Painting by Gordon Onslow Ford, Dated 10/1/60

Oil on canvas portrait in giltwood frame, signed Gordon Coutts (b.1868-d.1937.) Born in Glasgow, Scotland on Oct. 3, 1868, Gordon Coutts studied art in Glasgow, London and in Pari...

The geometric imagery on this wedge-shaped acrylic on canvas by Gordon Moore (American, b. 1947) reflects the ongoing influence of New York City on his wo...

Carlo Marengio was born in 1936.He worked and lived in Italy and exhibited in Europe. The artist shows is a master with colors. This painting is on canvas and has a beautiful gilded ...

Gordon Eastcott Payne watercolour painting (Canadian 1890-1983.) Painting of Bear River, Nova Scotia. Gordon Payne was born in Payne's Mill...

1965 oil painting on Canvas by Gordon Russell, American (Born 1932). Titled "Fashions I", Dated 1965. Framed in a windowed glass and gilt wood frame. Provenance: From a New York C...

Discover an exceptional 40" x 60" oil on masonite by the renowned Mexican artist Leonardo Nierman (1932 to 2023). Titled 'Jungle,' this striking original painting exemplifies Nierman...

Sunset Lanscape Painting Signed and Dated by Rexx Fischer Offered for sale is a colorful painting of the sun setting over a mountain and lake landscape ...

Abstract Expressionist painting with figures. Painted on canvas. Artist signed and dated 1965. Exhibit tag on back, San Mateo, California. Folk art style, artist made frame. 29.25...

Signed dated ad titled “The Irresistible Landscape”. This painting was personal to the artist as Brook was born on July 14, 1898 ad at the age of twelve was bed-ridden with Polio. This painting is a self-portrait showing the artist looking out the windows of the room he rarely was able to leave. This painting was exhibited at the Pennsylvania Academy of Fie Arts ad the Ogunquit Museum Of America Art, exhibition tags from both institutions are attached to the stretcher en verso. This item is mounted in the original frame created by hand from The House of Heydenryk. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Some feel Brook may have retreated from the art world with the rise of Abstract Expressionism, although a sketchbook that he kept from 1949 to 1951 reveals an active engagement in painting and served multi purposes--a repository for his ideas, an address book, notebook, and travel diary. Of special interest are his notes on watercolor technique. It also includes tips for using new painting tools...

Copy of painting titled "Landscape with Ford" showing foot traffic at a busy stream crossing in a forest Condition: Good; Wear consistent with age and use