Pair of 19th Century Rosslyn Chapel Watercolors in Carved Fruitwood Frames

Nature morte (French for “still life”) paintings first became popular in the Netherlands in the 16th century. Assemblies of flowers, fruit, and dead game were the main subject matters, and hundreds of artists from Western Europe would eventually participate in the genre. French artists such as Jean-Baptiste Oudry painted some exquisite scenes, depictions of hunt motifs including game and dogs. These subjects remained highly popular and were used in hunt lodges throughout France. The pair of paintings seen here are very well done 19th century examples of such hunt scenes, each one measuring over 57 inches wide. Both of our paintings depict hunting trophies displayed on an outdoor veranda. The balcony is elaborately styled with cavetto molding, volute scrolls, and a shaped cartouche beneath a bulbous gadrooned finial. Both paintings contain half of the cartouche and most of the finial, as if they were a continuous panoramic scene, complete with a blue sky and large trees in the background The left painting features three felled birds piled on top of a deer carcass, with fruit scattered around them. Beneath the trophies is a coiled horn with a red tassel tied to it. A similar scene can be found on the right painting, with three birds displayed on the edge of the balcony. The birds lie on top of a pale green fabric with tassels that has been loosely folded. Under the textile is a hunting rifle and another horn. A garland of fruit is draped across the rifle’s stock, rising onto the balcony. A beige fabric matte board and molded giltwood frame surround this pair of 19th century nature morte hunt trophy...

In the style of 17th and 18th century Delftware, this pair of large polychrome faience wall plaques are from Holland, a region of the Netherlands. Hand-painted faience from Holland, such as this pair from the 1800’s, were typically painted in the traditional cobalt blue and white, however our plaques have vibrant colors that enhance two distinct scenes. Both plaques feature a roughly ovate shape molding and sinuous cutouts, typically seen in Dutch faience after the 17th century. These contoured edges have been painted with a nondescript motif consisting of quick brush strokes using blue paint. The plaque on the left in our main photo depicts Jesus washing the feet of his disciples. Most of the followers are clad in blue, green, or gold robes...

Hand-carved in Belgium, circa 1860, this 11 foot tall pair of doors (132.88 inches) were recently salvaged from a Belgian chapel. They can be considered of the Gothic style, which is sometimes referred to as “pointed architecture”, because of the prevalence of pointed arches in buildings. Each door is composed of six vertical planks constructed with mortise and tenon joinery. All planks have been adorned with iron pyramid protuberances, placed in a repeating pattern. The planks and iron retain their white paint, now naturally weathered over the years, perfect for those who appreciate original condition. At over 11 feet tall, these 19th century chapel doors...

Reminiscent of 17th-century Portuguese azulejo tiles, which were inspired by Delft products of the Netherlands, this pair of French ceramic t...

Using the ancient metalworking technique known as repousse, this copper bas relief plaque of a young nobleman was hand-chiseled by a French artist in...

This French winter landscape painting from the 1800’s sits securely in the original giltwood frame. The hand-carved frame has several long ribbons, with sinuous fabric curls encompassing a repeating border of two distinct flowers. A slender cavetto molding can be seen inside of the carvings, with a repeating scalloped leaf motif that immediately borders the canvas. The French School painting depicts an overcast winter day with a small patch of blue sky in the middle of gray clouds above snowcapped mountains. Most likely the French Alps, there are a few evergreen trees...

Fine and rare pair of antique Dutch Verre Églomisé reverse oil paintings on glass panels - featuring moody landscapes with a castle and church, having ...

A beautiful watercolor of golden eagles On paper laid on to card Late 19th century. Signed indistinctly bottom right Unframed Unrestored co...

An attractive pair of colonial American mid-18th century oil on canvas portraits. The detail and rendering of the paintings is of extremely fine quality. Highly contrasted figures against the dark backgrounds references the earlier work of Caravaggio and Rembrandt. One such American artist who particularly employed this technique in the late 1760s and early 1770s was John Singleton Copley...

A 15/100 scale beautiful watercolor of a steam locomotive listing the technical names for the component parts and inscribed 'Pensionnat St Gabriel - Chatell...

19th century English "The Forum" Grand Tour Pompeii watercolor on paper, with Mount Vesuvius in the background. Dimensions with frame: 62 x 82 cm.  

Attributed to Federico Ballesio (Italian, 19th Century) a fine Italian watercolor and gouache on paper "The Courting". The finely painted watercolor ...