Japanese Paintings
Color: Brown
Place of Origin: Japanese
Japanese Two-Panel Screen: Egrets in Japanese Red Pine with Gold Ground
Located in Hudson, NY
Seven graceful Egrets perched upon very vibrant pine. Representing strength, luck, and longevity. A harmonious balance in nature. Mineral pigments on Mulberry paper with dark brown ...
Category
Late 19th Century Antique Japanese Paintings
Materials
Lacquer, Paper
Japanese Two Panel Screen Amorous Cranes and Turtles
Located in Hudson, NY
Japanese two panel screen: Amorous Cranes and Turtles. In Japan, cranes symbolize fidelity as they mate for life and turtles symbolize longevity. Additionally, this screen also has the Japanese motif of sho-chiku-bai, or the three friends of winter (pine, plum, and bamboo). So called the three friends of winter because all three flourish during the cold months. This screen was originally fusuma doors...
Category
1850s Edo Antique Japanese Paintings
Materials
Wood, Paper
Pair of Japanese Edo Rimpa School Screens after Tawaraya Sotatsu
Located in Rio Vista, CA
Impressive pair of 17th century Japanese Edo period Rinpa school screens made in the manner and style of Autumn Grasses by Tawaraya Sotatsu (1570-1640). Beautifully decorated with wi...
Category
17th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
Japanese Four Panel Screen: Herons on Snow Laden Branch
Located in Hudson, NY
Ink and slight color on silk in free standing wood frame. Signature reads: Takeuchi Seiho.
Category
Late 19th Century Antique Japanese Paintings
Materials
Silk, Paper, Wood
Japanese Miniature Four-Panel Screen Blue and Green Landscape
Located in Rio Vista, CA
19th century mid-Edo period Japanese four-panel miniature screen. Depicting a beautifully painted Chinese blue and green landscape in the Nanga School...
Category
19th Century Edo Antique Japanese Paintings
Materials
Brass
Japanese 2-Panel Furosaki’byôbu 風炉先屏風 'Tea-Ceremony Folding Screen' with Dragons
Located in Amsterdam, NL
A striking low and wide two-panel furosaki’byôbu (tea-ceremony room divider) painted with two bright white dragons (ryû) flying amidst swirling black clouds. The left dragon holds a ...
Category
Early 20th Century Japanese Paintings
Materials
Wood, Paper
Japanese Showa Six Panel Screen Manchurian Crane Bamboo Grove
Located in Rio Vista, CA
Enchanting Japanese Showa period six-panel byobu screen titled "Bamboo Forest-Immortal Together". The large screen depicts six manchurian cranes in a ...
Category
20th Century Showa Japanese Paintings
Materials
Brass
Early 19th Century Japanese Screen. Cherry Blossom & Pheasants by Mori Tetsuzan
Located in Kyoto, JP
Mori Tetsuzan (1775-1841)
Pheasants and Cherry Blossoms
Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper.
A two-fold Japanese bir...
Category
Early 19th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
Mid-18th Century Japanese Screen Pair, One Hundred Flowers, Chrysanthemums
Located in Kyoto, JP
Omori Soun (b. 1704)
Chrysanthemums - One Hundred Flowers
A Pair of Six-fold Japanese Screens. Ink, color, gofun and gold leaf on paper.
Dating ...
Category
Mid-18th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
19th Century Japanese Screen Pair. Flowers & Birds of the Four Seasons
Located in Kyoto, JP
Flowers & Birds of the Four Seasons
Pair of six-fold Japanese Screens. Ink, color, gofun and gold on paper.
Second half of the 19th Centur...
Category
Late 19th Century Meiji Antique Japanese Paintings
Materials
Wood, Paper
Early 20th Century Japanese Screen Pair - Ink Pine Trees on Gold
Located in Kyoto, JP
Imao Keisho (1902-1993)
Pine Trees
Early 20th Century, Circa 1930
Pair of six-panel Japanese screens. Ink on silk and gold leaf.
Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm)
A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...
Category
Early 20th Century Showa Japanese Paintings
Materials
Gold Leaf
Japanese Screen Painting, circa 1700 'Horses' by Kano Tanshin
Located in Kyoto, JP
Horses
Kano Tanshin Morimasa (1653-1718)
Two-panel tea-ceremony Japanese screen or furosaki
Ink on gold leaf,
late 17th-early 18th century
Measures: H 55 cm x W 182 cm
The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images.
Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...
Category
1690s Edo Antique Japanese Paintings
Materials
Gold Leaf
Pair of Early 20th Century Japanese Costume Portraits Painted on Silk
Located in London, GB
Two portraits of Japanese man and women in traditional costume painted on silk, circa 1920, in their original frames. Details show the exquisite tradit...
Category
1920s Art Deco Vintage Japanese Paintings
Materials
Wood
Japanese Painting, Hanging Scroll, 19th Century Bamboo in Moonlight
Located in Kyoto, JP
Bamboo in moonlight
Gamo Rakan (1784-1866)
Hanging scroll, ink on silk.
Dimensions:
Scroll: 201 cm x 58 cm
Image: 137 cm x 45 cm
In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo.
In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...
Category
Early 19th Century Edo Antique Japanese Paintings
Materials
Silk
Lake Side: Copy of Kuroda Seiko's Painting, Painting, Oil on Canvas
Located in Fukuoka, JP
Introducing a remarkable oil painting on linen canvas, meticulously reproduced to capture the essence of the renowned work by Kuroda Seiki. The original masterpiece, titled "Lake Sid...
Category
20th Century Japanese Paintings
Materials
Canvas, Linen, Wood
Japanese Two-Panel Screen Temples Through Misty Forest
Located in Hudson, NY
Japanese two-panel screen: Temples Through Misty Forest. Chinese School landscape ink painting on gilded silk by Yukimatsu Shunpo, signed and dated 1924. Yukimatsu Shunpo was born in...
Category
1920s Taisho Vintage Japanese Paintings
Materials
Wood, Silk
Japanese Two Panel Screen, Chrysanthemums
Located in Hudson, NY
Beautiful white chrysanthemums are emphasized by heavy gold on a soft floral landscape, while gold clouds create a striking and dream-like floral scene. Gold leaf and gofun with min...
Category
Early 18th Century Antique Japanese Paintings
Materials
Gold, Gold Leaf
17th Century Japanese Screen. Ink Plum Tree & Birds by Kano Naonobu.
Located in Kyoto, JP
Kano Naonobu (1607-1650)
Plum Tree and Birds
Six-fold Japanese Screen. Ink and slight color on paper.
In this evocative ink work spread over a six-panel folding screen, we see the consummation of the elegance and refinement of the Edo Kano school. This 17th century screen is a rare surviving example of a large-scale bird and flower painting by Kano Naonobu, the younger brother of Kano Tanyu...
Category
17th Century Edo Antique Japanese Paintings
Materials
Wood, Paper
Japanese Edo Period Six Panel Screen of Chinese Scholars
Located in Rio Vista, CA
Fascinating 19th century Japanese late Edo period six pane funpon screen. Large scale depicting Chinese scholars and officials engaged in leis...
Category
19th Century Edo Antique Japanese Paintings
Materials
Wood, Paper, Silk
Japanese Six-Panel Screen Garden Landscape by River's Edge
Located in Hudson, NY
Kano School painting showing ancient pine, exotic birds, peonies, azalea and cherry tree in bloom on far right. Early Edo period painting, (1614 -...
Category
Late 17th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
Meiji Period Japanese Screen Pair, One Hundred Birds by Hasegawa Gyokujun
Located in Kyoto, JP
One hundred birds
Hasegawa Gyokujun (1863-1921)
Meiji period, circa 1900.
Ink, color and gofun on silk.
Dimensions of each screen:
H. 170 cm x W. 190 cm (67’’ x 75”)
Despite the title, well over 100 birds are represented in this pair of two-fold Japanese screens (the title functions figuratively to convey the idea of a large number). The monumental work is rendered with a comprehensive and highly complex composition which is exquisitely executed and meticulously colored. More a celebration of naturalism than the traditional “One Hundred Birds” paintings which originated in China. This was a subject matter known for its auspicious meaning as much as its actual depiction of nature. These paintings generally had a phoenix (occasionally peacocks) placed in the center, and the other birds paying homage to it.
In this quintessentially Japanese scene painted by Gyokujun, a couple of long-tailed birds modeled after paradise flycatchers are included; these are traditional auspicious motifs in Oriental bird and flower painting and denote themes such as celebration and enduring generations. In addition there is the playful inclusion of single exotic parrot. Even so, the vast majority of the birds and flowers are native to Japan. Reading the scene from right to left, from spring through to autumn, the overwhelming sense is one of movement and haste. It is almost as if the birds are in a race, with the fleetest leading the way forward. Although these native birds were commonly drawn amongst artists of the Shijo school, rarely were they painted with such drama and dynamism. It is not strictly a depiction of sketched birds whose manner was faithfully handed down through the traditions of the Shijo school. Rather we see Gyokujun seeking and achieving new expressions in the heart of the turbulent Meiji period.
Hasegawa Gyokujun (1863-1921) was born in Kyoto. He was the eldest son of Hasegawa Gyokuho, a Shijo school painter who studied under Matsumura Keibun. Gyokujun studied painting under his father and became a prominent member of the Kyoto painti
ng world from a young age. In 1891 he established the ‘Young Painters Social Club’ along with Takeuchi Seiho, Miyake Gogyo and Taniguchi Kokyo. Also in 1891 he was selected as a judge of the Great Private Paintings Exhibition along with Takeuchi Seiho, Yamamoto Shunkyo...
Category
Early 1900s Meiji Antique Japanese Paintings
Materials
Silk, Wood
19th Century Japanese Scroll Painting by Igarashi Chikusa, Poppies & Butterflies
Located in Kyoto, JP
Poppies & Butterflies
Ink, pigment and gofun on silk
Igarashi Chikusa (1774-1844)
Signature: Chikusa Ran Zen
Upper Seal: Ran Shuzen
Lower Seal: Kyoho
Dimensions:
Scroll: H. 68” x W. 18” (172cm x 45cm)
Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm)
This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed.
Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...
Category
Early 19th Century Edo Antique Japanese Paintings
Materials
Silk
Japanese Two-Panel Screen: Cranes on Gold
Located in Hudson, NY
Early Kano School painting of pine trees overlooking two beautifully painted cranes and floral design in a natural setting by water’s edge. Mineral pig...
Category
Late 18th Century Antique Japanese Paintings
Materials
Gold, Gold Leaf
19th Century Japanese Edo Six Panel Kano School Landscape Screen
Located in Rio Vista, CA
Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...
Category
19th Century Edo Antique Japanese Paintings
Materials
Silk, Wood, Paper
Japanese Screen of Spring on Gold Leaf
Located in Brescia, IT
It is a two-panel screen from the Taisho period, around 1920, beautifully painted in excellent detail.
The best of Rinpa's school painting: large empty space that highlights a pair of mandarin ducks in the middle of the pond.
On the right, flying birds give the painting a great lightness, under many multicolored flowers they celebrate spring.
All very proportionate and pleasant, the dimension really interesting.
Mineral pigments on gold leaf. It turns out Anonymous.
Lucio Morini.
Category
Early 20th Century Taisho Japanese Paintings
Materials
Gold Leaf
Japanese Two Panel Screen: Mandarin Ducks Among Dry Lotus
Located in Hudson, NY
Natural scene of Mandarin ducks gliding gracefully amongst the water.
Mineral pigments on silk with silk brocade border and natural wood trim. Seal reads: Kei.
Category
Early 20th Century Japanese Paintings
Materials
Silk, Wood
19th Century Japanese Screen for Tea-Ceremony, Ink Bamboo and Plum on Gold Leaf
Located in Kyoto, JP
Three Friends of Winter
Nakajima Raisho (1796-1871)
Late Edo period, circa 1850
Ink and gold leaf on paper.
This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions.
The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year.
Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...
Category
Mid-19th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
Japanese Six Panel Screen, Peonies and Young Growth on Gold Silk
Located in Hudson, NY
Rimpa floral scene. Pigment on gilded silk, signature and seal read: Hattori Shunyo. Bold colors and strong design elements combined with the trademark tarashikomi (diluted elements created when water is applied to the surface before or after pigments causing them to diffuse) exhibit the artists deep devotion to this important Japanese painting tradition. Notes about artist: Hattori Shunyo (b. 1883) was an artist from Kyoto who graduated the (now) Kyoto Municipal University of Art and fell under the circle of Yamamoto Shunkyo...
Category
Early 20th Century Japanese Paintings
Materials
Brocade, Silk
17th Century Japanese Screen Pair. Tiger & Dragon by Kaiho Yusetsu
Located in Kyoto, JP
Kaiho Yusetsu (1598-1677)
Tiger and Dragon
Early Edo Period, Circa 1650
A Pair of Six-fold Japanese Screens. Ink and slight color on paper.
Dimensions:
Each screen: H. 171 cm x W. 380 cm (67.5’’ x 149.5’’)
In this pair of early Edo period Japanese screens a group of tigers prowl in a bamboo grove whipped with fierce wind, while a dragon claws through clouds and mist. The dragon embodies elemental qualities - looming out of the mist, the coils of its body disappearing in the clouds. The dragon is calling for rain, symbolizing spring which is considered the fountain of life. On the other side, the tigers calls for the wind, symbolizing autumn which is considered the end of life. Tigers were familiar motifs within Japanese art from ancient times though the animals were imaginary to the people in the 17th century. While dragons and tigers are usually associated as sacred and ferocious, in this painting, both animals have rather amusing expressions. The tigers appear to glare at the dragon with cat-like eyes, and the look on the swirling dragon’s face appears almost affectionate - lending a playful flair to an otherwise magnificent theme.
The tiger and dragon are cosmological symbols of the balancing forces in the world. Screens such as this were originally meant to express the fluctuating nature of the world. For Japanese in the early Edo period, they likely suggested the powers of the cosmos. In Japan the tiger and dragon motif was originally absorbed into the circles of Zen monasteries before spreading into the secular world. The theme especially appealed to the military classes with the Kano school, the official painters to the Shogun and the samurai, being the leading contributors. The painter of this pair of screens, Kaiho Yusetsu (1598-1677), was closely patronized by the third Shogun Tokugawa Iemitsu. In his later years he worked with Kano school artists...
Category
Mid-17th Century Edo Antique Japanese Paintings
Materials
Silk, Wood, Paper
19th Century Japanese Shunga Hand-Scroll, Katsukawa School
Located in Kyoto, JP
Shunga
Unknown artist
Meiji era, circa 1880
Hand-scroll mounted with 12 paintings
Ink, pigment and gofun on silk
Dimensions:
Each image measures H. 23.2 cm x W. 34.4 cm (9.15” x 13.5”)
The hand-scroll measures H. 28 cm x W. 540 cm (11” x 212”)
A set of 12 late 19th century Japanese Shunga paintings mounted as a hand-scroll. Two of the leaves bear the signature and seal ‘Setsuzan’, although we are unable to confirm the identity of the artist using this art name. 6 of the 12 images are taken almost directly from Katsukawa Shuncho’s late 18th century woodblock series, ‘Erotic Pictures...
Category
Late 19th Century Meiji Antique Japanese Paintings
Materials
Silk
Painting So by Michiko Itatani
By Michiko Itatani
Located in Lille, Hauts-de-France
An abstract painting on canvas called "So" by the Japanese artist Michiko Itatani.
Signed “Michiko Itatani” and with artist’s cipher, at the back on t...
Category
1970s Vintage Japanese Paintings
Materials
Wood, Paint
Japanese Two Panel Screen: Flowering Vines and Wisteria
Located in Hudson, NY
Wisteria represents sentiments of love and longevity as vibrant floral colors dance dramatically amongst the two panels. Mineral pigments on Mulberry paper with a natural wood trim....
Category
Early 20th Century Japanese Paintings
Materials
Wood, Paper
Meiji Era Japanese Two Panel Hand Painted Wood Table Screen Tale of Genji
Located in Studio City, CA
A Meiji era Japanese two-panel wood screen, with illustrated images from The Tale of Genji that are exquisitely painted directly on wood with fine detail and precision, accented with scattered 24k gold leaf specks in cloud forms, rendered in the manner of Heian period...
Category
19th Century Meiji Antique Japanese Paintings
Materials
Gold Leaf
19th Century Small Japanese Screen Pair, Pine Trees and Vines on Gold Leaf
Located in Kyoto, JP
This pair of screens depict just the middle sections of aged pine trees, painted in bold brush strokes on a background of gold leaf clouds. The trees are draped in vines, the lush cr...
Category
Mid-19th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
Japanese Two-Panel Screen, Pine, Cherry, and Maple
Located in Hudson, NY
Cherry blossoms and maples among ragged pines. Mineral pigments on mulberry paper with gold mist clouds. Completely remounted utilizing an antique silk brocade...
Category
Mid-19th Century Antique Japanese Paintings
Materials
Gold, Bronze
Set of Four Japanese Fusuma Painted Door Panels
Located in Rio Vista, CA
Rare set of four Japanese Showa period door panels known as Fusuma in Japanese architecture. Similar to a Shoji room divider but made of an opaque materia...
Category
20th Century Showa Japanese Paintings
Materials
Brass
Japanese Four-Panel Rimpa Screen Floral Autumn Landscape
Located in Rio Vista, CA
Magnificent Japanese four-panel 19th century Meiji screen. Made in the Rimpa School style depicting a serene floral autumn landscape. Beautifully painted sumi ink and color pigments ...
Category
19th Century Meiji Antique Japanese Paintings
Materials
Brass, Gold Leaf, Silver Leaf
Pair of Watercolor Paintings Depicting Carps
Located in Kastrup, DK
A vivid pair of Japanese watercolor paintings of carps. Individually framed. Artwork dimensions (cm): 20, 5 x 27, 5.
Handpainted on rice...
Category
Late 19th Century Meiji Antique Japanese Paintings
Materials
Glass, Wood, Paper
Japanese Showa Two Panel Screen Blossoming Prunus Tree
Located in Rio Vista, CA
Serene Japanese Showa period two-panel folding byobu screen depicting a large spring blossoming prunus tree or plum tree. Beautifully painted with ink and natural color pigments on m...
Category
20th Century Showa Japanese Paintings
Materials
Brass
19th Century Japanese Scroll Painting, Birds & Flowers of the Four Seasons
Located in Kyoto, JP
Birds and flowers of the four seasons
Early to mid-19th century
Ink, pigment and gofun on silk
Unidentified artist
Signature: S...
Category
1830s Edo Antique Japanese Paintings
Materials
Silk
Japanese Four Panel Screen: Autumn Flowers and Moon on Gold
Located in Hudson, NY
Mineral pigments on gold leaf.
Category
Early 20th Century Japanese Paintings
Materials
Gold Leaf
Japanese Two-Panel Screen, Wading Deer
Located in Hudson, NY
In Japan, it is a Shinto belief that the deer is a treasured and sacred animal. This admirable scene captures this gentle creature in its natural habitat with beautiful detail in bot...
Category
Early 20th Century Japanese Paintings
Materials
Silk, Lacquer
Japanese Two Panel Screen: Summer Flowers
Located in Hudson, NY
Screen depicts Summer flowers and birds on gilded silk. Signature reads: Konishi Fukunen. Notes about Artist: Konishi Fukunen (1887-1959) was born the second son of the Paper mounting specialist Konishi Uhei in Takeo, Fukui prefecture in the mid Meiji period. In 1902 he was sent to Kyoto to study painting under Suzuki Shonen...
Category
Mid-20th Century Japanese Paintings
Materials
Silk
Japanese Two Panel Screen: White Tiger Grotto
Located in Hudson, NY
A mysterious passageway with natural rocky detail as the scene drifts deep into the darkness.
Dyed fabric mounted with a natural wood trim. Signed on back and lower right corner. Sig...
Category
Early 20th Century Japanese Paintings
Materials
Fabric, Wood
Sophisticated Mid-Century Modern Japanese Abstract Painting by Yoshio Minomura
Located in Hopewell, NJ
Sophisticated and fascinating original painting by Japanese artist Yoshio Minomura having abstract composition with hieroglyphic like scribbles.
Minomura gained his diploma from t...
Category
1960s Mid-Century Modern Vintage Japanese Paintings
Materials
Canvas
Japanese Two Panel Screen: Lacquer Penguins
Located in Hudson, NY
Beige ground lacquer with black and grey lacquer penguins with small pieces of shell making up white areas. Lacquer on wood. Writing reads: Lacquer Screen By Izumi Atsuhiko. It was ...
Category
Early 20th Century Japanese Paintings
Materials
Shell, Wood, Lacquer
Japanese Two Panel Screen Cherry and Forsythia
Located in Hudson, NY
Mineral pigments on silk. Signature and seal read: Shunsei (or Haruo).
Category
Early 20th Century Japanese Paintings
Materials
Silk
17th Century Japanese Framed Panel by Kano Sansetsu, White Herons in Snow
Located in Kyoto, JP
Kano Sansetsu (1589-1651)
White herons in snow
Edo period, circa 1640
Framed painting. Ink on paper.
Kano Sansetsu is a Japanese painter who ...
Category
17th Century Edo Antique Japanese Paintings
Materials
Paper
Japanese Six-Panel Screen Byobu With Chrysanthemums And Autumn Grass and Flower
Located in Torino, IT
The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...
Category
Mid-19th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
Japanese Six Panel Screen: Rimpa Painting of Autumn Flowers and Grasses on Gold
Located in Hudson, NY
Rimpa School. Ink, colors and gold on mulberry paper with a silk brocade border and black trim.
Category
Early 18th Century Antique Japanese Paintings
Materials
Paper
Japanese Two Panel Screen: Waves on Gold
Located in Hudson, NY
Ink on gold leaf with a silk brocade border. Signature reads: Nakajima Raishou (1796-1872). Student of Maruyama Okyo (one of Japan's most famous artists).
Category
Mid-19th Century Antique Japanese Paintings
Materials
Brocade, Silk, Paper
Japanese Six Panel Screen Pine Trees and Boats at Water’s Edge
Located in Hudson, NY
Hamamatsu (Pine Tree Island). Kano School painting in mineral pigments on gold leaf and mulberry paper with brocade border.
Category
Late 19th Century Antique Japanese Paintings
Materials
Brocade, Paper
Japanese Six Panel Kano School Winter Landscape Screen
Located in Rio Vista, CA
Large Japanese Meiji period six-panel screen depicting a winter landscape with a Chinese sage visiting friends in a country villa. Ink and vivid color pigments on mulberry paper mounted to a gilt background. Painted in the 19th century Kano school...
Category
19th Century Meiji Antique Japanese Paintings
Materials
Metal
Japanese Two Panel Screen: Ikebana 'Flower Arrangement'
Located in Hudson, NY
Mineral pigment on gold silk. Signature reads: Nana Keicho Ho, Shinsho, Gachu ; Seal reads: Soju ; Seal on reverse reads: Koto Fusai.
Category
Late 19th Century Antique Japanese Paintings
Materials
Silk
Pair of Japanese Edo Period Six-Panel Screen, "100 Boys at Play"
Located in Austin, TX
An absolutely charming pair of Japanese Tosa School six-panel folding screens painted with the "One Hundred Boys at Play" motif, featuring a multitude...
Category
Early 19th Century Edo Antique Japanese Paintings
Materials
Gold Leaf
Japanese Edo Six Panel Screen Yoshitsune and Benkei
Located in Rio Vista, CA
Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...
Category
19th Century Edo Antique Japanese Paintings
Materials
Brass, Gold Leaf
Japanese Painting, Framed Panel, Dahlias and Roosters, circa 1920
Located in Kyoto, JP
Tanaka Tessen (b.1890)
Dahlias and Roosters
Taisho period, circa 1920
Framed painting. Mineral pigments and ink on silk.
Dimensions (framed):
H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”)
An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era.
The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...
Category
1920s Taisho Vintage Japanese Paintings
Materials
Silk, Wood
Japanese Two Panel Screen: Recumbant Pheasant in Snow Laden Pine
Located in Hudson, NY
The harmony of pine, plumb and bamboo with a splash of camillias in mineral pigmants on silk with a brocade border and silk backing in a gloss black frame. Excellent condition.
Category
1880s Antique Japanese Paintings
Materials
Brocade, Silk
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