Italian Paintings

The pair of oils on canvas depicting floral arrangements, one in a basket, the other in a pot, both on plinths, each with dwellings and mountains in the distance, one with a bird in ...

The floral bouquet a beautiful assortment of rich colors in a figural painted urn with a shadowy background, unframed

18th Century, Italian painted with still Life by Francesco Lavagna. The fine and imposing painting, accompanied by a frame in carved and gilded wood, depicts a sumptuous composition...

Michele Antonio Rapos (Turin 1733-1819) Pair of paintings depicting Still Life with fruit composition Oil on canvas, cm H 27 x L 36; frame cm H 37 x L 46 x P 3 The two paintings be...

19th C. Original Oil on Canvas depicting a group of cherubs making flower garlands. It is charming and whimsical. The detail is intricate. It has been relined and a has had a gilt...

Giovanni Battista Innocenzo Colomba (1713 – 1793) Landscape with figures Oil on canvas, Frame H 102 x L 112 x P 8; canvas H 77 x L 87 The valuable painting, attributable to the pai...

This is a charming painting of a cherub with an arm extending forward, perhaps hold out a bouquet of flowers. The painting dates to the mid-18th century and is probably cut from a la...

Grand tour - Landscape of the Roman countryside with architecture and characters Oil painting on canvas Rome 18th century Measurements: 27 x 33 - 43.5 x 50.5 cm (with frame)...

18th century, Italian painting depicting landscape with watermill and characters Oil on canvas; Measurements: frame cm L 103.5 x H 127 x P 5; painting L 93 x H 117.5 The painting...

Joseph Comte de Saint Michel (Turin, news between 1756 and 1790; between 1756 and 1776 active at the court of the King of Sardinia in Turin) Portrait of a Gentleman - Portrait of a L...

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

19th century four Italian oil on panel with allegory of the four elements Dimensions with frame: cm H 34.5 x L 25; only the table: cm H 29 x L 20.5 The funny oil on panel, by an artist active in Piedmont, in the north of Ital, in the first half of the 19th century, represent the allegory of the four elements of the Earth. They are inspired by the group of four etching prints of circa 1730, made to a design by Rococo painter Jacopo Amigoni (Naples 1682- Paris 1752) and engraved in Venice by Joseph Wagner...

18th century oil on canvas of a Mediterranean harbor scene, in the manner of Claude Vernet (1714-1789) depicting a fanciful scene with castles and villas...

Jan Miel (follower of) The bambocciante scene Oil on panel , cm 38,5 x 51. frame 66 x 53,5 x 4,5 cm The bright painting, with great chromatic impact thanks to the technique of oil ...

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

An Italian Rococo period framed still-life oil on canvas painting from the late 18th century, depicting a colorful bouquet. Created in Italy during the third quarter of the 18th cent...

A Roman landscape oil on canvas painting with figures by Andrea Locatelli (Roma 1693-1741) Locatelli was amongst the group of landscape painters in R...