Pitcher with Flowers, Oil on Canvas, Gaston Sébire (1920-2001)

This is a wonderful oil on canvas floral composition by Andres Segovia. Adding so much interest to this piece is the placement of the vase and the appeared wall in the background, dr...

This is a beautiful, original framed, landscape painting entitled "Wyoming" by Robert Aaron Frame. The colors are rich, vibrant and bold. Set in a w...

This is an impressive oversized floral still life by Sarkis Sarkisian featuring tulips and Lillies in a vase. The mauve background is subtle enough to compliment the flowers and vas...

This large scale painting is striking. When lit there is a depth to the painting that draws you in. A combination of both oil, and acrylic the layers of mixed media are responsible f...

This is a wonderful abstract oil painting on a wood panel by John Saccaro, acquired from his estate. Saccaro was a prominent artist in San Fransisco in the 1940-1960s. His bold use o...

This is a wonderful abstract oil painting on a wood panel by John Saccaro, acquired from his estate. Saccaro was a prominent artist in San Fransisco in the 1940-1960s. His bold use o...

French artist, Gaston Sebire, signed oil painting, "Fin de Journee" the end of the day farm field scene. Wide gold frame with linen liner. Canvas measures 17.75" H x 25.25" W.

Gaston Sebire French, 1920-2002 Landscape with figures Oil on canvas 31 by 41 ½ in. With frame 38 by 48 ½ in. Signed lower right Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris. The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.” The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris. Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage.  As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and Frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.” Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...

Flower still life with dahlias, in beautiful, vibrant colors. Oil on canvas. The round format is very unusual. Frame and canvas are an original whole. The painting is signed in the paint on the lower right and dated, 1934. The painting is framed behind anti-reflective glass, which means that the colors are beautifully preserved. The frame is subtly carved in Art Deco style. A similar painting by the same painter is depicted in an old exhibition book by this painter. See picture. His work work has also been purchased by various museums. The book about Gaston Geleyn is beautifully illustrated, 170 pages and it is about the life and work of the artist. The book was published in 1933. Book is supplied with the painting. More information about the Gaston Geleyn follows below. Source: Paul Piron 'Art in Belgium'. GELEYN, Gaston (Brussels, 1892 - Grimbergen 1949). Painter. Stayed with a great uncle in Paris until he was 16 years old. After a short stay in Brussels, he returned to Paris and attended classes at the Ecole des Beaux-Arts led by Roll and Flaming. After the First World War he traveled the world and stayed in America, India and North Africa, among other places. He was under contract from 1919 to 1929 by a Dutch art dealer. His first exhibition was at the 'Giroux' Gallery in Brussels in 1933. Geleyn painted landscapes, marines, figure still lifes and flowers. He also painted the portrait of King Albert I. He had studios in Grimbergen and in Ostend. In Ostend, he painted the sea in all its forms, from the sleeping silver-gray sea...

Orientalist painting by Gaston Parison (1889-1959). Oil on canvas, signed, 19th century.

Alexandre Gaston Guignard (1848 - 1922), oil on canvas, Landscape This is a beautiful painting by the French painter Gasto Guignard. It is a field of cows and Hay, Calm setting with ...

Born in 1938 in Auzolle-Grande, Gaston Planet died in Nantes in 1981. After fine arts in Nantes and the Jullian Academy in Paris, Gaston Planet devoted himself to painting. From 1961...