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Pair of Old Paintings Reproducing "Lavinia from Tiziano"
About the Item
O/7418 - Interesting pair of old paintings reproducing the very famous works by Tiziano Vecellio : his daughter in the guise of a noblewoman and of a commoner. But in 1555 Tiziano retracted his daughter only like a noblewoman with a fruit basket.
New picture frames, but hand painted. Interesting price for closing activities !
- Dimensions:Height: 24.81 in (63 cm)Width: 21.26 in (54 cm)Depth: 1.58 in (4 cm)
- Sold As:Set of 2
- Style:Beaux Arts (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1800
- Condition:Wear consistent with age and use.
- Seller Location:Alessandria, IT
- Reference Number:1stDibs: LU1379215377582
About the Seller
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Established in 1984
1stDibs seller since 2015
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Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: Alessandria, Italy
- Return PolicyThis item cannot be returned.
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- 19th Century Portrait of Tiziano and Rembrandt Couple of Paintings Oil on CanvasLocated in Milan, IT19th century Portrait of Tiziano Vecellio and Rembrandt Measures: (2) Oil on canvas, 25 x 18.5 cm Frame 46 x 37 cm The two portraits depicting the artists Tiziano Vecellio and Rembrandt are to be counted among the reproductions of those famous self-portraits made by the two painters throughout their careers. As far as Titian is concerned, the artist creates numerous self-portraits that shoot him in different ages of his life and in different poses from time to time. An example is the one kept in the Prado Museum (Tiziano Vecellio, Self-portrait, 1560, oil on canvas, 86 × 65 cm, Museo del Prado, Madrid), which portrays the now elderly master, as in the present case. The thick white beard reaches almost to the chest, depicted almost in profile, while here the bust is frontal and the face turned three-quarters; his gaze is then turned to the outside of the painting and his expression seems tired and thoughtful. The broad forehead is uncovered and cut by a tight black bonnet from which no hair comes out. A thin white collar separates the face from the rest of the body dressed in an elegant and sober black dress, just like in this portrait. The figure clearly emerges from the background devoid of objects or furnishings, so that nothing distracts our gaze from the image of the famous artist who thus wants to be remembered. Another example is the self-portrait in Berlin (Self-portrait, 1552, 96 x 75 cm, Staatliche Museen, Berlin), which depicts the elderly artist, but decorated with a rich dress and placed in a physical space. Finally, the lost self-portrait in oil on paper, cited by Vasari in his Lives in 1545, keeps a low profile, as evidenced by the rather modest dress...Category
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