Techniques : Gouache on paper Circa 1960-1970 Size of the frame : 61 x 80 cm Ref : /5 Price : 7500€ for this work

19th Century Politicians in the Tavern C. Stoitzner, 1863-1934 Oil on wood, four older, debating politicians. Signed on the reverse: "Politician in the t...

Charming interior scene painted on panel by Albert Roosenboom. This delicate painting, in the purest manner of the painter's work, shows us, in a very precise interior, rich in detai...